Second Shroud, a Gift from Dimitrii Ivanovich Godunov. Ipatevskii Monastery, Kostroma


In the late summer of 1910, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) made a trip down the Volga River from the town of Uglich. He took a number of photographs in Kostroma, including at the Trinity-Ipat’evskii Monastery, located near the confluence of the Kostroma River with the Volga. Founded as early as the late 13th century, the monastery flourished thanks to lavish gifts during the 16th century. The main benefactors were Dmitrii Godunov and his nephew, the future tsar Boris Godunov (1552–1605). The Godunovs considered the monastery to have been founded by their Tatar ancestor Murza Chet, who in 1330 left the Golden Horde for the court of Muscovite Prince Ivan Kalita. Seen here is an icon cloth (podea) donated by Dmitrii Godunov in 1593. The embroidered center depicts one of the most sacred themes in Russian Orthodoxy, the Old Testatment Trinity, or the three angels representing God who visited Abraham and Sarah. The story is told in Genesis, chapter 18. Along the edges are 16 scenes taken from Genesis. Prokudin-Gorskii used a special color photography process to create a visual record of the Russian Empire on the eve of the Russian Revolution. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.

Date Created

Subject Date

Title in Original Language

Второй покров, подаренный Димитрием Ивановичем Годуновым. [Ипатьевский монастырь, Кострома]

Type of Item

Physical Description

Glass negative (presented as a digital color composite)


  • Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at

Last updated: January 11, 2017