At Entrance to the Passage of the Dead. Samarkand
The Shah-i Zindah Necropolis, located at the outskirts of Samarkand (present-day Uzbekistan), was built on an ancient burial ground. Shah-i Zindah (Persian for “living king”) is revered as a memorial to Kusam-ibn-Abbas, a cousin of the Prophet Mohammad. This richly detailed photograph shows the middle chartak (entrance chamber) leading to the central group of shrines. At the portal are three turbaned pilgrims, of which the middle one has his left arm in a sling. They are kneeling on a carpet, with their shoes in front. Visible beyond the passage are the facades of the Emir Zade (1386) and Shadi-Mulk Aga (1372) mausolea. Although damaged, the facades display remarkable ceramic decoration, including intricate geometric and floral designs as well as patterned Arabic script. The image is by Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944), who used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire. In 1911 his travels took him to Turkestan, where he devoted special attention to monuments of Islamic architecture.
Title in Original Language
У входа в проходе мертвых. Самарканд
Type of Item
Glass negative (presented as a digital color composite)
- Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.
Last updated: September 23, 2016