50 results in English
Portrait of Ono Ranzan
Tani Bunchō (1763−1840) was a representative painter of the late Edo period who is said to have perfected Edo Nanga, a school of Japanese painting that flourished in this period. The subject of the painting, Ono Ranzan (1729−1810), was a leading specialist in the traditional pharmacognosy (study of medicines derived from natural sources) of the day. Ranzan asked Bunchō to paint the portrait just a year before his death. Bunchō first made a sketch of Ranzan’s right side, which Ranzan did not like, insisting that the bump ...
Contributed by National Diet Library
Chronicle of Japan, Volumes 1 and 2
Nihon shoki (Chronicle of Japan) is the first official Japanese history book, edited by Imperial Prince Toneri and others and completed in the fourth year of the Yōrō era (720). The 30 volumes cover the period from the mythological age to the time of the Empress Jitō (end of the seventh century). The first and second volumes, which deal with the mythological age, have been highly regarded in Japan since ancient times. The oldest existing manuscript of Nihon shoki dates from the Heian period (794−1185). The first published edition ...
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The Diary of Mansai
Mansai (1378−1435) was an abbot of the Daigo-ji Temple in the early Muromachi period (14th−15th centuries). Born into an aristocratic family, Mansai was adopted by Shogun Ashikaga Yoshimitsu and ordained into the priesthood. He served three shoguns, not only as a priest but also as a political adviser and close associate. Mansai witnessed many important events in politics, foreign relations, literature, and society and was privy to the top secrets of the nation. Mansai jugō nikki (The diary of Mansai) is thus an important historical source. The National ...
Contributed by National Diet Library
Japan
In preparation for the peace conference that was expected to follow World War I, in the spring of 1917 the British Foreign Office established a special section responsible for preparing background information for use by British delegates to the conference. Japan is Number 73 in a series of more than 160 studies produced by the section, most of which were published after the conclusion of the 1919 Paris Peace Conference. Written by John Harington Gubbins (1852−1929), a former British Foreign Office official and secretary of the British Legation in ...
Contributed by Library of Congress
The Diary of Moromori
This work is part of a series of diaries kept by Nakahara Moromori (dates unknown) in 1374-99. Moromori was an official of the imperial government who wrote his diaries in the margins and on the reverse sides of calendars. His memoranda on the military and social affairs of the day are among the best sources available for the study of late-14th century Japan.
Contributed by National Diet Library
People of Many Nations
During the nearly two centuries of restricted foreign contact during the Edo period (1600–1868), the Japanese people still maintained a curiosity about foreign cultures. This map, published in the early 19th century, depicts an enormous archipelago representing Japan at the center of the world. Inset images and descriptions of foreign people, the distance from Japan to their lands, and differences in climate are noted. The locations listed include the “Pygmy country, 14,000 ri” (1 ri = 2.4 miles), “Woman country, 14,000 ri,” and “Black people country, 75 ...
Contributed by Library of Congress
The Humors, Devil to-Suppress "Kwai-Danzi"
The victory of Japan in the Russo-Japanese War of 1904–5, a collision over economic and political influence in Korea and Manchuria, marked the first victory of an Asian nation over a European power. This unexpected turn of events compelled the West to reassess the status of Japan in the international political order. Among Asian nations, it shattered the image of the invincibility of Western authority. While many in Japan were dissatisfied with the peace treaty that ended the war, Japan’s victory nevertheless confirmed the success of the Meiji ...
Contributed by Library of Congress
Foreigners' Ship: Steamship
Commodore Matthew C. Perry entered the port of Yokohama in 1853 with an intimidating fleet of steam warships, in order to compel Japan to open up after nearly two centuries of restricted foreign contact. The Japanese people became increasingly exposed to Western culture as new trade agreements prompted cross-cultural interaction. The mixture of anxiety, curiosity, and awe at this influx of unfamiliar technology and customs is reflected in the detailed depictions of foreign subjects by ukiyo-e (pictures of the floating world) artists. With the arrival of Perry, Yokohama-e (pictures of ...
Contributed by Library of Congress
Farewell Present of Useful White Flag, Which Russian General's Wife Thoughtfully Gives When He Leaves for Front, Telling Him to Use It As Soon As He Sees Japanese Army
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
General Kuropatkin Ready for Anything Awaits the Coming of the Japanese
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Japan Holds the String When Russia Reaches to Grasp
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Kuropatkin Secures Safety - Your Flag Does Not Work, Try Another
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Kuropatkin As Town Crier
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
The Army of the North Melts Away Before the Rising Sun
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
The Tsar Sees His Forces Returning
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Dreams of a Russian General
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Russian Sailors Making Cannon Balls for Their Battleship’s Guns
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Russian General Kuropatkin in a Sack
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
The Russian Generals Very Politely Lay down Their Arms
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
O'Fuko Throwing Beans for Good Luck and to Drive the Devils Away on New Year's Eve
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Three Crab Soldiers, Two with Picks Chopping up the Ground, and the Third Is Standing on the Wall of a Fort
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
A Russian General, Shaking with Fear, Telephones the Tsar Who is Also Being Annoyed by the Tsarina
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
A Whale and Three Fish Sitting down to a Formal Dinner of Russian Sailors
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Russian Soldier on Horseback, Carrying a Sword in Right Hand, a Spear in Left Hand, and a Rifle Mounted on His Chest with a String Extending from the Trigger to His Mouth
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Kuropatkin Plays Too Roughly with His Toys
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Old Man Carrying a Flag Is Leading a Group of Male Citizens in a Procession at Night
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
General Kuropatkin in a Safe Place
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
General Kuropatkin and His Staff Joyfully Leaving Saint Petersburg for the Front
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Tsar Nicholas II Tightrope Walking on a Line between Three Rifles on Shore and a Sinking Ship
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Russian Admiral Has but One Leg to Stand on
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Farce of the Lions at Stone Bridge
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Russian Railroad Troop Transport and Soldiers Crashing through Ice
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. This print forms part of the series, Rokoku seibatsu senshō shōwa (The expeditionary war against Russia: tales of laughter). The illustrator is Utagawa Kokunimasa, also known as Baidō Bōsai or Utagawa Kunimasa V (1874–1944). The satirical writer Honekawa Dojin (pseudonym of Nishimori Takeki, 1862–1913) supplied each illustration with an accompanying ...
Contributed by Library of Congress
Russian Businessman Talking to Two Workmen Attempting to Repair a Damaged Russian Battleship
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. This print forms part of the series, Rokoku seibatsu senshō shōwa (The expeditionary war against Russia: tales of laughter). The illustrator is Utagawa Kokunimasa, also known as Baidō Bōsai or Utagawa Kunimasa V (1874–1944). The satirical writer Honekawa Dojin (pseudonym of Nishimori Takeki, 1862–1913) supplied each illustration with an accompanying ...
Contributed by Library of Congress
Caricature of Russian Army Showing Russian Officer with Troops in Formation
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. This print forms part of the series, Rokoku seibatsu senshō shōwa (The expeditionary war against Russia: tales of laughter). The illustrator is Utagawa Kokunimasa, also known as Baidō Bōsai or Utagawa Kunimasa V (1874–1944). The satirical writer Honekawa Dojin (pseudonym of Nishimori Takeki, 1862–1913) supplied each illustration with an accompanying ...
Contributed by Library of Congress
Russian Doctor and Nurse Attending to a Man with a Russian Battleship for a Head Lying in Bed
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. This print forms part of the series, Rokoku seibatsu senshō shōwa (The expeditionary war against Russia: tales of laughter). The illustrator is Utagawa Kokunimasa, also known as Baidō Bōsai or Utagawa Kunimasa V (1874–1944). The satirical writer Honekawa Dojin (pseudonym of Nishimori Takeki, 1862–1913) supplied each illustration with an accompanying ...
Contributed by Library of Congress
Pressure from a Heavy Hand
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
The Crying Sounds of a Telegram
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Russian Soldiers Frightened by Toy Figures of Japanese Soldiers Hanging by Strings
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Russian Soldier Shows White Flag Plainly to Japanese Army: “Oh! Say, Can You See?”
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Japanese Sailor, with His Bare Hands, Is Fighting with Two Russian Battleships (with Arms, Legs, and Faces), a Third Battleship Runs Away
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
A Russian Soldier Protests as Two Japanese Soldiers Interrupt His Dinner Preparations
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress
Miss Jiuliancheng and the Russian Soldier (Kyûrenjô no heiki)
The Russo-Japanese War (1904–5) was documented in various forms of media, such as woodblock prints, photographs, and illustrations. The victories of the Japanese military in the early stages of the war inspired propaganda prints by Japanese artists. Kobayashi Kiyochika (1847–1915) contributed this farcical single-sheet print to the series, Nihon banzai hyakusen hyakushō (Long live Japan: 100 victories, 100 laughs). Kiyochika, known for producing woodblock prints using Western painting methods, had been under the brief tutelage of Charles Wirgman (1832–91), an English cartoonist for the Illustrated London News ...
Contributed by Library of Congress