Carpenter. Samarkand


This photograph shows a carpenter in a colorful padded robe using a long-handled adze to shape a log. Stripped but unshaped logs lie to the right. Behind the man are gnarled plane trees. In the background is an imposing white-stuccoed wall, probably built for the Russian compound in Samarkand. The wall appears to be capped with turf. Many ethnic groups lived in Samarkand. The image is by Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944), who used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire. Prokudin-Gorskii was particularly interested in recently acquired territories of the Russian Empire such as Turkestan (present-day Uzbekistan and neighboring states), which he visited on a number of occasions, including two winter trips in January 1907 and February 1911. Turkestan appealed to him not only for its Islamic architecture but also for ethnic types and scenes of traditional life in cities such as Samarkand. This same man is shown in another photograph by Prokudin-Gorskii.

Date Created

Subject Date

Title in Original Language

Плотник. Самарканд

Type of Item

Physical Description

Glass negative (presented as a digital color composite)


  • Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at

Last updated: September 30, 2016