General View of Chapan-Ata Mountain. Samarkand
This photograph shows the gently rolling landscape leading up to the Chapan-Ata mazar (mausoleum), located several kilometers northeast of Samarkand (present-day Uzbekistan). The mausoleum takes its name from the summit on which it is located (chapan is a local word for shepherd). Its archaic centralized form, resembling similar structures from the 15th century, has suffered damage over the centuries. The structure, built of adobe brick, is braced by several simple buttresses. The high drum supporting the dome has been coated with stucco. A solitary path ascends the steep slopes leading to the shrine. Visible throughout the slopes are grazing tracks made by sheep, and some areas have been tilled. The image is by Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944), who used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire. Prokudin-Gorskii was particularly interested in recently acquired territories of the Russian Empire such as Turkestan in Central Asia, which he visited on a number of occasions, including two trips in 1911.
Title in Original Language
Общий вид г. Чапан-Ата. Самарканд
Type of Item
Glass negative (presented as a digital color composite)
- Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.
Last updated: September 30, 2016