Etruscan Vases in the Hermitage in Saint Petersburg
Produced under the influence of Greek art from the seventy to the fourth ceturies BCE, Etruscan vases occupied one of the most magnificent halls in the New Hermitage, the Hall of Graeco-Etruscan Vases. The bulk of the collection, which numbers some 1,300 items, was purchased in Rome in 1834 and originally displayed at the Imperial Academy of the Arts. With the completion of the New Hermitage in 1851, the collection was transferred to a temple-like setting at the end of the west enfilade. Shown in this side view is a vase in the form of a sphinx as portrayed in Greek art: the head and breasts of a woman on the body of a lion, with the wings of a giant bird. The image is by Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944), who used a special color photography process to create a visual record of the Russian Empire in the early 20th century. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire. One of the primary goals of the photographer’s method was to convey the aesthetic component of color in works of art. His choice of the vase seen here was probably motived by extensive use of color in Etruscan art.
Title in Original Language
Этрусския вазы в Эрмитаже в СПетербурге
Type of Item
Glass negative (presented as a digital color composite)
- Prokudin-Gorskii’s photographic work survives primarily in two forms: 1,901 black-and-white triple-frame glass plate negatives, made with color separation filters, which Prokudin-Gorskii used to make color prints and lantern slides; and 12 albums of sepia-tone prints, made from the glass negatives, which Prokudin-Gorskii compiled as a record of his travels and studies. The Library of Congress purchased the glass plate negatives and the albums from the Prokudin-Gorskii family in 1948. In 2004, the Library of Congress had digital color composites made from all the surviving glass negatives using a software algorithm to automatically align the color components. As with most historical photographs, title and subject identifications are corrected and enhanced through new research. Current information on the collection is at http://www.loc.gov/pictures/collection/prok/.
Last updated: September 23, 2016