Three Generations. A.P. Kalganov with Son and Granddaughter. The Last Two Work in the Shops of the Zlatoust Plant
From 1909 to 1912, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) made several trips to the territory around the Ural Mountains, where he photographed railroad installations, factories, urban settings, and natural scenes. Among the towns Prokudin-Gorskii visited in September 1909 was Zlatoust, located in the Ai River valley to the west of Chelyabinsk. Named in honor of Saint John Chrysostom (“golden-tongued,” or zlatoust), the town was founded in 1754 and became a center of finished metal production, including armaments. This frequently-reproduced photograph shows three generations of workers at the Zlatoust factory. On the left is the 72-year-old Andrei Petrovich Kalganov, who worked at the factory for 55 years and was chosen to present the traditional “bread-salt” greeting to Tsar Nicholas II during his visit in 1904. At the time this photograph was taken, Kalganov specialized in the leather sheathing of saber scabbards for military officers. His gold-edged caftan and the two medals he wears were awarded for mastery and excellence in work. Next to Kalganov stand his son and granddaughter. Prokudin-Gorskii used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of his photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Title in Original Language
Три поколения. А.П. Калганов с сыном и внучкой. Двое последних работают в мастерских Златоустовскаго завода
Type of Item
Glass negative (presented as a digital color composite)
- Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.
Last updated: September 28, 2016