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74 results
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Gulzar Calligraphic Panel
This calligraphic panel executed in black and red on a white ground decorated in gold contains a number of prayers (du'a's) directed to God, the Prophet Muhammad, and his son-in-law 'Ali. The letters of the larger words are executed in nasta'liq script and are filled with decorative motifs, animals, and human figures. This style of script, filled with various motifs, is called gulzar, which literally means 'rose garden' or 'full of flowers.' It usually is applied to the interior of inscriptions executed in nasta'liq, such as ...
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Holy Qur'an
According to Islamic belief, the Holy Qur'an was revealed by God to the Prophet Mohammad (570–632) by the Angel Gabriel over a period of 22 years. The Qur'an speaks in powerful, moving language about the reality and attributes of God, the spiritual world, God's purposes with mankind, man's relationship and responsibility to God, the coming of the Day of Judgment, and the life hereafter. It also contains rules for living, stories of earlier prophets and their communities, and vital insights and understandings concerning the meaning ...
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The Treasure of Khvarazm’Shah
Ismā‘īl ibn Ḥasan Jurjānī (circa 1042–circa 1136, also seen as Jorjānī and Gurjānī), known popularly as Hakim Jurjānī, was among the most famous physicians of 12th-century Iran. In the period between the Islamic conquest and the time of Jurjānī, almost all scientific books by Iranians were written in Arabic, including such famous works as al-Qānūn fī al-tibb (The canon of medicine) by Ibn Sina (Avicenna). Jurjānī's medical encyclopedia, Zakhīrah-i Khvārazm’Shāhī (The treasure of Khvarazm’Shah) was the first major medical book in post-Islamic Iran written in ...
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Molla Sadra’s Miscellany
Muḥammad ibn Ibrāhīm Ṣadr al-Dīn Shīrāzī (1571–1640), commonly known as Molla Sadra, was a Persian Islamic philosopher, theologian, and mystic who led the Iranian cultural renaissance in the 17th century. The foremost exemplar of the Illuminationist, or Eshraqi, school of philosopher-mystics, Molla Sadra is commonly regarded by Iranians as the greatest philosopher that Iran has produced and is arguably the single most important and influential philosopher in the Muslim world of the last four centuries. His school of philosophy is called Transcendent Theosophy. Molla Sadra's philosophy and ontology ...
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The Book of Kings
Shahnameh Baysonqori is a copy of Shahnameh (Book of kings) composed by the highly revered Iranian poet Abū al-Qāsim Firdawsī (940–1020). The importance of Shahnameh in the Persian-speaking world is comparable that of Homer’s epics in the West. The book recounts in verse the mythological history of ancient Persia and tales of the famous heroes and personalities of Iranian history, from legendary times to the 7th-century reign of Yazdgerd III, the last king of the Sassanid dynasty. The tales are based on earlier historical works, but are mixed ...
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Treatise on Holy War
The first Persian printing press in Iran was established in 1816 in Tabriz, and the first book published by the press was Jihādīyyah (Treatise on holy war), written by Abu al-Qasim ibn 'Isá Qa'im'maqam Farahani (circa 1779–1835), the prime minister of Persia at that time. During the reign of King Fath Ali Shah (1772–1834, reigned 1797–1834), while the Qajar government was absorbed with managing domestic turmoil, rival European colonial powers sought to establish themselves in the region. The British competed for influence in the south ...
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Anthology of Ḥakīm Ruknā Masīḥ
This diwan (a collection of poems in Arabic or Persian, usually by a single author) of Persian poems by physician and poet Ḥakīm Ruknā Masīḥ dates from 1638. “Ḥakīm” is an honorific for a wise man or physician. “Masīḥ” (the Christian), which appears elsewhere in the manuscript, was a pen name of the author. It is believed that the poems were dictated by the author to his calligrapher. The manuscript is in four sections, containing qasidas (odes), ghazals (lyric poems), rubaiyat (quatrains), and muqatta't (poetic fragments). The first two ...
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Bazaar of Esfahan
This photograph shows a part of the bazaar in Isfahan, Iran as it appeared in 1944. A bazaar is a marketplace or assemblage of shops where a wide variety of goods and services are displayed for trade. “Bazaar” is derived from the Persian word for “market,” and many believe that the bazaar is one of the most important landmarks of Persian civilization. Archaeologists have found evidence of bazaars in different parts of Iran, and scholars have concluded that the development of cities was based on not only a rising population ...
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Ismāʻīl, the Persian Ambassador of Ṭahmāsp, King of Persia
Melchior Lorck, or Lorichs (1527–circa 1590), was the most brilliant graphic artist in 16th-century Denmark. He was born in Flensburg of distinguished parents; the Danish kings took up residence in the Lorck house when visiting the city. In 1549 King Christian III gave Lorck financial support to go on an educational journey. Lorck’s wanderlust led him throughout Europe and in the end to Vienna, where he gained employment with Emperor Charles V. From 1555 to 1559 Lorck was one of three ambassadors sent by the emperor to Constantinople ...
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Representatives of the First Iranian Parliament
This photograph shows the representatives of the first Iranian Majles (parliament) in front of the military academy, which served as the first parliament building. In the 1870s–early 20th century, leading political figures in Iran concluded that the only way to save country from government corruption and foreign manipulation was to make a written code of laws, an attitude that laid the foundation for the Iranian Constitutional Revolution of 1905–7. The movement for a constitution bore fruit during the reign of Muẓaffar ad-Dīn Shah of the Qajar dynasty, who ...
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The Near East
This 1952 map by the Army Map Service of the U.S. Army Corps of Engineers provides a broad overview of the Near East, the geographic region traditionally thought of as encompassing the countries of southwest Asia, including Turkey, Lebanon, Syria, Iraq, Israel, and Jordan, and the countries of the Arabian Peninsula. In addition to political borders, the map shows lakes, rivers, and other bodies of water, marshlands, cities by population, pipelines, railroads, and pumping stations. Above the key is a glossary of topographic terms with transliterations and translations into ...
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Map of Northern Arabia: in Illustration of Lady Anne Blunt’s Journeys
This map shows the routes of two Arabian journeys taken in the late 1870s by Lady Anne Blunt (1837–1917) and her husband, the poet Wilfrid Scawen Blunt (1840–1922). Lady Anne was a skilled equestrienne and horse breeder, who purchased Arabian horses from Bedouin tribesmen, which she then had transported back to England. Her work did much to establish the Arabian breed in Britain. In 1878, Lady Anne journeyed from Beirut, across northern Syria, and south through Mesopotamia to Baghdad. From there she traveled north along the Tigris River ...
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Map of Persia, Turkey in Asia: Afghanistan, Beloochistan
Samuel Augustus Mitchell (1792–1868) was a renowned American geographer and cartographer. The majority of his work focused on the United States, but he also made maps of other parts of the world, including this 1868 map of the Ottoman Empire, Persia (present-day Iran), Afghanistan, and Baluchistan. The main territorial units that Mitchell shows are Turkey, meaning the core of the Ottoman Empire comprised of present-day Turkey, Iraq, Syria, and Lebanon; Persia; Afghanistan; and Baluchistan (mainly present-day Pakistan). Egypt and much of the Arabian Peninsula were at that time technically ...
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Persia, Arabia, et cetera
This map appeared in A New Universal Atlas, published in 1846 by Henry Schenck Tanner, an early American geographer and cartographer. This map shows the political and geographic features of the Arabian Peninsula, using the traditional divisions of Arabia Petraea, Arabia Deserta, and Arabia Felix. Also shown are the region of the Hedjaz with the cities of Mecca and Medina, and Al-Dahna (present-day Kuwait and southern Iraq). The key in the bottom right differentiates between capitals, important towns, and smaller towns by means of starred and shaded circles. The boundaries ...
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The Eastern Question in Europe and Asia
In the late-19th century, European politics were troubled by what had come to be called the “Eastern Question,” the fate of the 600-year Ottoman Empire. Once encompassing the Ottoman heartland of Anatolia (present-day Turkey), most of the Arab Middle East, and the Balkan Peninsula, by 1886 the empire had shrunk dramatically as a result of wars with European powers, Russia in particular, and revolts by subject peoples. This 1886 map, published in London, shows the Turkish Empire as comprised mainly of Albania, Thrace, Crete, Anatolia, and parts of the Arab ...
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The Euphrates Valley: Syria, Kurdistan, et cetera
This early 20th-century British map depicts the Euphrates Valley, a region that includes parts of present-day Iraq, Iran, Turkey, and Syria. Also shown is the northern part of the Arabian Peninsula. The map indicates railroads, both existing and projected, and the route of submarine telegraph cables. The vilayets (administrative provinces) of the Ottoman Empire in Syria, Mesopotamia, Palestine and southern Anatolia are marked by red lines. A dotted line running across Persia (present-day Iran) from west to east is labeled “Southern limit of Russian sphere.” Under the Anglo-Russian Convention of ...
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"Munajat" of 'Abdallah Ansari
This calligraphic fragment includes a maxim drawn from the Munajat (Supplications) of the great Persian mystic and scholar Khwajah 'Abdallah Ansari (died 1088). The two lines describe the benefits of prayer and generosity. The two lines of text are executed in black nasta'liq script on beige paper and framed by delicate cloud bands on a gold illuminated background. The text panel is framed by a variety of borders and pasted to a sheet of purple paper decorated with gold interlacing flower motifs. Between and below the two main lines ...
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Safinah Fragment
This calligraphic fragment is the first page of an album in a longitudinal shape (safinah). At the top are a fine illuminated panel and finial (sarloh) with gold and blue flower and vine motifs. In the upper and lower corners, two gold and blue illuminated triangles (or thumb pieces) fill the spaces between the rectangular frame and the diagonal lines of text. The text is written in black nasta'liq on beige paper. It includes three bayts (verses) praising God and describing humans' inability to comprehend His power: "Praise ...
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Verses in Persian and Chaghatay
This calligraphic fragment includes a number of verses in Persian and Chaghatay Turkish (Turkish spoken in Central Asia). A continuous Persian lyrical poem (ghazal) is written in the top and bottom horizontal rectangular panels. Another ghazal appears written in diagonal in the right and left vertical columns. Both ghazals are by the famous Persian poet Shaykh Sa'di (died 1292) and address moral issues. In the central text panel, verses in Chaghatay Turkish are written in black nasta'liq script on beige paper, surrounded by cloud bands on a gold ...
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Eulogy to a Ruler
This calligraphic fragment includes a central panel with a eulogy to a king written in the "hanging" ta'liq script. Except for one line in black ink, all other horizontal and diagonal lines are written in white and outlined in black. Above the text panel appears, divided into two columns, a bayt (verse) by the great Persian poet Nizami (died 1218 [614 AH]) about the power of miracles. The bayt is in black nasta'liq script on beige paper. Around the text panel is a blue border inscribed with Arabic ...
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Ghazal by Sa'di
This calligraphic fragment contains a ghazal (lyric poem) by the Persian poet Shaykh Sa'di (died 1292 [691 AH]). The verses describe a lover's search for his beloved and his request that she show herself to him. The verses are written in nasta'liq script using white, light blue, red, and yellow ink on a blue paper. Rangin (colored) inks add variety to the composition and are found in a number of calligraphies produced during the 16th century. The corners left open by the intersection of the diagonal verses ...
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