New Inn. Gagra


In 1905 Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) traveled and photographed extensively in the Caucasus region. In the spring of 1912, Prokudin-Gorskii returned to photograph in the Caucasus region, including the resort of Gagra in Abkhazia, located in the northern part of Georgia and on the coast of the Black Sea. Much of the Transcaucasian area was dominated by the Ottoman Empire during the 16th century. In 1810, the Turks were expelled from the area, but the Russian settlement at Gagra remained isolated and was subject to attack from Circassian warriors. In 1864, Abkhazia was formally annexed by the Russian Empire. At the turn of the 20th century, Prince Aleksandr Olʹdenburgskii invested heavily to develop the area—which had spectacular scenery—into a “Russian Riviera.” Seen here is the main entrance to the Gagra hotel; construction on this building began around 1902. The imposing stucco facade conceals  walls that are primarily constructed with wooden frames, which was suitable for this warm region. The art nouveau style of the building is visible in the decorative detailing. At the steps to the entrance is a touring car (with a driver seated on the right), probably used by the photographer. Below the veranda is a setting of semitropical plants, including palms and agaves. Prokudin-Gorskii used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of his photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.

Date Created

Subject Date

Title in Original Language

Новая гостиница. Гагры

Type of Item

Physical Description

Glass negative (presented as a digital color composite)


  • Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at

Last updated: September 28, 2016