267 results in English
Armenian Women in Holiday Attire. Artvin
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Armenian Women (Catholics) in Customary Dress. Artvin
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Armenian Woman in National Costume. Artvin
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Cotton. In Sukhumi Botanical Garden
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
General View of the Likanskii Palace from the Kura River
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
View of Tiflis from the Grounds of Saint David Church
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Persian Tatars. Saatly. Mugan Steppe
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Settler's Family. Settlement of Grafovka
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Hut of a Settler from Kharkov Province. Grafovka
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Cotton
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Inn in Petropavlovskoe
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Settlement of Petropavlovskoe. A Street (Seventy-Seven Households)
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Tea Plantations. Chakva
By the beginning of the 20th century, the plantation and processing plants at Chakva, Georgia, north of the port of Batumi, had become one of the main suppliers of tea to the Russian Empire and an alternative to imports from China. Seen here is a hillside planted with rows of young tea bushes. The natural amphitheater formed by the terrain was well suited for cultivation of the plants, which required careful tending. In the 19th century the Russian Empire expanded into the southern Caucasus, particularly after the conclusion of the ...
Contributed by Library of Congress
Alley of Chamaerops Excelsus, Windmill Palm
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Group of Workers Harvesting Tea. Greek Women. Chakva
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Weighing Section. Chakva Tea Factory
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Pond Feeding Water to the Electric Station's Turbine. Along the Road to the Falls. Gagra
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Tree Plantation. View from Vrontsov Plateau.
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Good Cotton, but in the Central Part Empty Spaces, Due to Solonetz, Can Be Seen. Nikolaevka
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Solonetz. Cotton, Sparse and Poor Quality. In the Background, It Is Either Drying or Gone. Nikolaevka
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. On the Left Good Cotton. There Is None on the Right. And Even Though the Second Side Has Been Manured, Solonetz Is Spreading, since Last Year Was the Reverse. Nikolaevka
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Nikolaevka. In the Garden of a Settler. Pomegranates.
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Cotton in Bloom. White the First Day, Red the Second Day
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Settler's Courtyard. Ovens for Preparing Food in the Courtyard
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Strip of Cotton, Destroyed by Locusts. Settlement of Grafovka
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Kura River. Boundry between Mugan and Shirvan Steppes. The First - on the Left. The Right Bank - Karochal's Estate
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Petropavlovskoe. Construction of the Bogau Cotton Mill
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. Church in the Settlement of Petropavlovskoe
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Mugan. General View of Petropavlovskoe (And Kura River from Northwest)
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Samedov Cotton Plant. Petropavlovskoe. Mugan Steppe
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
General View of Kura River with Petropavlovskoe Settlement. Mugan Steppe
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Watermelons. An Import along the Kura River in Petropavlovskoe. Mugan Steppe
This photograph shows watermelons awaiting shipping along the Kura River, the largest river in the Transcaucasus, in Petropavlovka (present-day Sabirabad, Azerbaijan). Petropavlovka was established in 1887 on the right bank of the Kura, near the confluence with its largest tributary, the Araks, in the southeastern Caucasian region of the Mughan Plain. The Russian imperial government intended the semiarid region as a place for resettlement primarily by Ukrainian peasants. Living conditions and climate were harsh and flooding from the Araks was a continual threat, so that the growth of Petropavlovka village ...
Contributed by Library of Congress
Type of Settler's Home in Petropavlovskoe. In the Background a Mosque. Mugan Steppe
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Confluence of Araksa River and Kura River at Petropavlovskoe. Mugan Steppe
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Navigable Stretch of the Kura River at Petropavlovskoe. A Dock. Mugan Steppe
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
General View of Artvin from the Small Town of Svet
In 1905 and again in 1912, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) traveled and photographed extensively in the Caucasus region. Seen here is the town of Artvin, which is nestled in the Kackar Mountains near the Coruh River, some 30 kilometers from the Black Sea (now the extreme northeastern corner of Turkey). The site of Artvin has been settled for millennia and was often fought over due to its strategic position. Although briefly held by the Byzantine Empire in the 11th century, the area was generally under the control ...
Contributed by Library of Congress
Georgievskaia Street in Artvin
In 1905 and again in 1912, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) traveled and photographed extensively in the Caucasus region. Seen here is Saint George Street in the town of Artvin, which is nestled in the Kackar Mountains near the Coruh River, some 30 kilometers from the Black Sea (now the extreme northeastern corner of Turkey). The site of Artvin has been settled for millennia and was often fought over due to its strategic position. Briefly held by the Byzantine Empire in the 11th century, the area was generally ...
Contributed by Library of Congress
Quince in Bloom. Artvin
This 1905 photograph was taken in the mountain town of Artvin, located in the Caucasus in what is today Turkey. It features a lush quince tree in bloom within the fenced yard of a house. In the background is a steep ravine typical of the terrain of the region. Part of different Georgian kingdoms since the 10th century, the Artvin territory, along with much of the southern Caucasus, was taken by the Ottoman Empire in the early 16th century. Following the Russo-Turkish War of 1877–78, the territory was transferred ...
Contributed by Library of Congress
Mullah with His Female Students near the Artomelinskaia Mosque in Artvin
In 1905 and again in 1912, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) traveled and photographed extensively in the Caucasus region. This photograph was taken in the town of Artvin, which is nestled in the Kackar Mountains near the Coruh River, some 30 kilometers from the Black Sea (now the extreme northeastern corner of Turkey). The site of Artvin has been settled for millennia and was often fought over due to its strategic position. For the past several centuries the area has generally been under the control of various Turkish ...
Contributed by Library of Congress
Kurd Woman with Children. Artvin
In 1905 and again in 1912, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) traveled and photographed extensively in the Caucasus region. This photograph was apparently taken in the vicinity of the village of Kvartskhana. Nearby is the ancient town of Artvin, which is located in the Kackar Mountains near the Coruh River, some 30 kilometers from the Black Sea (now the extreme northeastern corner of Turkey). For the past several centuries the area has generally been under the control of various Turkish states. Following the Russo-Turkish War of 1877–78 ...
Contributed by Library of Congress
Cape Zelenyi in Batum. In Baratov's Garden. Study
In 1905 and again in 1912, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) traveled and photographed extensively in the Caucasus region. This view shows rhododendron and other flowering plants in the park at Likani, located on the Tura River near the resort of Borjomi in southwestern Georgia. The Tura River flows through the Borjomi Gorge, which separates the mountains of the Meskheti Range (seen here in the background) from the Trialeti Range to the south. The Likani Park was part of a palace complex developed in 1892–95 by Grand ...
Contributed by Library of Congress
Japanese Maples. Batumi
In 1905 and again in 1912, Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) traveled and photographed extensively in the Caucasus region. He was particularly interested in exploring the southern part of Georgia near the Turkish border. Much of the southern Caucasus was absorbed into the Ottoman Empire in the early 16th century, and some local groups, including the Adjars, converted to Islam. In the 19th century this semitropical area witnessed expansion by the Russian Empire, which took the territory of Ach’ara from the Ottomans in 1878. By the 20th ...
Contributed by Library of Congress