Narrow results:

Place

Time Period

Topic

Additional Subjects

Type of Item

Language

Institution

99 results
Commentaries by Domizio Calderini on Works by Juvenal, Statius, Ovid, and Propertius
Under the influence of Italian humanism and of his book-collector tutor János Vitéz, the Archbishop of Esztergom, Matthias Corvinus of Hungary (1443–1490), developed a passion for books and learning. Elected king of Hungary in 1458 at the age of 14, Matthias won great acclaim for his battles against the Ottoman Turks and his patronage of learning and science. He created the Bibliotheca Corviniana, in its day one of Europe’s finest libraries. After his death, and especially after the conquest of Buda by the Turks in 1541, the library ...
Contributed by
Medicea Laurenziana Library, Florence
Sangallo’s Sienese Sketchbook
The so-called Sienese sketchbook of the famous architect and engineer Giuliano da Sangallo was originally in the library of Sienese scholar Giovanni Antonio Pecci. The librarian Giuseppe Ciaccheri, a committed and passionate collector who enriched the Biblioteca comunale degli Intronati di Siena with works of art of outstanding quality, acquired it in 1784. Together with the Codice Barberiniano in the Biblioteca Apostolica Vaticana, the sketchbook bears witness to the architect's prolific production of drawings and is a valuable source of knowledge about his work. The small format and the ...
Contributed by
Municipal Library Intronati
Antiphonary
This antiphonary (a book containing the choral parts of the Holy Office) was transferred to the Biblioteca comunale degli Intronati di Siena in 1811 from its place of origin, the Augustinian monastery of San Salvatore in Lecceto near Siena. By virtue of its specific liturgical function, the antiphonary, designed for the use of the monastic community, contains both the daytime and the nocturnal services. It was illuminated in 1442 as part of an extensive artistic program within the monastery promoted under priors Bartolomeo Tolomei and Girolamo Buonsignori. A bull by ...
Contributed by
Municipal Library Intronati
Collection of Speeches and Latin Epistles by Renaissance Humanists
This manuscript, dating to the late-15th century, formerly belonged to the Sienese Alessandro Tegliacci, as stated in a note written on the initial page by an unknown later owner: "Dedit mihi Alex(ande)r Tegliaccius die(?) 8 decembris 1581 atque sua humanitate donavit" (Alessandro Tegliacci kindly gave this to me as a gift on December 8, 1581). The decoration on the same leaf bears the coat of arms of the Tegliacci family. Alessandro can perhaps be identified as the scholar who was called by Cosimo II to be professor of ...
Contributed by
Municipal Library Intronati
Treatise of the World's Creation
This manuscript, which contains a Tractatus de creatione mundi (Treatise on the World's Creation) from the Book of Genesis followed by a narration of the Passion of Christ (folios 99r–128v), is one of the most significant examples of late-13th-century Sienese illumination. The pictures, partly watercolor drawings and partly proper illuminations, were made by an extremely sophisticated Sienese artist who was heavily influenced by Transalpine miniaturists and active from around 1290 through the next decade. The illustrations, sketched by a fast, concise hand, stand out for their strikingly smooth ...
Contributed by
Municipal Library Intronati
Poem Concerning the Departure of the Magi
This 15th-century manuscript, in Renaissance script, contains a poetic composition (De profectione Magorum adorare Christum et de innocentibus interfectis ab Herode) by a "Gabriel Volaterranus." The author was in all likelihood Gabriello Zacchi da Volterra, the archpriest (acting dean, vicar to the bishop) of the cathedral, who was from a culturally sophisticated background and died in 1467 at the age of 33. The author dedicates the work to Tommaso del Testa Piccolomini, the secret assistant of Pope Pius II (folio 132r), to whom Pius had granted the privilege of kinship ...
Contributed by
Municipal Library Intronati
Dialogues of the Gods
This manuscript contains ten of the dialogues of Lucianus, a second-century rhetorician and satirist who wrote in Greek, in the Latin version of Livio Guidolotto (also seen as Guidalotto or Guidalotti). Livio, a classical scholar from Urbino, was the apostolic assistant of Pope Leo X, and he dedicated his translation to the pope in an introductory epistle of 1518 ("Romae, Idibus maii MDXVIII"; folio 150v). The latest possible date for the manuscript thus is 1521, the year Leo died. The emblem of Giovanni de' Medici, with the beam accompanied by ...
Contributed by
Municipal Library Intronati
The Seville Bible
Biblia hispalense (The Seville Bible), also known as the Toletanus Codex, is a manuscript from the first half of the tenth century, in Latin written in lower-case Visigothic script by at least four copyists. The titles also appear in Hebrew, and there are notes in Arabic in the margins. The manuscript consists of booklets of eight sheets each, on parchment, with the text in three columns of 63–65 lines. Included are the texts of the Old and New Testaments, with a preface, prologues, and commentaries by Saint Jerome, Saint ...
Contributed by
National Library of Spain
Beato of Liébana: The Codex of Fernando I and Doña Sancha
Around the year 776, a monk by the name of Beato or Beatus, possibly the abbot of the monastery of Santo Toribio de Liébana, wrote a work entitled Comentarios al Apocalipsis (Commentary on the apocalypse), which had an extraordinary success in the following five centuries. Thanks to his great erudition, Beato combined in this text, as a summa, many commentaries on the topic of the apocalypse by such authors as Saint Irenaeus of Lyon, Saint Gregory the Great, Saint Isidore of Seville, and the 4th-century scholar Ticonius. The genre of ...
Contributed by
National Library of Spain
Etymology
Etymologiae (Etymology) is the best known work by Saint Isidore of Seville (circa 560–636), a scholar and theologian considered the last of the great Latin Church Fathers. It takes its name from a method of teaching that proceeds by explaining the origins and meaning of each word related to a topic. Saint Isidore drew on many different sources in his attempt to summarize all ancient knowledge and save it for posterity. The fame of the work led to it being widely copied and disseminated, and its popularity lasted even ...
Contributed by
National Library of Spain
On the Sphere and the Cylinder; On the Measurement of the Circle; On Conoids and Spheroids; On Spirals; On the Equilibrium of Planes; On the Quadrature of the Parabola; The Sand Reckoner
In the middle of the 15th century, a number of manuscripts by the third-century BC Greek mathematician Archimedes began to circulate in the humanistic centers in the courts of Italy. Piero della Francesca (circa 1416–92), the Renaissance artist best known for the frescos he painted for the Vatican and for the chapels in Arezzo, transcribed a copy of a Latin translation of Archimedes’s geometry (a compilation of seven surviving treatises) and illustrated it with more than 200 drawings representing the  mathematical theorems in the texts. This manuscript, long ...
Contributed by
Riccardiana Library of Florence
Psalter of Frederick II
This remarkable illuminated psalter decorated in the Byzantine style was commissioned by the Holy Roman Emperor Frederick II of Sicily (1194–1250) for his third wife, Isabella of England (1214–41). Frederick married Isabella in 1235. By design and execution, the manuscript illuminations combine the color palette of Byzantium with the stylistic rendering of the plasticity of the human body common to the Italian school of the period. Probably executed at the scriptorium in Acri, a hill town in Calabria, the manuscript is decorated with a full-page initial letter encompassing ...
Contributed by
Riccardiana Library of Florence
Book of the Passion of Saint Margaret the Virgin, with the Life of Saint Agnes, and Prayers to Jesus Christ and to the Virgin Mary
This volume is a compilation of three manuscripts produced in Bologna at the end of the 13th century. It begins with the Passion of Saint Margaret of Antioch, in Latin. This is followed by two texts in Italian, one describing the life and devotion of Saint Agnes and one containing prayers to the Virgin Mary. Each manuscript is written in a different hand; evidence suggests that the three parts were brought together and bound at the beginning of the 14th century. The only part of the book that is illustrated ...
Contributed by
Riccardiana Library of Florence
Bucolics, Georgics, and the Aeneid
This 15th-century manuscript, known as the Riccardiana Virgil, includes the texts of the three extant works of the great Roman poet Virgil, the Bucolics, the Georgics, and the Aeneid, and contains 88 miniature paintings in the lower margin of many of the vellum leaves. The miniatures, 86 in the Aeneid and one each in the Bucolics and the Georgics, are attributed to Florentine artist Apollonio di Giovanni and his workshop. Those illustrating the story of Aeneas reflect the influence of Benozzo Gozzoli, who in 1459 completed a suite of frescos ...
Contributed by
Riccardiana Library of Florence
On Plants
Historia Plantarum (On plants) is a natural science encyclopedia, in which animals, plants, and minerals are illustrated and described for their medicinal properties, in keeping with the medieval tradition of the tacuina medievali (medieval health handbooks), and from which the codex derives its most common name, Tacuinum sanitatis. The work was first compiled as Taqwim al-Sihhah (The maintenance of health) by the 11th-century Baghdad physician Ibn Buṭlān, and chief among his Greek sources was Dioscorides, a physician in the first century. The court in Sicily commissioned a Latin translation in ...
Contributed by
Casanatense Library
City of God
This codex of Saint Augustine’s De civitate dei (City of God) is from the Plutei Collection of the Biblioteca Medicea Laurenziana in Florence. The volume is bound in red morocco leather with the Medici coat of arms at the center and on each corner of the front cover. It has an illuminated page (recto of folio 11) and a number of illuminated initial capital letters (e.g., recto of folio 31). Saint Augustine of Hippo (354–430) wrote more than 100 works, of which his Confessiones (Confessions) and De ...
Contributed by
Medicea Laurenziana Library, Florence
Concerning Virgins and Other Works
This codex of De virginibus seu potius opera varia (Concerning virgins and other works) by Saint Ambrose (circa 340−97) is from the Plutei Collection of the Biblioteca Medicea Laurenziana in Florence. The book has the distinctive Medici red leather binding and a beautifully illuminated first page (recto of folio 1) executed by Matteo da Milano (active circa 1492−circa 1523). On the last page, the colophon gives the name of the copyist as “Martinus Antonius” and the date of completion as “Ides of October 1489.” Ambrose was born in ...
Contributed by
Medicea Laurenziana Library, Florence
The Bible. First Volume of the Bible
This codex is the first volume of a three-volume Bible commissioned in Italy by King Matthias Corvinus of Hungary (1443–90) for his library. The manuscripts were copied by Antonio Sinibaldi or his pupil Alessandro Verazzano, probably in 1489−90. The illuminations have been attributed to Attavante Attavanti. All three volumes were left unfinished, at least as far as the illuminations are concerned. At Matthias Corvinus’s death, Lorenzo de’ Medici, known as Lorenzo il Magnifico, incorporated the books into the Medici collection. This volume contains the Old Testament in ...
Contributed by
Medicea Laurenziana Library, Florence
The Bible. Second Volume of the Bible
This codex is the second volume of a three-volume Bible commissioned in Italy by King Matthias Corvinus of Hungary (1443–90) for his library. The manuscripts were copied by Antonio Sinibaldi or his pupil Alessandro Verazzano, probably in 1489−90. All three volumes were left unfinished, at least as far as the illuminations are concerned. At Matthias Corvinus’s death, Lorenzo de’ Medici, known as Lorenzo il Magnifico, incorporated the books into the Medici collection. This volume contains the Apocrypha, in the Latin translation of Saint Jerome (died 419 or ...
Contributed by
Medicea Laurenziana Library, Florence
Psalms of David. Third Volume of the Bible
This codex is the third volume of a three-volume Bible commissioned in Italy by King Matthias Corvinus of Hungary (1443–90) for his library. The manuscripts were copied by Antonio Sinibaldi or his pupil Alessandro Verazzano, probably in 1489−90. All three volumes were left unfinished, at least as far as the illuminations are concerned. At Matthias Corvinus’s death, Lorenzo de’ Medici, known as Lorenzo il Magnifico, incorporated the books into the Medici collection. This volume, which is known as Corvinian Psalter, contains the complete New Testament, preceded by ...
Contributed by
Medicea Laurenziana Library, Florence
Five Books of the Sentences
This codex from the Plutei Collection of the Biblioteca Medicea Laurenziana in Florence is a compilation of texts related to the Christian Church in Visigothic Spain. As stated on the colophon, the volume was originally made for King Matthias Corvinus of Hungary (1443–90). It includes Sententiarum libri V (Five books of the sentences) by Taio Samuel (died 683), followed by a collection of writings by the Church Fathers chosen by Isidore of Seville, and a letter by Quiricus, bishop first of Barcelona and then of Toledo, to Taio Samuel ...
Contributed by
Medicea Laurenziana Library, Florence