Stork (Scene in Bukhara)
This photograph shows a large stork’s nest (with stork visible) on the top of the main facade of a madrasah in Bukhara. The view was taken from a back courtyard and includes a damaged ornamental lattice window. The brick wall of the structure shows some decorative traces. After the Russian conquest of Samarkand in 1868, the Emirate of Bukhara remained nominally independent but in fact became a Russian protectorate linked to Russian settlements by the Trans-Caspian Railway. In contrast to Samarkand, where Western influence was much in evidence, in Bukhara the traditional culture and appearance remained relatively intact. The image is by Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944), who used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many parts of the empire. Prokudin-Gorskii was particularly interested in recently acquired territories of the Russian Empire such as Turkestan (present-day Uzbekistan and neighboring states), which he visited on a number of occasions, including two trips in 1911. There he photographed not only architectural monuments but also scenes of everyday life.
Title in Original Language
Аист (Этюд в Бухаре)
Type of Item
Glass negative (presented as a digital color composite)
- Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.
Last updated: September 30, 2016