Man in Courtyard
This man with a turban and brightly colored robe is probably a pilgrim. In his right hand he holds a green tubeteika (traditional Central Asian cap), while under his left arm is a folded red mat. In the background is an adobe structure that appears to be a modest khanaka (hostel for pilgrims), of which there were many in Bukhara. The image is by Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944), who used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire. Prokudin-Gorskii was particularly interested in recently acquired territories of the Russian Empire such as Turkestan (present-day Uzbekistan and neighboring states), which he visited on a number of occasions, including a trip in January 1907 that focused on the ancient cities of Bukhara and Samarkand. After the Russian conquest of Samarkand (1868), the Emirate of Bukhara remained nominally independent but in fact became a Russian protectorate linked to settlements along the Trans-Caspian Railway. In contrast to Samarkand, Bukhara’s traditional culture and appearance remained relatively intact.
Title in Original Language
Человек во дворе
Type of Item
Glass negative (presented as a digital color composite)
- Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.
Last updated: September 30, 2016