Right Entry Door into the Altar, in the Church of Our Savior, in the Vestibule. Rostov Velikii

Description

In 1911, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) visited Rostov the Great, located some 210 kilomters northeast of Moscow. Its main landmark is the kremlin (citadel), more precisely known as the Court of the Metropolitan, constructed primarily in the 1670s and 1680s by the powerful prelate Metropolitan Jonah Sysoevich (circa 1607–90). Seen here is the interior of the Church of the Miraculous Icon of the Savior “na Seniakh” (on the stores), built above a provisions cellar in 1675 to serve as the metropolitan's chapel and for the performance of sacred music. This view of the southeast corner shows a fragment of the iconostasis (far left) and the right portal leading to the altar space. The perspective arches of the portal are richly decorated with arabesques in bright colors. The restricted space of this small church did not permit wide views with the camera; therefore the frescoes on the south wall (scenes from the life of Christ) are shown only in fragments. At the beginning of the 20th century, Prokudin-Gorskii used a special color photography process to create a visual record of the Russian Empire on the eve of the Russian revolution. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.

Date Created

Subject Date

Title in Original Language

Правая входная дверь в алтарь в церкви Спаса на сенях. Ростов Великий

Type of Item

Physical Description

Glass negative (presented as a digital color composite)

Notes

  • Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.

Last updated: May 23, 2017