- Illuminations (7)
- Bible. New Testament (2)
- Literature, Medieval (2)
- Poetry (2)
- Antiphonaries (1)
- Architectural decorations and ornaments (1)
- Architectural drawings (1)
- Battles (1)
- Bible (1)
- Bible. Old Testament (1)
- Cathedrals (1)
- Correspondence (1)
- Dialogues, Greek (1)
- Guelfs and Ghibellines (1)
- Italian poetry (1)
- Latin poetry (1)
- Letters (1)
- Liturgies (1)
- Machinery (1)
- Miniatures (Illuminations) (1)
- Monastic and religious life (1)
- Montaperti, Battle of, Italy, 1260 (1)
- Monuments and memorials (1)
- Music (1)
- Musical scores (1)
- Mythology, Greek (1)
- Sculpture (1)
- Speeches (1)
Sangallo’s Sienese Sketchbook
The so-called Sienese sketchbook of the famous architect and engineer Giuliano da Sangallo was originally in the library of Sienese scholar Giovanni Antonio Pecci. The librarian Giuseppe Ciaccheri, a committed and passionate collector who enriched the Biblioteca comunale degli Intronati di Siena with works of art of outstanding quality, acquired it in 1784. Together with the Codice Barberiniano in the Biblioteca Apostolica Vaticana, the sketchbook bears witness to the architect's prolific production of drawings and is a valuable source of knowledge about his work. The small format and the ...
The Defeat of Montaperti
This manuscript is an illustrated account of the events relating to the famous Battle of Montaperti of September 4, 1260, which is mentioned by Dante in The Divine Comedy. The battle resulted in the victory of the armed faction of the Ghibellines, supporting the Holy Roman Emperor and led by Siena, over the Guelphs, supporting the pope and led by Florence. The manuscript was written and illustrated throughout by Niccolò di Giovanni di Francesco di Ventura da Siena, who signed it and stated that he completed the text on December ...
This antiphonary (a book containing the choral parts of the Holy Office) was transferred to the Biblioteca comunale degli Intronati di Siena in 1811 from its place of origin, the Augustinian monastery of San Salvatore in Lecceto near Siena. By virtue of its specific liturgical function, the antiphonary, designed for the use of the monastic community, contains both the daytime and the nocturnal services. It was illuminated in 1442 as part of an extensive artistic program within the monastery promoted under priors Bartolomeo Tolomei and Girolamo Buonsignori. A bull by ...
Minor Works of Dante Alighieri
This small manuscript, dating to the late-15th century, in Renaissance script, contains poems from the Rime (Rhymes) by the great Italian poet Dante Alighieri (1265–1321). These are so-called minor works that are distinguished from Dante’s Vita nuova (The new life), his book of sonnets recounting his early love for Beatrice, and his all-encompassing allegorical masterpiece, La divina commedia (The divine comedy). On the front cover is a 15th-century note, now almost totally faded, which states: "Di Cosimo de' Medici e degli Amici" (Belonging to Cosimo de’ Medici and ...
Collection of Speeches and Latin Epistles by Renaissance Humanists
This manuscript, dating to the late-15th century, formerly belonged to the Sienese Alessandro Tegliacci, as stated in a note written on the initial page by an unknown later owner: "Dedit mihi Alex(ande)r Tegliaccius die(?) 8 decembris 1581 atque sua humanitate donavit" (Alessandro Tegliacci kindly gave this to me as a gift on December 8, 1581). The decoration on the same leaf bears the coat of arms of the Tegliacci family. Alessandro can perhaps be identified as the scholar who was called by Cosimo II to be professor of ...
Treatise of the World's Creation
This manuscript, which contains a Tractatus de creatione mundi (Treatise on the World's Creation) from the Book of Genesis followed by a narration of the Passion of Christ (folios 99r–128v), is one of the most significant examples of late-13th-century Sienese illumination. The pictures, partly watercolor drawings and partly proper illuminations, were made by an extremely sophisticated Sienese artist who was heavily influenced by Transalpine miniaturists and active from around 1290 through the next decade. The illustrations, sketched by a fast, concise hand, stand out for their strikingly smooth ...
Poem Concerning the Departure of the Magi
This 15th-century manuscript, in Renaissance script, contains a poetic composition (De profectione Magorum adorare Christum et de innocentibus interfectis ab Herode) by a "Gabriel Volaterranus." The author was in all likelihood Gabriello Zacchi da Volterra, the archpriest (acting dean, vicar to the bishop) of the cathedral, who was from a culturally sophisticated background and died in 1467 at the age of 33. The author dedicates the work to Tommaso del Testa Piccolomini, the secret assistant of Pope Pius II (folio 132r), to whom Pius had granted the privilege of kinship ...
Dialogues of the Gods
This manuscript contains ten of the dialogues of Lucianus, a second-century rhetorician and satirist who wrote in Greek, in the Latin version of Livio Guidolotto (also seen as Guidalotto or Guidalotti). Livio, a classical scholar from Urbino, was the apostolic assistant of Pope Leo X, and he dedicated his translation to the pope in an introductory epistle of 1518 ("Romae, Idibus maii MDXVIII"; folio 150v). The latest possible date for the manuscript thus is 1521, the year Leo died. The emblem of Giovanni de' Medici, with the beam accompanied by ...