- Illuminations (3)
- Forts and fortifications (2)
- Miniatures (Illuminations) (2)
- Poetry (2)
- Prayers (2)
- Agnes, Saint, Martyr (1)
- Architectural decorations and ornaments (1)
- Barricades (1)
- Bible. New Testament (1)
- Bible. Old Testament (1)
- Construction (1)
- Italian poetry (1)
- Latin poetry (1)
- Literature, Medieval (1)
- Margaret, of Antioch, Saint (1)
- Mathematics, Greek (1)
- Psalms (1)
- Psalters (1)
- Saints (1)
- Sculpture (1)
On the Sphere and the Cylinder; On the Measurement of the Circle; On Conoids and Spheroids; On Spirals; On the Equilibrium of Planes; On the Quadrature of the Parabola; The Sand Reckoner
In the middle of the 15th century, a number of manuscripts by the third-century BC Greek mathematician Archimedes began to circulate in the humanistic centers in the courts of Italy. Piero della Francesca (circa 1416–92), the Renaissance artist best known for the frescos he painted for the Vatican and for the chapels in Arezzo, transcribed a copy of a Latin translation of Archimedes’s geometry (a compilation of seven surviving treatises) and illustrated it with more than 200 drawings representing the mathematical theorems in the texts. This manuscript, long ...
Psalter of Frederick II
This remarkable illuminated psalter decorated in the Byzantine style was commissioned by the Holy Roman Emperor Frederick II of Sicily (1194–1250) for his third wife, Isabella of England (1214–41). Frederick married Isabella in 1235. By design and execution, the manuscript illuminations combine the color palette of Byzantium with the stylistic rendering of the plasticity of the human body common to the Italian school of the period. Probably executed at the scriptorium in Acri, a hill town in Calabria, the manuscript is decorated with a full-page initial letter encompassing ...
Book of the Passion of Saint Margaret the Virgin, with the Life of Saint Agnes, and Prayers to Jesus Christ and to the Virgin Mary
This volume is a compilation of three manuscripts produced in Bologna at the end of the 13th century. It begins with the Passion of Saint Margaret of Antioch, in Latin. This is followed by two texts in Italian, one describing the life and devotion of Saint Agnes and one containing prayers to the Virgin Mary. Each manuscript is written in a different hand; evidence suggests that the three parts were brought together and bound at the beginning of the 14th century. The only part of the book that is illustrated ...
Bucolics, Georgics, and the Aeneid
This 15th-century manuscript, known as the Riccardiana Virgil, includes the texts of the three extant works of the great Roman poet Virgil, the Bucolics, the Georgics, and the Aeneid, and contains 88 miniature paintings in the lower margin of many of the vellum leaves. The miniatures, 86 in the Aeneid and one each in the Bucolics and the Georgics, are attributed to Florentine artist Apollonio di Giovanni and his workshop. Those illustrating the story of Aeneas reflect the influence of Benozzo Gozzoli, who in 1459 completed a suite of frescos ...
The Divine Comedy
This celebrated manuscript of the Commedia of Dante Alighieri (1265–1321) containing the complete text of the Inferno, Purgatorio, and Paradisio was copied in the hand of Giovanni Boccaccio (1313–75) and is one of the most splendid manuscripts in the collection of the Biblioteca Riccardiana. Boccaccio illustrated the manuscript with five pen drawings in the lower margin of a series of leaves in the Inferno. These images were authenticated in 1992 by the noted Florentine scholar Maria Grazia Ciardi Duprè dal Poggetto. The most complete drawing depicts Dante in ...
Treatise on Field Fortifications
Giovan Battista Belluzzi (1506–54) was a San Marino native who served as chief military engineer to Cosimo I de' Medici (1519–74), duke of Florence. This manuscript, believed to be in Belluzzi’s own hand, was written for Stefano IV Colonna, a Florentine general also in the employment of the Medici family. The manuscript contains instructions for building military fortifications in remote areas, using only local resources such as earth and wood as structural elements. The text includes a discourse on how to evaluate the condition of the soil ...
Treatise on Architectural Design
A rare survival from the 16th century, this working notebook of the Italian architect and sculptor Bartolomeo Ammannati (1511–92) contains designs for and textual descriptions of fortifications, systems of measurement, preparatory drawings for busts and other sculptures, and a lengthy text on the elements of architectural expression. Ammannati trained with Baccio Bandinelli in Florence and had commissions in Venice, Padua, Urbino, Naples and Rome, in addition to the work he did for Grand-Duke of Tuscany Cosimo I de’ Medici (1519–74) in his hometown of Florence. The 114 folio ...