The Art of Noises. Futurist Manifesto

Description

L'arte dei rumori (The art of noises) takes the form of a letter from artist and instrument builder Luigi Russolo to the musician Francesco Balilla Pratella written on March 11, 1913. Russolo focused on noises as a basic element of Futurist musical poetics and invented new musical instruments called intonarumori (noisetuners, or noise-making instruments). He said that “the limited circle of pure sounds must be broken, and the infinite variety of ‘noise-sound’ conquered.” The text is from a collection of Futurist documents held by the University Library of Padua. Futurism was a short-lived artistic movement, founded in 1909 by the Italian writer Filippo Tommaso Marinetti (1876‒1944). The goal of the Futurists was to discard the art of the past and to usher in a new age that rejected tradition and celebrated change, originality, and innovation in culture and society. The original Futurist manifesto of 1909, written by Marinetti, exalted the beauty of the machine and the new technology of the automobile, with its speed, power, and movement. The Futurists glorified violence and conflict and called for the destruction of cultural institutions such as museums and libraries. Marinetti also founded and edited a journal, Poesia (Poetry). Marinetti’s original manifesto was followed by Futurist manifestoes on sculpture, painting, literature, architecture, and other fields written by other members of the movement. Prominent Futurists included painter and sculptor Umberto Boccioni (1882‒1916); painters Carlo Carrà (1881‒1966), Giacomo Balla (1871‒1958), and Gino Severini (1883‒1966); painter and composer Luigi Russolo (1885‒1947); and architect Antonio Sant’Elia (1888‒1916). Several of the Futurists, notably Boccioni and Sant’Elia, were killed during World War I.

Date Created

Subject Date

Publication Information

Governing Group of the Futurist Movement, Milan, Italy

Language

Title in Original Language

L'arte dei rumori. Manifesto futurista

Place

Type of Item

Physical Description

4 pages

References

  1. Elza Adamowicz and Simona Storchi, editors, Back to the Futurists: The avant-garde and its legacy (Manchester, U.K.: Manchester University Press, 2013).
  2. John L. Walters, “The Noise of Art,” Guardian (October 27, 2000). https://www.theguardian.com/friday_review/story/0,3605,388223,00.html.
  3. “Words in Freedom: Futurism at 100.” An exhibition held at the Museum of Modern Art, New York, in 2009. https://www.moma.org/interactives/exhibitions/2009/futurism/.

Last updated: June 29, 2017