Ruins of the Fortress above the Bzyb’ River
In 1905 Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) traveled and photographed extensively in the Caucasus region. In 1912, Prokudin-Gorskii returned to photograph the dramatic landscape and ancient monuments of the mountainous interior of the Caucasus region. He also photographed a number of ancient Orthodox Christian shrines. Seen here are the ruins of a large 10th-century stone church dedicated to the Mother of God and the remnants of a fortress located near the Bzyb’ River at the hamlet of Akvar. Akvar is to the south of Gagra in Abkhazia, in the northern part of Georgia. At 110 kilometers, the Bzyb’ is the longest river in Abkhazia; it flows into the Black Sea at Pitsunda Cape. Much of the Transcaucasian region was dominated by the Ottoman Empire during the 16th century. The Turks were expelled from Abkhazia in 1810, and in 1864, the area was formally annexed to the Russian Empire. Prokudin-Gorskii used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of his photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Title in Original Language
Развалины крепости над рекой Бзыбь
Type of Item
Glass negative (presented as a digital color composite)
- Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.
Last updated: September 28, 2016