Volyn Bridge on the Emperor Nicholas I Canal. Golodnaia Steppe
Among the primary initiators of development in Russian Turkestan was Grand Duke Nicholas Constantinovich (1850–1918), grandson of Tsar Nicholas I, who moved to Tashkent in 1881. There he sponsored a vast irrigation scheme to make Golodnaia Steppe (“Hungry Steppe”) a productive area for cotton and wheat. A related goal was to provide arable land to attract settlers to this land where living conditions were harsh. This photograph shows a wooden bridge over the irrigation canal named in honor of Tsar Nicholas I near the Volyn settlement. On the right is a primitive house (probably of adobe brick) with sheds and three sluices for irrigation. The photograph is out of focus because the camera shifted during the exposure process. The image is by Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944), who used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire. In 1911 his travels took him to Turkestan (present-day Uzbekistan and neighboring states), where he photographed Islamic architectural monuments as well as Russian development projects.
Title in Original Language
Волынский мост на канале Императора Николая I. Голодная степь
Type of Item
Glass negative (presented as a digital color composite)
- Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.
Last updated: September 30, 2016