Hot Springs, South Dakota. The Minnekahta and Gillispie Hotels, New Blocks. The Fremont, Elkhorn, and Missouri Valley Railway and Battle Mountain in the Distance

This image is from the John C.H. Grabill Collection at the Library of Congress. The 188 photographs that Grabill sent to the Library for copyright protection between 1887 and 1892 are thought to be the largest surviving collection of this gifted early Western photographer’s work. The images document frontier life in Colorado, South Dakota, and Wyoming and include views of hunters, prospectors, cowboys, Chinese immigrants, and U.S. Army personnel, as well as of cattle and sheep ranches, mining operations, towns, natural landmarks, forts, railroads, mills, stagecoaches, and wagons. The collection includes a visual record of railroad development; coaches and wagons; mining, smelting, and milling; freighting; emerging cities and towns; parades; cattle roundups and branding; sheepherding; prospecting; and hunting. A number of the images portray the Lakota Sioux living on or near the Cheyenne River and the Pine Ridge reservations and their contact with U.S. military and government agents, and with William “Buffalo Bill” Cody. Notable Lakota depicted include the chiefs Red Cloud, American Horse, and Standing Elk, and the warrior Plenty Horses. Some of the photographs were taken only days after the 1890 massacre at Wounded Knee near Pine Ridge. Very little is known about Grabill. He arrived in Sturgis, South Dakota, in 1886, where he set up a photographic studio. Information printed on the photographic mounts indicates that he also had studios in Deadwood, Lead City, and Hot Springs, South Dakota, in Colorado, and possibly in Chicago, and that he was the “official photographer of the Black Hills and F.P. [Fort Pierre] R.R. and Home Stake Mining Co.”

Hot Springs, South Dakota, from Club House Hill, Southeast, Showing Minnekahta and Gillespie Hotels. The Fremont, Elkhorn, and Missouri Valley Railway, with Old Town in the Distance

This image is from the John C.H. Grabill Collection at the Library of Congress. The 188 photographs that Grabill sent to the Library for copyright protection between 1887 and 1892 are thought to be the largest surviving collection of this gifted early Western photographer’s work. The images document frontier life in Colorado, South Dakota, and Wyoming and include views of hunters, prospectors, cowboys, Chinese immigrants, and U.S. Army personnel, as well as of cattle and sheep ranches, mining operations, towns, natural landmarks, forts, railroads, mills, stagecoaches, and wagons. The collection includes a visual record of railroad development; coaches and wagons; mining, smelting, and milling; freighting; emerging cities and towns; parades; cattle roundups and branding; sheepherding; prospecting; and hunting. A number of the images portray the Lakota Sioux living on or near the Cheyenne River and the Pine Ridge reservations and their contact with U.S. military and government agents, and with William “Buffalo Bill” Cody. Notable Lakota depicted include the chiefs Red Cloud, American Horse, and Standing Elk, and the warrior Plenty Horses. Some of the photographs were taken only days after the 1890 massacre at Wounded Knee near Pine Ridge. Very little is known about Grabill. He arrived in Sturgis, South Dakota, in 1886, where he set up a photographic studio. Information printed on the photographic mounts indicates that he also had studios in Deadwood, Lead City, and Hot Springs, South Dakota, in Colorado, and possibly in Chicago, and that he was the “official photographer of the Black Hills and F.P. [Fort Pierre] R.R. and Home Stake Mining Co.”

Minnekahta Avenue from Soldiers' Home in Hot Springs, South Dakota. On the Fremont, Elkhorn, and Missouri Valley Railway

This image is from the John C.H. Grabill Collection at the Library of Congress. The 188 photographs that Grabill sent to the Library for copyright protection between 1887 and 1892 are thought to be the largest surviving collection of this gifted early Western photographer’s work. The images document frontier life in Colorado, South Dakota, and Wyoming and include views of hunters, prospectors, cowboys, Chinese immigrants, and U.S. Army personnel, as well as of cattle and sheep ranches, mining operations, towns, natural landmarks, forts, railroads, mills, stagecoaches, and wagons. The collection includes a visual record of railroad development; coaches and wagons; mining, smelting, and milling; freighting; emerging cities and towns; parades; cattle roundups and branding; sheepherding; prospecting; and hunting. A number of the images portray the Lakota Sioux living on or near the Cheyenne River and the Pine Ridge reservations and their contact with U.S. military and government agents, and with William “Buffalo Bill” Cody. Notable Lakota depicted include the chiefs Red Cloud, American Horse, and Standing Elk, and the warrior Plenty Horses. Some of the photographs were taken only days after the 1890 massacre at Wounded Knee near Pine Ridge. Very little is known about Grabill. He arrived in Sturgis, South Dakota, in 1886, where he set up a photographic studio. Information printed on the photographic mounts indicates that he also had studios in Deadwood, Lead City, and Hot Springs, South Dakota, in Colorado, and possibly in Chicago, and that he was the “official photographer of the Black Hills and F.P. [Fort Pierre] R.R. and Home Stake Mining Co.”

Hotel Minnekahta, Hot Springs, Dakota Territory

This image is from the John C.H. Grabill Collection at the Library of Congress. The 188 photographs that Grabill sent to the Library for copyright protection between 1887 and 1892 are thought to be the largest surviving collection of this gifted early Western photographer’s work. The images document frontier life in Colorado, South Dakota, and Wyoming and include views of hunters, prospectors, cowboys, Chinese immigrants, and U.S. Army personnel, as well as of cattle and sheep ranches, mining operations, towns, natural landmarks, forts, railroads, mills, stagecoaches, and wagons. The collection includes a visual record of railroad development; coaches and wagons; mining, smelting, and milling; freighting; emerging cities and towns; parades; cattle roundups and branding; sheepherding; prospecting; and hunting. A number of the images portray the Lakota Sioux living on or near the Cheyenne River and the Pine Ridge reservations and their contact with U.S. military and government agents, and with William “Buffalo Bill” Cody. Notable Lakota depicted include the chiefs Red Cloud, American Horse, and Standing Elk, and the warrior Plenty Horses. Some of the photographs were taken only days after the 1890 massacre at Wounded Knee near Pine Ridge. Very little is known about Grabill. He arrived in Sturgis, South Dakota, in 1886, where he set up a photographic studio. Information printed on the photographic mounts indicates that he also had studios in Deadwood, Lead City, and Hot Springs, South Dakota, in Colorado, and possibly in Chicago, and that he was the “official photographer of the Black Hills and F.P. [Fort Pierre] R.R. and Home Stake Mining Co.”

Jollification. Deadwood People Celebrating the Building of Deadwood Central Railroad to Lead City

This image is from the John C.H. Grabill Collection at the Library of Congress. The 188 photographs that Grabill sent to the Library for copyright protection between 1887 and 1892 are thought to be the largest surviving collection of this gifted early Western photographer’s work. The images document frontier life in Colorado, South Dakota, and Wyoming and include views of hunters, prospectors, cowboys, Chinese immigrants, and U.S. Army personnel, as well as of cattle and sheep ranches, mining operations, towns, natural landmarks, forts, railroads, mills, stagecoaches, and wagons. The collection includes a visual record of railroad development; coaches and wagons; mining, smelting, and milling; freighting; emerging cities and towns; parades; cattle roundups and branding; sheepherding; prospecting; and hunting. A number of the images portray the Lakota Sioux living on or near the Cheyenne River and the Pine Ridge reservations and their contact with U.S. military and government agents, and with William “Buffalo Bill” Cody. Notable Lakota depicted include the chiefs Red Cloud, American Horse, and Standing Elk, and the warrior Plenty Horses. Some of the photographs were taken only days after the 1890 massacre at Wounded Knee near Pine Ridge. Very little is known about Grabill. He arrived in Sturgis, South Dakota, in 1886, where he set up a photographic studio. Information printed on the photographic mounts indicates that he also had studios in Deadwood, Lead City, and Hot Springs, South Dakota, in Colorado, and possibly in Chicago, and that he was the “official photographer of the Black Hills and F.P. [Fort Pierre] R.R. and Home Stake Mining Co.”

Celebrating. Deadwood People Celebrating the Building of the Largest Reduction Works of the Kind (for Gold and Silver Ores) in the World

This image is from the John C.H. Grabill Collection at the Library of Congress. The 188 photographs that Grabill sent to the Library for copyright protection between 1887 and 1892 are thought to be the largest surviving collection of this gifted early Western photographer’s work. The images document frontier life in Colorado, South Dakota, and Wyoming and include views of hunters, prospectors, cowboys, Chinese immigrants, and U.S. Army personnel, as well as of cattle and sheep ranches, mining operations, towns, natural landmarks, forts, railroads, mills, stagecoaches, and wagons. The collection includes a visual record of railroad development; coaches and wagons; mining, smelting, and milling; freighting; emerging cities and towns; parades; cattle roundups and branding; sheepherding; prospecting; and hunting. A number of the images portray the Lakota Sioux living on or near the Cheyenne River and the Pine Ridge reservations and their contact with U.S. military and government agents, and with William “Buffalo Bill” Cody. Notable Lakota depicted include the chiefs Red Cloud, American Horse, and Standing Elk, and the warrior Plenty Horses. Some of the photographs were taken only days after the 1890 massacre at Wounded Knee near Pine Ridge. Very little is known about Grabill. He arrived in Sturgis, South Dakota, in 1886, where he set up a photographic studio. Information printed on the photographic mounts indicates that he also had studios in Deadwood, Lead City, and Hot Springs, South Dakota, in Colorado, and possibly in Chicago, and that he was the “official photographer of the Black Hills and F.P. [Fort Pierre] R.R. and Home Stake Mining Co.”

Deadwood. Grand Lodge Independent Order of Odd Fellows of the Dakotas, Resting in Front of City Hall after the Grand Parade, May 21, 1890

This image is from the John C.H. Grabill Collection at the Library of Congress. The 188 photographs that Grabill sent to the Library for copyright protection between 1887 and 1892 are thought to be the largest surviving collection of this gifted early Western photographer’s work. The images document frontier life in Colorado, South Dakota, and Wyoming and include views of hunters, prospectors, cowboys, Chinese immigrants, and U.S. Army personnel, as well as of cattle and sheep ranches, mining operations, towns, natural landmarks, forts, railroads, mills, stagecoaches, and wagons. The collection includes a visual record of railroad development; coaches and wagons; mining, smelting, and milling; freighting; emerging cities and towns; parades; cattle roundups and branding; sheepherding; prospecting; and hunting. A number of the images portray the Lakota Sioux living on or near the Cheyenne River and the Pine Ridge reservations and their contact with U.S. military and government agents, and with William “Buffalo Bill” Cody. Notable Lakota depicted include the chiefs Red Cloud, American Horse, and Standing Elk, and the warrior Plenty Horses. Some of the photographs were taken only days after the 1890 massacre at Wounded Knee near Pine Ridge. Very little is known about Grabill. He arrived in Sturgis, South Dakota, in 1886, where he set up a photographic studio. Information printed on the photographic mounts indicates that he also had studios in Deadwood, Lead City, and Hot Springs, South Dakota, in Colorado, and possibly in Chicago, and that he was the “official photographer of the Black Hills and F.P. [Fort Pierre] R.R. and Home Stake Mining Co.”

Deadwood. Grand Lodge Independent Order of Odd Fellows of the Dakotas. Street Parade, May 21, 1890

This image is from the John C.H. Grabill Collection at the Library of Congress. The 188 photographs that Grabill sent to the Library for copyright protection between 1887 and 1892 are thought to be the largest surviving collection of this gifted early Western photographer’s work. The images document frontier life in Colorado, South Dakota, and Wyoming and include views of hunters, prospectors, cowboys, Chinese immigrants, and U.S. Army personnel, as well as of cattle and sheep ranches, mining operations, towns, natural landmarks, forts, railroads, mills, stagecoaches, and wagons. The collection includes a visual record of railroad development; coaches and wagons; mining, smelting, and milling; freighting; emerging cities and towns; parades; cattle roundups and branding; sheepherding; prospecting; and hunting. A number of the images portray the Lakota Sioux living on or near the Cheyenne River and the Pine Ridge reservations and their contact with U.S. military and government agents, and with William “Buffalo Bill” Cody. Notable Lakota depicted include the chiefs Red Cloud, American Horse, and Standing Elk, and the warrior Plenty Horses. Some of the photographs were taken only days after the 1890 massacre at Wounded Knee near Pine Ridge. Very little is known about Grabill. He arrived in Sturgis, South Dakota, in 1886, where he set up a photographic studio. Information printed on the photographic mounts indicates that he also had studios in Deadwood, Lead City, and Hot Springs, South Dakota, in Colorado, and possibly in Chicago, and that he was the “official photographer of the Black Hills and F.P. [Fort Pierre] R.R. and Home Stake Mining Co.”

The Columbian Parade. October 20th, 1892. Forming of Parade on Lake Front. 100,000 People in Sight. Section Number One

This image is from the John C.H. Grabill Collection at the Library of Congress. The 188 photographs that Grabill sent to the Library for copyright protection between 1887 and 1892 are thought to be the largest surviving collection of this gifted early Western photographer’s work. The images document frontier life in Colorado, South Dakota, and Wyoming and include views of hunters, prospectors, cowboys, Chinese immigrants, and U.S. Army personnel, as well as of cattle and sheep ranches, mining operations, towns, natural landmarks, forts, railroads, mills, stagecoaches, and wagons. The collection includes a visual record of railroad development; coaches and wagons; mining, smelting, and milling; freighting; emerging cities and towns; parades; cattle roundups and branding; sheepherding; prospecting; and hunting. A number of the images portray the Lakota Sioux living on or near the Cheyenne River and the Pine Ridge reservations and their contact with U.S. military and government agents, and with William “Buffalo Bill” Cody. Notable Lakota depicted include the chiefs Red Cloud, American Horse, and Standing Elk, and the warrior Plenty Horses. Some of the photographs were taken only days after the 1890 massacre at Wounded Knee near Pine Ridge. Very little is known about Grabill. He arrived in Sturgis, South Dakota, in 1886, where he set up a photographic studio. Information printed on the photographic mounts indicates that he also had studios in Deadwood, Lead City, and Hot Springs, South Dakota, in Colorado, and possibly in Chicago, and that he was the “official photographer of the Black Hills and F.P. [Fort Pierre] R.R. and Home Stake Mining Co.”

Lead City Mines and Mills. The Great Homestake Mines and Mills

This image is from the John C.H. Grabill Collection at the Library of Congress. The 188 photographs that Grabill sent to the Library for copyright protection between 1887 and 1892 are thought to be the largest surviving collection of this gifted early Western photographer’s work. The images document frontier life in Colorado, South Dakota, and Wyoming and include views of hunters, prospectors, cowboys, Chinese immigrants, and U.S. Army personnel, as well as of cattle and sheep ranches, mining operations, towns, natural landmarks, forts, railroads, mills, stagecoaches, and wagons. The collection includes a visual record of railroad development; coaches and wagons; mining, smelting, and milling; freighting; emerging cities and towns; parades; cattle roundups and branding; sheepherding; prospecting; and hunting. A number of the images portray the Lakota Sioux living on or near the Cheyenne River and the Pine Ridge reservations and their contact with U.S. military and government agents, and with William “Buffalo Bill” Cody. Notable Lakota depicted include the chiefs Red Cloud, American Horse, and Standing Elk, and the warrior Plenty Horses. Some of the photographs were taken only days after the 1890 massacre at Wounded Knee near Pine Ridge. Very little is known about Grabill. He arrived in Sturgis, South Dakota, in 1886, where he set up a photographic studio. Information printed on the photographic mounts indicates that he also had studios in Deadwood, Lead City, and Hot Springs, South Dakota, in Colorado, and possibly in Chicago, and that he was the “official photographer of the Black Hills and F.P. [Fort Pierre] R.R. and Home Stake Mining Co.”