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Portraits of N. V. Gogol: 1809–1909
This collection of portraits of Nikolai Vasilievich Gogol (1809–52) was published under the auspices of the Society of Lovers of Russian Literature for the centenary of the birth of Gogolʹ, a Ukrainian-born Russian playwright, novelist, and writer of short stories. The book is divided into two parts: an annotated list of the known portraits of the writer on pages 3–15, followed by reproductions of each portrait. The portraits trace Gogol’s life in chronological order, from 1827 before he was well known, until his death in Moscow in ...
The History of Ukrainian Drama
This work by Ukrainian literary critic, writer, and translator Ivan Steshenko is the first volume of a projected multivolume history of the Ukrainian theater. The volume is in five chapters. The first covers general conceptual and historical issues, such as the rise of the theater and the transformation of ancient cult rituals into performances. The second chapter covers Latin-Germanic and Slavonic folk rites and their content. The third chapter discusses drama as a means for the dissemination of Christianity in Ukraine. The fourth chapter provides information about the development of ...
Theater and Drama: A Collection of Critical Articles on Theater and Dramatic Literature
Mikola Kindratovich Voroniy (1871–1938) was a prominent Ukrainian poet, writer, actor, and director. This book is a collection of his most important articles on the art of the theater and dramatic literature. The topics covered include the work of actors and directors, dramatic literature as the most complex genre of literary and artistic expression, and the nature and role of the audience. The author draws general conclusions from his analysis and discusses the ways in which the theater might develop in the future. Voroniy received his university education in ...
The Spiritual Couplets
The most significant contribution of Jalāl ad-Dīn Muhammad Rūmī (popularly known in Persian as Mawlānā, and in English as Rumi, 1207–73), the renowned poet and mystic of Iran, to Persian literature may be his poetry, and especially his famous Masnavi (The spiritual couplets). This work, which is said to be the most extensive verse exposition of mysticism in any language, discusses and offers solutions to many complicated problems in metaphysics, religion, ethics, mysticism, and other fields. Masnavi highlights the various hidden aspects of Sufism and their relationship to the ...
The Book of Kings
Shahnameh Baysonqori is a copy of Shahnameh (Book of kings) composed by the highly revered Iranian poet Abū al-Qāsim Firdawsī (940–1020). The importance of Shahnameh in the Persian-speaking world is comparable that of Homer’s epics in the West. The book recounts in verse the mythological history of ancient Persia and tales of the famous heroes and personalities of Iranian history, from legendary times to the 7th-century reign of Yazdgerd III, the last king of the Sassanid dynasty. The tales are based on earlier historical works, but are mixed ...
Priest Puncho Miscellany of 1796
This intriguing manuscript was written in the vernacular Bulgarian of the late 18th century and was intended to be printed. The content of the manuscript consists of literary texts compiled from older manuscripts, Russian printed books, apocrypha, a reworked version of the first real Bulgarian chronicle, Paisiĭ Khilendarski’s Istoriia slavianobolgarskaia (Slaveno-Bulgarian history), as well as texts of unspecified or unknown origin. The illumination, although stylistically naive, is very rich. It includes two self-portraits of the scribe and compiler Puncho, together with numerous miniatures, some of them with unusual iconography ...
Bashkioi Copy of “Slaveno-Bulgarian History”
This handwritten copy of Paisiĭ Khilendarski’s Istoriia slavianobolgarskaia (Slaveno-Bulgarian history) was made in 1841 by the priest Vasilii Manuilov. In addition to the main text, the manuscript contains accounts of two miracles of the Holy Mother. First published in 1762, Paisiĭ’s history encouraged the Bulgarians, who had been under Ottoman rule for centuries, to discover their national consciousness and to embrace the Bulgarian language. The work was so influential that it was copied by hand and excerpted many times without Paisiĭ being identified as the author or his ...
Anthology of Ḥakīm Ruknā Masīḥ
This diwan (a collection of poems in Arabic or Persian, usually by a single author) of Persian poems by physician and poet Ḥakīm Ruknā Masīḥ dates from 1638. “Ḥakīm” is an honorific for a wise man or physician. “Masīḥ” (the Christian), which appears elsewhere in the manuscript, was a pen name of the author. It is believed that the poems were dictated by the author to his calligrapher. The manuscript is in four sections, containing qasidas (odes), ghazals (lyric poems), rubaiyat (quatrains), and muqatta't (poetic fragments). The first two ...
Collection of Persian Poetry and Prose
This manuscript in Persian is an untitled Sufi text on meditation containing both poetry and prose. It was completed in early 1520, probably in Herat (present-day Afghanistan) or Mashhad (present-day Iran). The colophon, which is in Arabic, gives the name of the scribe, Mīr 'Alī Ḥusaynī Haravī (circa 1476−1543). The manuscript is on a firm cream-colored paper inlaid into light cream (folios 1−8) or pale greenish-blue margin paper, with the writing enclosed within alternating gold and cream (or green) bands with black ruling. The margin paper is profusely ...
Collected Poems of Aisha Durrani
This work is a lithographic print, published in Kabul, of the collected poems of 'Āyisha Durrānī, an Afghan poetess from the Durrani family, who was active in the second half of the 19th century. The poems include qasidas (a lyric form) and ghazals (a metrical form expressing the pain of loss and the beauty of love), and are arranged alphabetically according to qāfiya (the effect of rhyme). The collection was compiled during the reign of 'Abd al-Raḥmān Khān, emīr of Afghanistan from 1880 to 1901. The Durrani family led a ...
Literary Essay by Jāmī
This lithographic print is a literary essay by Nūr al-Dīn ‘Abd al-Rahmān Jāmī (1414–92), a great Persian poet, scholar, and mystic, who lived most of his life in Herat (present-day Afghanistan). The work is exceptional for being written in prose at a time when most fine Persian writing was in poetic form. Extensive commentary and critical notes are printed in the margins. There are also some handwritten notes in the margins, but most of these were lost when the work was rebound. Lithographic printing was invented in Europe in ...
Selections from the Shāhnāmeh of the Learned Abū al-Qāsim Firdawsi, May he be Blessed and May his Sins be Pardoned
This manuscript from the early 17th century contains selections from the Shāhnāmeh (Book of kings), the epic-historical work of Persian literature composed at the end of the tenth century by the poet Abū al-Qāsim Firdawsī (940–1020). This beloved epic of pre-Islamic Persia (present-day Iran) was widely read in Persia, Afghanistan, and Central Asia. The manuscript contains three half-page paintings showing different battles. The text is preceded by an introduction and table of contents (folios 1b−6b) and is written in black ink in a nastaʻliq script. The pages are ...
This book is the first printed work of the new Ukrainian literature written in the popular language. It introduced to the world the Ukrainian people with their history, language, traditions, faith, and ethical and aesthetic views, drawing upon materials derived from the social life of Ukraine of the late 18th–early 19th centuries. The work is based on The Aeneid, the epic poem by the Roman poet Virgil (circa 70–19 BC), but the author, Ivan Petrovych Kotlyarevsky, transforms Virgil’s ancient heroes into Ukrainian cossacks. The author used a ...
Shahnameh (Book of kings) was composed by the revered Iranian poet Abū al-Qāsim Firdawsī (940–1020). The book recounts in verse the mythological history of ancient Persia and tales of the famous heroes and personalities of Iranian history, from legendary times to the 7th-century reign of Yazdegerd III, the last king of the Sassanid dynasty. Considered the national epic of Iran, the book was widely read throughout the Persian-speaking world. This manuscript copy was made in India in the 17th or 18th century. The text is written in nastaʻliq script ...
All New Things are Delightful; with Thanks to the Lord the Beneficent; This Souvenir of Close Friends
Sayyid Ahmad Vasliĭ (or Seyyed Ahmad Wasliĭ) Samarkandiĭ (1870−circa 1920) was a writer, teacher, and scholar who was active in Samarkand (in present-day Uzbekistan) in the early 20th century. He was associated with the Jadidist Muslim reform movement, which was active within the Russian Empire in the late 19th and early 20th centuries. Sayyid Ahmad Vasliĭ was supportive of some new methods of teaching, but cautious about wider societal reform. He wrote in Uzbek, Arabic, and Persian on a diverse range of topics, including literature, linguistics, and social issues ...
Ghazal by Sa'di
This calligraphic fragment contains a ghazal (lyric poem) by the Persian poet Shaykh Sa'di (died 1292 [691 AH]). The verses describe a lover's search for his beloved and his request that she show herself to him. The verses are written in nasta'liq script using white, light blue, red, and yellow ink on a blue paper. Rangin (colored) inks add variety to the composition and are found in a number of calligraphies produced during the 16th century. The corners left open by the intersection of the diagonal verses ...
Verses by Jami
This calligraphic fragment includes verses composed by the Persian poet Jami (died 1492 [897 AH]), whose full name, Mawlana 'Abd al-Rahman Jami, is noted in the topmost panel. In larger script appears a ghazal (lyric poem) in which a lover sighs about the lack of news from his beloved. The central text frames are bordered on the right and left by illuminated panels and contain a ruba'i (iambic pentameter quatrain) written in smaller script. The quatrain encourages true and eternal love of God rather than passing infatuations: "Every beautiful ...
Ghazals of Asifi
This calligraphic fragment includes a variety of ghazals (lyric poems) from the Compendium of Poems (Divan) of the Persian poet Asifi. A student of the famous poet Jami (died 1492 [897 AH]) in Herat (present-day Afghanistan), Asifi remained in the Timurid capital city until his death (1517 [923 AH]), even during and after the Uzbek invasions. These particular verses on the fragment's recto and verso portray a lover's madness and his complaints about the pains of separation from the object of his affection. At the end of the ...
The Feast of Iskandar and Nushabah from Niẓāmī's "Iskandarnamah"
The painting on the recto and the text on the verso of this fragment describe an episode in Niẓāmī's Iskandarnamah (The book of Alexander the Great), the last text of the author's Khamsah (Quintet). In his work, the great Persian author Niẓāmī Ganjavī (1140 or 1141–1202 or 1203) describes the adventures and battles of Alexander the Great as he travels to the end of the world. On his way to the Land of Darkness, he visits the queen of the Caucasian city of Barda, Nushabah, in order ...
Verses by Hilālī
This calligraphic fragment includes three distinct text panels all executed in Nasta'liq script: one written in black ink on blue paper, another in white ink on beige paper with two illuminated triangles (or thumb pieces) in the upper and lower corners, and a third (lowest on the page) written in black ink on beige paper. All three panels were cut out and placed together, provided with a gold frame, and pasted to a larger sheet of paper decorated with flecks of gold. The blue text panel includes verses composed ...
Three Bayts (Verses) to a Loved One
This calligraphic fragment includes three bayts (verses) of poetry in the main text panel and ten verses around this panel, creating a textual frame decorated with gold vine and leaf motifs. The entire calligraphic piece is pasted to a paper decorated with blue geometric and vegetal motifs highlighted in gold. The central text panel is topped by an illuminated rectangular panel and includes a decorative triangle in the upper left corner. The verses in the central panel are written in nasta'liq script on a white ground decorated with ...