23 results in English
Hatamoto (Senior Samurai of the Shogun) Corps Formation Rules
Presented here is an emaki (horizontal picture scroll) that depicts a battle formation procession setting off for the battlefield. It is 13 meters long. At first sight, it resembles the Kan’ei Gyōkoki (Record of an imperial visit in the Kan’ei period), in which pictures and letters are printed in type. However, the characters and horses were not printed in type, but were affixed using stamps. The actual number of stamps used is surprisingly small. The 54 mounted soldiers in the scroll were created from just five stamps, but ...
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One Hundred Aspects of the Moon: As I am About to Enter the Ranks of Those Who Disobey/ Ever More Brightly Shines/ The Moon of the Summer Night - Akashi Gidayū
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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One Hundred Aspects of the Moon: The Gion District
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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One Hundred Aspects of the Moon: Inamura Promontory Moon at Daybreak
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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One Hundred Aspects of the Moon: Dawn Moon and Tumbling Snow - Kobayashi Heihachirō
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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One Hundred Aspects of the Moon: The Moon's Inner Vision - Te no Yubai
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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One Hundred Aspects of the Moon: Moon at Katada Bay - Saitō Kuranosuke
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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One Hundred Aspects of the Moon: Monkey-Music Moon
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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One Hundred Aspects of the Moon: Moon at Yamaki Mansion - Kagekado
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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One Hundred Aspects of the Moon: Mount Ashigara Moon - Yoshimitsu
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
Contributed by National Diet Library
One Hundred Aspects of the Moon: Inaba Mountain Moon
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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One Hundred Aspects of the Moon: Mountain Moon After Rain - Tokimune
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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One Hundred Aspects of the Moon: Mount Tobinosu Dawn Moon - Toda Hanbei Shigeyuki
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
Contributed by National Diet Library
One Hundred Aspects of the Moon: On the Coast at Kiyomi Even the Sky Bars the Way/ The Moon is Blocked by the Miho Pine Groves
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
Contributed by National Diet Library
One Hundred Aspects of the Moon: Moon at Chikubu Island - Tsunemasa
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
Contributed by National Diet Library
One Hundred Aspects of the Moon: Moonlight Patrol - Saitō Toshimitsu
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
Contributed by National Diet Library
One Hundred Aspects of the Moon: Shinobugaoka Moon - Gyokuensai
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
Contributed by National Diet Library
One Hundred Aspects of the Moon: Shizu Peak Moon - Hideyoshi
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
Contributed by National Diet Library
One Hundred Aspects of the Moon: Faith in the Third-Day Moon - Yukimori
This print is from Tsuki hyakushi (One hundred aspects of the moon), a collection of 100 large, moon-themed nishiki-e (multicolored woodblock prints) by Tsukioka Yoshitoshi (1839−92). The prints were published in batches by Akiyama Buemon between 1885 and 1892. They depict various aspects of the moon, drawing upon Japanese and Chinese anecdotes, historical events, and mythology, and relate to a wide range of subjects, including famous warriors, notable women, birds and animals, and goblins and ghosts. The print is contained in a folding book consisting of all 100 prints ...
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Satomi and the Eight “Dogs”
This epic novel, entitled Nansō Satomi Hakkenden (Satomi and the eight “dogs”) is a yomihon, or reading book, one of the popular genres of Edo-period (1600-1867) prose fiction. The story depicts the adventures of eight samurais whose last names begin with the Japanese word for dog. The author, Takizawa Bakin (1767-1848), also known as Kyokutei Bakin, worked around 30 years on this, his best-known work. This copy is a first printing, owned by Bakin himself, that shows his corrections of misspellings in the original printing.
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The Actors Ichikawa Raizō in the Role of Umeōmaru and Nakajima Mihoemon in the Role of Shihei
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. The designer of this print is not known with certainty, but ...
Contributed by Library of Congress
Cry of the Crane
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. These two prints are by Okumura Masanobu (1686–1764). The larger ...
Contributed by Library of Congress
A Samurai Drinking Sake
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. This is a preliminary sketch that may have been intended for ...
Contributed by Library of Congress