View of the Borisoglebskii Monastery from the Road. Borisoglebsk

Description

In 1911, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) photographed widely in  Yaroslavl province, including at the Monastery of Saints Boris and Gleb at Borisoglebskii. Founded in 1363 with the blessing of Saint Sergius of Radonezh (1314–92), the avatar of Muscovite monasticism, the monastery was much favored by Muscovy’s rulers, including Tsars Ivan III (the Great) (1440–1505), Vasilii III (1479–1533) and Ivan IV (the Terrible) (1530–84). In the early 17th century, the monastery urged resistance to occupying Polish forces during the dynastic interregnum known as the Time of Troubles. In the late 17th century, a building campaign supported by Metropolitan Jonah Sysoevich of Rostov (circa 1607–90) included the expansion of its brick walls. This view toward the northwest was taken from the road between Rostov and Uglich on the Volga River. The south wall is anchored by massive polygonal towers at the corners. Towers at the center flank the pentacupolar Church of Saint Sergius of Radonezh, built in the late 17th century above the South Gate. At the beginning of the 20th century, Prokudin-Gorskii used a special color photography process to create a visual record of the Russian Empire on the eve of the Russian Revolution. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.

Date Created

Subject Date

Title in Original Language

Вид с дороги на Борисоглебский монастырь. [Борисоглебск]

Type of Item

Physical Description

Glass negative (presented as a digital color composite)

Notes

  • Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.

Last updated: September 21, 2017