In the Country Palace of the Bukhara Emir. Bukhara
Between 1785 and 1920, eight emirs of the Manghit dynasty ruled Buhkara (in present-day Uzbekistan). After the Russian occupation of Samarkand (1868), the Emirate of Bukhara became a Russian protectorate. The last emir of Bukhara was Said Mir Mohammed Alim Khan. Shown here is the throne room of the emir’s suburban residence at Shir-Budun near Bukhara. The design shows the often fanciful use of traditional decorative motifs within a European interior, including the bentwood chairs along the wall. The ceiling cornice displays a decorative application of suspended vaulting elements known as mocárabe. The image is by Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944), who used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire. Prokudin-Gorskii was interested in recently acquired territories of the Russian Empire such as Turkestan, which he visited on a number of occasions, including trips in 1907 and 1911 to the ancient city of Bukhara. He also photographed the emir of Bukhara, Said Mir Mohammed Alim Khan, in 1911.
Title in Original Language
В загородном дворце Эмира Бухарскаго. Бухара
Type of Item
Glass negative (presented as a digital color composite)
- Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.
Last updated: September 30, 2016