Mechanical and Geometrical Splendor and Sensitivity Toward Numbers. Futurist Manifesto

Description

Lo splendore geometrico e meccanico e la sensibilità numerica (Mechanical and geometrical splendor and sensitivity toward numbers) is a manifesto published in 1914 by Filippo Tommaso Marinetti in which he expands on the features of Futurist writing, particularly the expressive power of parole in libertà (words-in-freedom) and suggests ways to increase lyricism in writing. The text is from a collection of Futurist documents held by the University Library of Padua. Futurism was a short-lived artistic movement, founded in 1909 by the Italian writer Filippo Tommaso Marinetti (1876‒1944). The goal of the Futurists was to discard the art of the past and to usher in a new age that rejected tradition and celebrated change, originality, and innovation in culture and society. The original Futurist manifesto of 1909, written by Marinetti, exalted the beauty of the machine and the new technology of the automobile, with its speed, power, and movement. The Futurists glorified violence and conflict and called for the destruction of cultural institutions such as museums and libraries. Marinetti also founded and edited a journal, Poesia (Poetry). Marinetti’s original manifesto was followed by Futurist manifestoes on sculpture, painting, literature, architecture, and other fields written by other members of the movement. Prominent Futurists included painter and sculptor Umberto Boccioni (1882‒1916); painters Carlo Carrà (1881‒1966), Giacomo Balla (1871‒1958), and Gino Severini (1883‒1966); painter and composer Luigi Russolo (1885‒1947); and architect Antonio Sant’Elia (1888‒1916). Several of the Futurists, notably Boccioni and Sant’Elia, were killed during World War I.

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Subject Date

Publication Information

Governing Group of the Futurist Movement, Milan, Italy

Language

Title in Original Language

Lo splendore geometrico e meccanico e la sensibilità numerica. Manifesto futurista

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Type of Item

Physical Description

4 pages

References

  1. Elza Adamowicz and Simona Storchi, editors, Back to the Futurists: The avant-garde and its legacy (Manchester, U.K.: Manchester University Press, 2013).
  2. John James White, “Futurism,” in Encyclopaedia Britannica. https://www.britannica.com/art/Futurism#ref1052836.
  3. “Words in Freedom: Futurism at 100.” An exhibition held at the Museum of Modern Art, New York, in 2009. https://www.moma.org/interactives/exhibitions/2009/futurism/.

Last updated: June 29, 2017