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Album of the Coats of Arms of Ukraine
This collection of prints depicts the historic coats of arms and flags of Ukraine. The work is by Mykola Bytynsʹkyĭ (1893–1972), a Ukrainian painter and expert on heraldry. Bytynsʹkyĭ fought in the Ukrainian War for Independence at the end of World War I and later immigrated to Prague where he studied arts and produced several works on heraldry. After World War II, he lived in a displaced persons camp in Germany, before immigrating to Canada. The coat of arms of Ukraine, a trident on a blue shield, was officially ...
Contributed by
National Parliamentary Library of Ukraine
Uzhhorod
This image is part of an album probably published in about 1920 that contains 20 photographs of scenes in Carpathian Ruthenia, a mountainous region, most of which was part of the Austria-Hungary before World War I, but which became part of the new Czechoslovak state in 1919. Today the largest portion of it forms Zakarpattia Oblast in western Ukraine, with smaller parts in Slovakia and Poland. Uzhhorod, in present-day western Ukraine, was the main administrative, commercial, and cultural center of Carpathian Ruthenia. The city, also previously known as Ungvar, was ...
Contributed by
National Parliamentary Library of Ukraine
Iska. Village
This image is part of an album probably published in about 1920 that contains 20 photographs of scenes in Carpathian Ruthenia, a mountainous region, most of which was part of the Austria-Hungary before World War I, but which became part of the new Czechoslovak state in 1919. Today the largest portion of it forms Zakarpattia Oblast in western Ukraine, with smaller parts in Slovakia and Poland. Shown here is a pastoral scene of the cultivated fields and mountains around the village of Iska (present-day Izky) in Mizhhiria District. The baroque ...
Contributed by
National Parliamentary Library of Ukraine
Hutsul Women
This image is part of an album probably published in about 1920 that contains 20 photographs of scenes in Carpathian Ruthenia, a mountainous region, most of which was part of the Austria-Hungary before World War I, but which became part of the new Czechoslovak state in 1919. Today the largest portion of it forms Zakarpattia Oblast in western Ukraine, with smaller parts in Slovakia and Poland. This image shows a group of Hutsul women with a child. The Hutsuls are an ethnic and cultural group who speak a dialect of ...
Contributed by
National Parliamentary Library of Ukraine
Hutsul Men
This image is part of an album probably published in about 1920 that contains 20 photographs of scenes in Carpathian Ruthenia, a mountainous region, most of which was part of the Austria-Hungary before World War I, but which became part of the new Czechoslovak state in 1919. Today the largest portion of it forms Zakarpattia Oblast in western Ukraine, with smaller parts in Slovakia and Poland. This image shows a group of Hutsul men. The Hutsuls are an ethnic and cultural group who speak a dialect of Ukrainian, influenced by ...
Contributed by
National Parliamentary Library of Ukraine
Carpathian Ruthenia. Ceramics
This image is part of an album probably published in about 1920 that contains 20 photographs of scenes in Carpathian Ruthenia, a mountainous region, most of which was part of the Austria-Hungary before World War I, but which became part of the new Czechoslovak state in 1919. Today the largest portion of it forms Zakarpattia Oblast in western Ukraine, with smaller parts in Slovakia and Poland. Ceramics have been one of the crafts of Carpathian Ruthenia for centuries, as the region has large deposits of kaolin (china clay). Decorated pottery ...
Contributed by
National Parliamentary Library of Ukraine
Al-Iraq, Number 1, June 1, 1920
Al-Iraq was a daily newspaper focusing on politics, literature, and the economy, first published in Baghdad on June 1, 1920. Owned by Razzuq Dawood Ghannam, the paper showed an independent editorial streak from its first few issues. Throughout its existence, it recorded the political, social, and economic history of Iraq and was considered the first and last source for news on national issues and causes. The paper did not represent the rising nationalistic, anticolonial elite, but it was pan-Iraqist in orientation and counted among its staff a number of young ...
Contributed by
Iraqi National Library and Archives
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Group of Circus Performers
This December 1932 photograph shows the members of three world-famous trapeze acts posing in the safety net at La Scala in Berlin: The Flying Codonas of Mexico, The Flying Concellos of the United States, and Les Amadori of Italy. Shown from left to right are Genesio Amadori (Les Amadori), Art Concello (The Flying Concellos), Alfredo Codona (The Flying Codonas), Vera (Bruce) Codona (The Flying Codonas), Antoinette Concello (The Flying Concellos), Ginevra Amadori (Les Amadori), Everett White (The Flying Concellos), Lalo Codona (The Flying Codonas), and Goffreddo Amadori (Les Amadori). The ...
Contributed by
Illinois State University's Special Collections, Milner Library
Circus Spectacle Float
This photograph depicts an elaborate spectacle float in the “backyard” of the Ringling Bros. and Barnum & Bailey Circus in September 1922. The spectacle, or “spec,” often opened the show and was a procession that took place around the hippodrome track inside the big top, or circus tent, featuring as many of the performers and animals as the circus director was able to costume. Traced back to the earliest circuses in America, the spec was originally a lavish performance of literary or historical tales intended to entertain and edify the audience ...
Contributed by
Illinois State University's Special Collections, Milner Library
John Robinson's Circus
This 1929 photograph shows the interior of John Robinson's Circus during a spectacle, or “spec,” performance of King Solomon and the Queen of Sheba in Cincinnati, Ohio. In the American circus, the spec developed as a procession that took place around the hippodrome track inside the big top, or circus tent, featuring as many of the performers and animals as the circus director was able to costume. John Robinson’s Circus was especially known for its dazzling productions of King Solomon and the Queen of Sheba, which offered a ...
Contributed by
Circus World Museum
Back Door Scene at the American Circus
In the American circus, the area directly behind the circus tent or arena where performers prepared for and staged their entrances through the “back door” came to be known as the “backyard.” This glass-plate negative from 1928 reveals a typical backyard scene of an American circus just prior to performance of the spectacular production number. The spectacle, or “spec,” was a procession that took place around the hippodrome track inside the big top, or circus tent, featuring as many of the performers and animals as the circus director was able ...
Contributed by
Circus World Museum
Circus Midway Scene
This 1935 photograph shows a crowd gathering on the midway of the Hagenbeck-Wallace Circus, heading towards the entrance marquee tent. On the left is the painted banner line depicting freaks and attractions in the sideshow, an added fee attraction operating before the main show. On the right can be seen concession tents and ticket wagons. Visible behind the marquee entrance is the “free” menagerie tent consisting of the exhibition of exotic caged animals, elephants, and other lead stock. By the 1930s, the midway had become an important part of the ...
Contributed by
Circus World Museum
Cole Bros. Circus
This 1935 image presents a scene from a typical moderate-sized 20th-century American circus. A crowd watches as baggage wagons from the Cole Bros. Circus are being pulled over flatcars. The railcars are marked Clyde Beatty and Allen King, who were two of the more notable animal trainers of the period. Behind the flatcars are stock cars that held elephants and baggage horses. This scene was repeated daily, morning and night, in railroad yards in communities across the United States. Cole Bros. Circus was established in 1884 by William Washington Cole ...
Contributed by
Circus World Museum
Free Street Parade of the Sells-Floto Circus
This colorful lithograph advertises the upcoming street parade of the Sells-Floto Circus, promoting ticket sales to the local residents for the twice-a-day shows. The artwork captures the grandeur of the American circus parade in the 1920s. The parade is led by a rider wearing an 18th-century costume and carrying a circus banner. Behind the rider is a group of mounted horsemen, elephants in costumes worn in big production number during the show (“spec costuming”), a band, and a number of circus wagons. Several of the elephants and wagons promote the ...
Contributed by
Circus World Museum
The Uganda Journal, Volume I, Number 1, January 1934
The Uganda Literary and Scientific Society was established at Entebbe, Uganda Protectorate, in 1923. Its main activity consisted of the reading of papers and the delivery of lectures on topics relating to Uganda. In 1933 the society moved its headquarters to Kampala and decided to issue a regular publication, The Uganda Journal. The journal’s declared aim was “to collect and publish information which may add to our knowledge of Uganda and to record that which in the course of time might be lost.” Four issues per year were published ...
Contributed by
National Library of Uganda
View 74 more issues
Pay Off of Spec—the Good Old Times
In the American circus, the spectacle, or “spec,” developed as a procession that took place around the hippodrome track inside the big top, or circus tent, featuring as many of the performers and animals as the circus director was able to costume. Traced back to the earliest circuses in America, the spec was originally a lavish performance of literary or historical tales intended to entertain and edify the audience. The costumes created for specs were often exotic, representing cultures from all corners of the globe. The costumes also could be ...
Contributed by
The John and Mable Ringling Museum of Art
Ringling Circus Winter Quarters, Sarasota, Florida
John Ringling (1866–1936), one of the seven Ringling brothers who dominated the development of the American circus in the late 19th and early 20th century, moved the winter quarters of the Ringling Bros. and Barnum & Bailey Circus from its original quarters in Bridgeport, Connecticut, to Sarasota, Florida. Ringling’s vision, as recalled by Fred Bradna, equestrian director for the show, in his book The Big Top, was to “lay out the quarters like a zoo, and thousands of visitors will pay to see it. I’ll build an open-air ...
Contributed by
The John and Mable Ringling Museum of Art
Ex Librises by A. Tychina
Anatoly Tychina (1897–1986), one of the major book designers in Belarus in the 20th century, played a significant role in the development of Belarusian national art. He worked in such areas of the graphic arts as book design, easel graphics, newspaper and magazine design, and ex-libris bookplates. His works display expressive realistic forms, contrasts of color and volume, as well as a unique national character. Ex-libris design flourished in Belarus in the 1920s. With help from the Belarusian Society of Bibliophiles, a small edition of 200 copies of Еx ...
Contributed by
National Library of Belarus
The Celestial Threads
Yazep Drazdovich (1888–1954), a versatile figure in the history of Belarusian culture, worked in different areas of art as a painter, sculptor, ethnographer, archeologist, and teacher. One of the founders of the school of national historical painting, he was called a Belarusian Leonardo Da Vinci and a Belarusian Tsiolkovskii (after the Russian and Soviet scientist and pioneer of astronautics). Drazdovich’s passionate desire to unlock the secrets of the night sky led him to formulate his own theory on the origin of the planets in the solar system. He ...
Contributed by
National Library of Belarus
Inter-American Highway
The Inter-American Highway is the portion of the Pan-American Highway system that runs from Nuevo Laredo, Mexico, to Panama City, Panama, a total of 5,390 kilometers. The First Pan American Congress of Highways took place in October 1925 in Buenos Aires, Argentina, under the auspices of the Pan American Union. The congress was followed by a program of surveys and further meetings to discuss development of an inter-American highway system. In October 1929, representatives of the Central American countries, Mexico, and the United States met in Panama to establish ...
Contributed by
Columbus Memorial Library, Organization of American States
Products of Mexico and Central America
This black-and-white sketch map showing the products of Mexico and Central America was prepared for publication in the Bulletin of the Pan American Union. It is now preserved in the Columbus Memorial Library of the Organization of American States, successor organization to the Pan American Union. Typed or written on the map are the locations of centers of both agricultural and mineral production. The map shows mineral production located mainly in Mexico, with asphalt, coal, gold, lead, petroleum, precious stones (opals), quicksilver (mercury), and silver listed. Mexico is also shown ...
Contributed by
Columbus Memorial Library, Organization of American States