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45 results
Book of Hours
This finely illuminated and iconographically rich book of hours was made in England at the end of the 13th century. The manuscript is incomplete and mis-bound. The original sequence of the parts of the manuscript cannot be reconstructed with certainty. The Abbreviated Hours were followed by the Hours of the Holy Spirit, the Seven Penitential Psalms, the litany and collects, the Fifteen Gradual Psalms, the Office of the Dead, and the Hours of Jesus Crucified. Whether the Prayers to the Crucified Christ, which were followed by the lections in the ...
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Bible Pictures by William de Brailes
This manuscript comprises 24 leaves of Bible pictures by William de Brailes, an English artist active in Oxford in the middle of the 13th century. Seven leaves from the same set of images are now in the Musée Marmottan in Paris. These 31 leaves are all that remain of an image cycle that once contained at least 98 miniatures, and which was the longest cycle of Bible miniatures surviving from the 13th century in England. In all probability these Bible pictures were actually prefatory matter to a psalter (now Stockholm ...
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Homilary
This richly illuminated 14th-century German homilary is particularly interesting for its rare bifolium of drawings bound in at the front of the book. The headgear worn by the nuns in the drawings is characteristic of Cistercensian and Premostratensian nuns in northern Germany as early as circa 1320. Evidence for dating and localization is also found in the manuscript's relationship with a second homilary in the Bodleian Library (Oxford, Bodleian Library, Ms. Douce 185). Despite minor codicological differences—page layout, text-block dimensions, and ruling—it seems likely that the two ...
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Loftie Hours
This mid-15th-century illuminated book of hours is written entirely in Dutch on fine parchment and is remarkable for its 18 grisaille miniatures. This technique, wherein the figures are modeled primarily in a gray wash, became a favorite in the Netherlands. The hand behind the miniatures in this manuscript has been identified with one of a group of artists known as the Masters of the Delft Grisailles. The manuscript has been grouped with more than a dozen related works, including New York, Morgan Library Ms. M.349; London, Victoria and Albert ...
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Duke Albrecht's Table of Christian Faith (Winter Part)
This manuscript is a document of the first importance in the history of Dutch manuscript illumination and contains an important medieval Dutch devotional text. The Tafel van den Kersten ghelove (Table of Christian faith) is a compendium of Christian knowledge written by a learned Dominican, Dirc van Delf. The text is in two parts, one for winter, another for summer. This manuscript is of the winter part and is incomplete, omitting the prologue and chapters 13, 14, and 35−57; chapters 23−24 are in inverse order. The arms of ...
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Missal of Eberhard von Greiffenklau
The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the 15th century and features work by the Masters of Zweder van Culemborg, as well as the celebrated Master of Catherine of Cleves, linking it to possibly the finest Dutch illuminated manuscript ever made: The Hours of Catherine of Cleves of circa 1440 (Morgan Library & Museum, M.917 and M.945). The extremely elaborate Missal is illuminated with one full-page miniature, fifty-two column miniatures and sixty-eight historiated initials ...
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Claricia Psalter
The Claricia Psalter was made for, and most likely by, a group of Benedictine nuns at the abbey of Saints Ulrich and Afra in Augsburg, Germany. Although the psalter itself, along with its calendar, dates to the late-12th or early 13th century, a number of texts and prayers were added in the mid-13th century. Most striking about the manuscript are its illuminations, which include a prefatory cycle, full-page miniatures, and historiated initials. While all are Romanesque in style, they vary greatly in quality and technique, and three or four different ...
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Melk Missal
This missal, which dates to the late-12th or early 13th century, was made for the Benedictine abbey of Melk (or, possibly, Seitenstetten) in Lower Austria, as indicated by the inclusion of the patron saints of Melk, Peter and Paul, and Cholomannus (folio 212 recto). The surviving volume of a multi-volume missal, the manuscript contains only the ordinary of the mass and the "summer part," with the temporale running from Holy Saturday through the Sunday after Trinity Sunday and the sanctorale beginning with the feast of Primus and Felicianus (June 9 ...
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Carrow Psalter
This English manuscript was made in East Anglia in the mid-13th century for a patron with special veneration for Saint Olaf, whose life and martyrdom are prominently portrayed in the Beatus initial of Psalm 1. Known as the Carrow Psalter, because of its later use by the nunnery of Carrow near Norwich, it is more accurately described as a psalter-hours, as it contains, among other texts, the Office of the Dead and the Hours of the Virgin. The manuscript is striking for its rich variety of illuminations, including full-page cycles ...
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Almugavar Hours
This book of hours was produced circa 1510−20 for a member of the Almugavar (or Almogàver) family of Catalonia, whose coat of arms appears throughout the manuscript in the borders of the lavish full-page miniatures. There are 26 full-page polychrome miniatures (three are missing), of which six were removed from the original quire structure after portions of the miniatures were excised, and then returned to the manuscript, having been pasted onto heavy card-stock folios. There are also 18 full-page incipits, of which three include historiated vignettes, and numerous folios ...
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Prayer Book
This illuminated prayer book, made in the Netherlands in the early 16th century, contains Latin prayers and passages from the Gospels. Although small in scale, it is notable for its abundance of illuminations, with nearly 60 extant small miniatures. Full-color portraits embellish the prayers to the Virgin and suffrages, while the images within the Gospel narrative are rendered primarily in grisaille, a nearly entirely gray monochrome technique. The last folios include a trompe-l'oeil foliate margin and a Crucifixion that seems to be a later addition. Throughout the book, gold ...
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"Imperial" Menologion
This manuscript, created in the Byzantine Empire in the second quarter of the 11th century, contains the biographies of saints whom the church commemorates in the month of January. It was originally part of a set containing volumes for each month of the year. A companion volume, with texts for March, now survives in Moscow (State Historical Museum, MS gr. 183). Each chapter in both manuscripts opens with a miniature depicting the death of a respective saint, or less often, another significant event from his or her life. Each text ...
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Trebizond Gospels
This Gospel book was probably made in Constantinople in the mid-12th century and is remarkable for the fine execution and monumental quality of its full-page miniatures. The opening for the Gospel of Matthew is missing, but the other three Gospels are prefaced with a pair of miniatures each: the respective Evangelist on the left and a scene from the Gospel story on the right. The combination of Saint John with the Raising of Lazarus is one found only in this manuscript. The text was copied by two scribes with distinctly ...
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Book of Hours
In the Byzantine world, this book would have been known as a horologion, or book of hours. Illustrated books of hours in Greek are extremely rare, and this example is one of only two surviving horologia with image cycles. The manuscript includes many full-page miniatures, which show interaction between the late-Byzantine and Gothic artistic styles. The manuscript may have been copied on the island of Crete, which in the 15th century was under Venetian rule.  Unlike the images found in Western books of hours, which typically are drawn from the ...
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Gospels
Dated to the tenth century, this manuscript is the oldest Armenian codex in North America and the fifth oldest among documented Armenian Gospel books. The principal colophon, on folio 2 verso, records that Sargis the priest completed the text in 415 (966). Within the framed area, the commission of the codex is described: a priest, whose name was replaced by the later owner T’oros, commissioned the work "as decoration and for the splendor of [the] holy church and for the pleasure of the congregation of Rznēr." As the codex ...
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T'oros Roslin Gospels
This Armenian manuscript was made in 1262 by T’oros Roslin, the celebrated illuminator who extended the iconographic repertoire by defining a narrative Gospel cycle beyond the traditional portraits of the Evangelists. This signed manuscript was created at the scriptorium of Hromkla (present-day Rum Kalesi, Turkey), which became the leading artistic center of Armenian Cilicia under the rule of Catholicos Constantine I (1221-67). As an extensive colophon starting on folio 406 verso explains, T’oros created this manuscript under commission from the nephew of Constantine, a priest also named T ...
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Reichenau Gospels
This mid-11th century Gospel Book is believed to come from the Abbey of Reichenau, on Lake Constance in Germany, on the basis of its script and illumination. The decoration of the manuscript places it in the so-called Luithar school of Reichenau. Its ornamental motifs compare very closely with those in Munich, Bayerische Staatsbibliothek Clm. 4453, and its palette is nearly identical to that in the Reichenau manuscripts of the Bamberg Cathedral Treasury. The work includes full-page miniatures of Saints Matthew, Mark, Luke, and John, and of the Holy Gospel of ...
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Speculum Virginum
This manuscript, written at the Cistercian abbey of Himmerode in Germany in the early 13th century, is one of 22 surviving Latin copies of the Speculum virginum (Mirror for virgins). Attributed to Conrad of Hirsau, the text was written in the first half of the 12th century as a guide for nuns, offering them theological lessons in the form of a hypothetical conversation between a teacher, Peregrinus, and his student, Theodora. The 12 illustrations in the manuscript portray the protagonists as well as the mystical visions and diagrams they discuss ...
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Cosmography
Created in England in the late-12th century, this manuscript was intended to be a scientific textbook for monks. The manuscript is brief, at nine folios, and was designed as a compendium of cosmographical knowledge drawn from early Christian writers, such as Bede and Isidore, as well as the later Abbo of Fleury. Those writers, in turn, drew on classical sources, such as Pliny the Elder, for their knowledge but adapted it to be understood through the filter of Christianity. The 20 complex diagrams accompany and help to illustrate the texts ...
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Marginal Psalter
This manuscript, illustrated with 155 marginal paintings, is one the few surviving “marginal psalters,” in which images provide a pictorial commentary on the Biblical text. Other examples include the Khludov Psalter (circa 850, Moscow, State Historical Museum, Muz. 129), the Barberini Psalter (circa 1050, Vatican City, Biblioteca Apostolica Vaticana, Vat. Barb. Gr. 372), the Theodore Psalter (1066, London, British Library, Add. Ms. 19,352), and a Cyrillic psalter made in Kiev (1397, Saint Petersburg, National Library of Russia, cod. OLDP, F6). The marginal psalter of the Walters Museum was apparently ...
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Corvey Gospel Fragment
This manuscript consists of four folios from a Gospel book that was likely made at the monastery of Corvey in western Germany during the mid-to-late tenth century. Dating to the reign of Otto I, these pages are a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke ...
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