Entrance into the Summer Church of the Fedorov Mother of God. Yaroslavl


In 1911, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) traveled to the middle Volga region and spent time in the medieval centers of Yaroslavl and Kostroma. Shown here is the west facade of the Church of the Feodor Icon of the Mother of God, built in 1682–87 near the right bank of the Kotorosl River in Yaroslavl. Parishioners provided funds for construction and drew plans based on the nearby Ascension Church, which was completed in 1682. Professional builders completed the complex upper structure, beginning with a low four-sloped roof placed above semicircular decorative gables. At the center of the west facade was a decorated porch leading to the main entrance. The lower part of the facade is encased in a one-story gallery. The walls are of whitewashed brick. On the left background is the Church of Saint Nicholas on Penye, built just to the north in 1691 to serve as a “winter church” for the parish of the Church of the Feodor Icon of the Mother of God. Prokudin-Gorskii used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of his photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.

Date Created

Subject Date

Title in Original Language

Вход в летнюю церковь Федоровской Божьей Матери. Ярославль

Type of Item

Physical Description

Glass negative (presented as a digital color composite)


  • Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.

Last updated: March 3, 2017