230 results in English
Portraits of N. V. Gogol: 1809–1909
This collection of portraits of Nikolai Vasilievich Gogol (1809–52) was published under the auspices of the Society of Lovers of Russian Literature for the centenary of the birth of Gogolʹ, a Ukrainian-born Russian playwright, novelist, and writer of short stories. The book is divided into two parts: an annotated list of the known portraits of the writer on pages 3–15, followed by reproductions of each portrait. The portraits trace Gogol’s life in chronological order, from 1827 before he was well known, until his death in Moscow in ...
The History of Ukrainian Drama
This work by Ukrainian literary critic, writer, and translator Ivan Steshenko is the first volume of a projected multivolume history of the Ukrainian theater. The volume is in five chapters. The first covers general conceptual and historical issues, such as the rise of the theater and the transformation of ancient cult rituals into performances. The second chapter covers Latin-Germanic and Slavonic folk rites and their content. The third chapter discusses drama as a means for the dissemination of Christianity in Ukraine. The fourth chapter provides information about the development of ...
Theater and Drama: A Collection of Critical Articles on Theater and Dramatic Literature
Mikola Kindratovich Voroniy (1871–1938) was a prominent Ukrainian poet, writer, actor, and director. This book is a collection of his most important articles on the art of the theater and dramatic literature. The topics covered include the work of actors and directors, dramatic literature as the most complex genre of literary and artistic expression, and the nature and role of the audience. The author draws general conclusions from his analysis and discusses the ways in which the theater might develop in the future. Voroniy received his university education in ...
The Spiritual Couplets
The most significant contribution of Jalāl ad-Dīn Muhammad Rūmī (popularly known in Persian as Mawlānā, and in English as Rumi, 1207–73), the renowned poet and mystic of Iran, to Persian literature may be his poetry, and especially his famous Masnavi (The spiritual couplets). This work, which is said to be the most extensive verse exposition of mysticism in any language, discusses and offers solutions to many complicated problems in metaphysics, religion, ethics, mysticism, and other fields. Masnavi highlights the various hidden aspects of Sufism and their relationship to the ...
The Book of Kings
Shahnameh Baysonqori is a copy of Shahnameh (Book of kings) composed by the highly revered Iranian poet Abū al-Qāsim Firdawsī (940–1020). The importance of Shahnameh in the Persian-speaking world is comparable that of Homer’s epics in the West. The book recounts in verse the mythological history of ancient Persia and tales of the famous heroes and personalities of Iranian history, from legendary times to the 7th-century reign of Yazdgerd III, the last king of the Sassanid dynasty. The tales are based on earlier historical works, but are mixed ...
Priest Puncho Miscellany of 1796
This intriguing manuscript was written in the vernacular Bulgarian of the late 18th century and was intended to be printed. The content of the manuscript consists of literary texts compiled from older manuscripts, Russian printed books, apocrypha, a reworked version of the first real Bulgarian chronicle, Paisiĭ Khilendarski’s Istoriia slavianobolgarskaia (Slaveno-Bulgarian history), as well as texts of unspecified or unknown origin. The illumination, although stylistically naive, is very rich. It includes two self-portraits of the scribe and compiler Puncho, together with numerous miniatures, some of them with unusual iconography ...
Bashkioi Copy of “Slaveno-Bulgarian History”
This handwritten copy of Paisiĭ Khilendarski’s Istoriia slavianobolgarskaia (Slaveno-Bulgarian history) was made in 1841 by the priest Vasilii Manuilov. In addition to the main text, the manuscript contains accounts of two miracles of the Holy Mother. First published in 1762, Paisiĭ’s history encouraged the Bulgarians, who had been under Ottoman rule for centuries, to discover their national consciousness and to embrace the Bulgarian language. The work was so influential that it was copied by hand and excerpted many times without Paisiĭ being identified as the author or his ...
Anthology of Ḥakīm Ruknā Masīḥ
This diwan (a collection of poems in Arabic or Persian, usually by a single author) of Persian poems by physician and poet Ḥakīm Ruknā Masīḥ dates from 1638. “Ḥakīm” is an honorific for a wise man or physician. “Masīḥ” (the Christian), which appears elsewhere in the manuscript, was a pen name of the author. It is believed that the poems were dictated by the author to his calligrapher. The manuscript is in four sections, containing qasidas (odes), ghazals (lyric poems), rubaiyat (quatrains), and muqatta't (poetic fragments). The first two ...
Collection of Persian Poetry and Prose
This manuscript in Persian is an untitled Sufi text on meditation containing both poetry and prose. It was completed in early 1520, probably in Herat (present-day Afghanistan) or Mashhad (present-day Iran). The colophon, which is in Arabic, gives the name of the scribe, Mīr 'Alī Ḥusaynī Haravī (circa 1476−1543). The manuscript is on a firm cream-colored paper inlaid into light cream (folios 1−8) or pale greenish-blue margin paper, with the writing enclosed within alternating gold and cream (or green) bands with black ruling. The margin paper is profusely ...
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Collection of Poetry by Kalīm
Abū Ṭālib Kalīm Hamadānī (or Kāshānī, died 1651; 1061 A.H.) was one of the foremost Persian poets of the 17th century. He was born in Hamadan (present-day Iran) but appears to have lived in Kashan (also in Iran) for a sizeable portion of his life—hence the appellation Kāshānī. He received his education in Kashan and in Shiraz before moving to India to serve the Mughal ruler Jahangir (reigned 1605–27). Abū Ṭālib was thus among a large number of Persian poets and literati who left Persia in search ...
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Collection of Poems by Shāhī
Dīvān-i Shāhī (Collection of poems by Shāhī) is a divan (collection) of verse by Amīr Shāhī Sabzavārī (died 1453; 857 A.H.), a prominent Persian poet of the Timurid era who composed in many of the classical forms of Persian poetry. Amīr Shāhī’s poetry belongs to the tradition of Persian mystical love poetry. The collection includes poems composed in the ghazal (a metrical form expressing the pain of loss and the beauty of love), qaṣīda (lyric poem), and rubā’ī (quatrain) forms. Amīr Shāhī was born in Sabzevar (present-day ...
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Collected Poems of Aisha Durrani
This work is a lithographic print, published in Kabul, of the collected poems of 'Āyisha Durrānī, an Afghan poetess from the Durrani family, who was active in the second half of the 19th century. The poems include qasidas (a lyric form) and ghazals (a metrical form expressing the pain of loss and the beauty of love), and are arranged alphabetically according to qāfiya (the effect of rhyme). The collection was compiled during the reign of 'Abd al-Raḥmān Khān, emīr of Afghanistan from 1880 to 1901. The Durrani family led a ...
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Collected Songs and Verses of Li He
Li He (790–816), courtesy name Changji, was a Chinese poet of the late-Tang dynasty, known for his unconventional and imaginative style. A native of Changgu, Henan Province, Li was unsuccessful in the imperial examination. He died at age 27, having worked, despite his distant royal ancestry, as a poor minor official. About 240 of his poems survive. Although his works were admired by the late-Tang poets, none of his poems made their way into the popular anthologies, such as Tang shi san bai shou (300 Tang poems). As indicated ...
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Romance of the Three Kingdoms in Illustrations
Sanguo yan yi (Romance of the Three Kingdoms), written by Luo Guanzhong (circa 1330–1400), a late-Yuan and early-Ming author, is a historical novel set in the third century, in the turbulent years near the end of the Han Dynasty and the Three Kingdoms era of Chinese history. The part-historical, part-legendary, and part-mythical story chronicles the lives of feudal lords and their retainers, who vied with each other to restore or replace the declining Han Dynasty. The novel follows literally hundreds of characters, with plots, personal and army battles, intrigues ...
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Romance of the West Chamber with Chen Meigong’s Critical Comments
Ding juan Chen Meigong xian sheng pi ping Xi xiang ji (Romance of the West Chamber with Chen Meigong’s critical comments) is a work by Wang Shifu (circa 1250–1307), a successful playwright of the Yuan dynasty, with commentary by Chen Jiru (also called Chen Meigong, circa 1558–1639), a painter-calligrapher and man of letters. This is a late-Ming edition in two juan, with two juan of explanatory text, one juan of Pudong shi (Poems of Pudong), and one juan of Qiantang meng (Dream of Qiantang). It was printed ...
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The Story of the Secluded Chamber, with Li Zhuowu’s Critical Comments
You gui ji (Story of the secluded chamber), also entitled Bai yue ting ji (Story of the Moon-Worshipping Pavilion), is one of the five greatest Ming-dynasty long poetic dramas, called chuan qi. Attributed by some to Guan Hanqing (1220–1300), the Yuan playwright, and by others to Shi Hui (born 1295 or 1296), a native of Hangzhou and a Southern-style playwright at the end of the Yuan and the beginning of the Ming dynasty, the play has 40 scenes in two juan. The story takes place at the end of ...
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The Four Cries of the Gibbon
This drama is by Xu Wei (1521–93), a literary writer, painter-calligrapher, and playwright. A native of Shanyin, Zhejiang, Xu Wei used various pseudonyms, among them Qingteng Jushi (Resident of the Green Vine House). Despite his talents and early achievements in painting, poetry, and essay writing, he failed in eight attempts to pass the civil examinations and never achieved a jin shi degree. He served under General Hu Zongxian, the supreme commander of the Jiangsu–Zhejiang–Fujian coastal defense against the Japanese pirates, but lost his post after the general ...
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The Four Dreams of Linchuan
Linchuan si meng, also called Yumingtang si meng (The four dreams of the Jade Tea Hall), is a collection of four major dramas by the famed Ming-dynasty dramatist Tang Xianzu (1550–1616): Zi chai ji (The story of the purple hairpin), Nan ke ji (Record of southern bough), Handan meng (Record of Handan), and most famously Mu dan ting (The peony pavilion). These dramas are called dreams, because dreams play a large role in the plot of each. Various editions of this collection appeared during the Ming and Qing dynasties ...
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Ten Misidentifications, or Riddles of the Spring Lantern Festival, a New Yonghuaitang Edition
Ruan Dacheng (circa 1587–1646) was a well-known late-Ming poet and dramatist from an influential family in Huaining, Anhui Province, and also a corrupt politician of unsavory reputation. He received his jin shi degree in 1616. While in office, he allied with Wei Zhongxian (1568–1627), a powerful eunuch, and was dismissed after the eunuch’s downfall. He retired to his native town, and later to Nanjing, and began writing poetry and drama. In 1644 he joined the court of the Ming loyalist Southern Ming (1644–62) regime, and rose ...
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The Swallow’s Message, Huaiyuantang Edition with Commentaries and Punctuations
Ruan Dacheng (circa 1587–1646) was a well-known late-Ming poet and dramatist from an influential family in Huaining, Anhui Province, and also a corrupt politician of unsavory reputation. He received his jin shi degree in 1616. While in office, he allied with Wei Zhongxian (1568–1627), a powerful eunuch, and was dismissed after the eunuch’s downfall. He retired to his native town, and later to Nanjing, and began writing poetry and drama. In 1644 he joined the court of the Ming loyalist Southern Ming (1644–62) regime, and rose ...
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A Romance at a Post-House
Qing you chuan qi (A romance at a post-house), also known as Qing you ji, is a play in two juan, written by Wu Bing (1595–1647), a famed late-Ming playwright from a family of officials in Changzhou. After achieving his jin shi degree, Wu Bing assumed the post of magistrate of Puqi, Hubei Province. Among his other posts were assistant superintendent of education in Jiangxi and service in the Bureau of Rivers and Canals, the Ministry of Works. He was known as an able, just official, but he later ...
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The Story of the Jade Box, with Li Zhuowu‘s Critical Comments
This work is by Mei Dingzuo (1549–1615), who based it on a Tang-dynasty romantic work entitled Liu shi zhuan (The story about the woman Liu) by Xu Yaozuo, and another work, Ben shi shi (Stories in verse), by Meng Qi. Mei had a large circle of literary friends, among them literary scholars Wang Shizhen and Wang Daokun and playwright Tang Xianzu. After repeatedly failing to pass the civil examinations, Mei devoted himself to writing poetry, novels, and dramas, and eventually became a prolific author. Among his best-known works are ...
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Romance of the Three Kingdoms with Li Zhuowu’s Critical Comments
Sanguo yan yi (Romance of the Three Kingdoms), written by Luo Guanzhong (circa 1330–1400), a late-Yuan and early-Ming author, is a historical novel set in the third century, in the turbulent years near the end of the Han Dynasty and the Three Kingdoms era of Chinese history. The part-historical, part-legendary, and part-mythical story chronicles the lives of feudal lords and their retainers, who vied with each other to restore or replace the declining Han Dynasty. The novel follows literally hundreds of characters, with plots, personal and army battles, intrigues ...
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Newly Compiled Stories on the History of the Five Dynasties with Commentaries (Incomplete Copy)
One of the popular entertainments among the common people during the Northern Song dynasty (960–1127) was storytelling. Historical events were particularly popular subjects. Stories often were told with the commentaries of the storytellers and thus were called ping hua (stories with commentaries). Some ping hua were published after being polished by the literati, but not many are still in existence. The author of this work is unknown. It is a collection of popular literature containing stories from the Five Dynasties (907–60), prior to the Song dynasty. It begins ...
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Literary Essay by Jāmī
This lithographic print is a literary essay by Nūr al-Dīn ‘Abd al-Rahmān Jāmī (1414–92), a great Persian poet, scholar, and mystic, who lived most of his life in Herat (present-day Afghanistan). The work is exceptional for being written in prose at a time when most fine Persian writing was in poetic form. Extensive commentary and critical notes are printed in the margins. There are also some handwritten notes in the margins, but most of these were lost when the work was rebound. Lithographic printing was invented in Europe in ...
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Selections from the Shāhnāmeh of the Learned Abū al-Qāsim Firdawsi, May he be Blessed and May his Sins be Pardoned
This manuscript from the early 17th century contains selections from the Shāhnāmeh (Book of kings), the epic-historical work of Persian literature composed at the end of the tenth century by the poet Abū al-Qāsim Firdawsī (940–1020). This beloved epic of pre-Islamic Persia (present-day Iran) was widely read in Persia, Afghanistan, and Central Asia. The manuscript contains three half-page paintings showing different battles. The text is preceded by an introduction and table of contents (folios 1b−6b) and is written in black ink in a nastaʻliq script. The pages are ...
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The Aeneid
This book is the first printed work of the new Ukrainian literature written in the popular language. It introduced to the world the Ukrainian people with their history, language, traditions, faith, and ethical and aesthetic views, drawing upon materials derived from the social life of Ukraine of the late 18th–early 19th centuries. The work is based on The Aeneid, the epic poem by the Roman poet Virgil (circa 70–19 BC), but the author, Ivan Petrovych Kotlyarevsky, transforms Virgil’s ancient heroes into Ukrainian cossacks. The author used a ...
Akogi
Noh is a classical Japanese performance art that developed into its present form during the 14th and 15th centuries under the patronage of the shogunate. It became one of the favorite pastimes of the ruling class in Japan. Noh drama consists of dance and music. An utai-bon (book of lyrics) was made for each song in the drama. Noh was most popular during the 17th century, so many utai-bon, or Noh libretti, were published at that time. Shown here is a part of an utai-bon of Kanze-ryū style, one of ...
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The Tales of Ise
Ise monogatari (The tales of Ise) is a collection of some 125 brief episodes, combining elements of prose and poetry, that dates from the early Heian period (9th−10th centuries). The protagonist is believed to be modeled on Ariwarano Narihira (825−80), a handsome aristocrat who had many romantic affairs. The main character’s romances, friendships, heartbroken wandering life, and various other stories are narrated in a style that owes much to waka (literally, Japanese poems). The work had a great influence on later Japanese literature, including Genji monogatari (The ...
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Album of Appreciation of the Fragrance of Spring
Takuhanga is a printing technique in which a cloth-covered cotton ball containing black ink is patted on wet paper placed on an intaglio-engraved woodblock. The technique derives from takuhon, the art of rubbing found in Chinese copybooks printed from the works of old masters of calligraphy. This late-18th-century takuhanga album includes poems in the Chinese style celebrating the spring scenery of Kyoto written by learned men from the city who were students of Chinese literature, including Iwagaki Ryūkei (1741−1808). The drawings are by prominent Kyoto artists from the time ...
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Tsukishima
Tsukishima is a Kōwaka-mai (dance drama) ballad that dates from the Muromachi period (1336−1573). It is also called Hyōgo or Hyōgo tsukishima. The literal meaning of “tsukishima” is "making an island," and the ballad is based on an episode in which Taira no Kiyomori (1118−81), a general and noble, built a new port in Fukuhara, Hyōgo. The story starts with Kiyomori's decision to build the port. To ensure the success of the construction, 30 people are captured in order to be made human sacrifices to the gods ...
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Ibuki Dōji, the Boy from Mount Ibuki
This picture scroll of an otogizōshi (Japanese fairy tales of the Muromachi era, 1392−1573), recounts the childhood of Shuten Dōji, the oni (demon) who would one day be subdued by the real-life warrior, Minamoto no Yorimitsu. It tells the story of Shuten Dōji’s birth and his childhood on Mount Ibuki in the old province of Ōmi, protected by wild animals and feeding on magical herbs that prevented old age and death, up to the time he went to live on Mount Ōe-yama in the former province of Tanba ...
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Taishokan
Taishokan is a story loosely based on the life of Fujiwara no Kamatari (614−69), who was a famous court official. In the story, the daughter of Kamatari is married to the emperor of China. When she hears that her father is going to build the main hall of the Kōfuku-ji Temple in Nara, she sends him Mugehōju, a precious crystal with divine powers, as a gift. While a military escort is sailing to Japan with the crystal, dragons attack the ship and the treasure is carried down to the ...
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Military Epic about the Life of Yoshitsune
Gikei ki tells a fictional story based on the life of Minamoto Yoshitsune, a famous military commander of the 12th century. In the book, Yoshitsune’s elder brother Minamoto Yoritomo, the first shogun in the history of Japan, becomes suspicious of his younger brother’s ambition after his glorious victories in a series of battles. By order of Yoritomo, Yoshitsune is expelled from Kyoto, hounded, and finally forced to commit suicide. The tragic story of Yoshitsune has long been popular in Japan and was often described in novels and dramas ...
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Story of the Moon and the Sun
Tsukimitsu no sōshi (Story of the moon and the sun) is one of the otogizōshi, Japanese fairy tales of the Muromachi period (1336−1573). In the story, Hō’ō and Sansō, sons of a very wealthy man in Magada-koku, Tenjiku (an old name for India), were exiled by their stepmother to Shiomizu Island. Their dead birth mother changes herself into a large bird of paradise in order to protect and raise them. The boys eventually are rescued by their father, and grow up to be tsuki (the moon) and hi ...
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A Collection of Japanese Paintings
This picture book is by Hishikawa Moronobu (died 1694) a representative artist in the earliest days of ukiyo-e. It consists of 20 pictures depicting popular scenes from classical Japanese literature, including Ise monogatari (The tales of Ise), Genji monogatari (The tale of Genji), and yōkyoku (chants of Noh plays). Moronobu was the first artist who put his signature on printed books. On the colophon of this work, he identifies himself as Yamato-e-shi (artist of classical Japanese paintings), thereby showing his professional confidence in himself as an artist. The National Diet ...
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Poetic Collection of Tarzi
Diwan-i tarzi (Poetic collection of Tarzi) contains verses by Ghulām Muḥammad Ṭarzī (1830−1900), mostly concerning piety, ethics, politics, and society in 19th century Afghanistan. Tarzi came from a distinguished background; he belonged to the Mohammadzai sub-lineage of the Durranis, one of two main Afghan Pashtun lineages, the other being Ghilzai. Because of their connections to Muḥammad Yaʻqūb Khān, Tarzi and his family were exiled from Afghanistan in 1882−83 by Abd al-Raḥmān Khān, a kinsman of Yaʻqūb Khān and a rival to the Afghan throne. The feeling of desolation ...
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The Collected Works of Mullah Rahmat Badakhshani
Divan-i Mullah Rahmat Badakhshani (The collected works of Mullah Rahmat Badakhshani) is a divan of Khwaja Rahmat Ullah Badakhshani, a late-19th-century poet from Badakhshan, Afghanistan. The book’s main section includes several forms of ghazal (lyric) poetry. They include ghazal-e char dar char (ghazals in four by four), ghazal-e ka tama-e huruf ash hech nuqta nadara (ghazal poems where the words have no diacritical marks), and ghazal-e laf-o nashr-e muratab (a form in which the subject of the poem appears in the first lines and is then described in detail ...
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Shahnameh
Shahnameh (Book of kings) was composed by the revered Iranian poet Abū al-Qāsim Firdawsī (940–1020). The book recounts in verse the mythological history of ancient Persia and tales of the famous heroes and personalities of Iranian history, from legendary times to the 7th-century reign of Yazdegerd III, the last king of the Sassanid dynasty. Considered the national epic of Iran, the book was widely read throughout the Persian-speaking world. This manuscript copy was made in India in the 17th or 18th century. The text is written in nastaʻliq script ...
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All New Things are Delightful; with Thanks to the Lord the Beneficent; This Souvenir of Close Friends
Sayyid Ahmad Vasliĭ (or Seyyed Ahmad Wasliĭ) Samarkandiĭ (1870−circa 1920) was a writer, teacher, and scholar who was active in Samarkand (in present-day Uzbekistan) in the early 20th century. He was associated with the Jadidist Muslim reform movement, which was active within the Russian Empire in the late 19th and early 20th centuries. Sayyid Ahmad Vasliĭ was supportive of some new methods of teaching, but cautious about wider societal reform. He wrote in Uzbek, Arabic, and Persian on a diverse range of topics, including literature, linguistics, and social issues ...
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Collection of Works from Hakim Sanai
Kitāb-i mustaṭāb-i Kullīyāt-i (Collection of works from Hakim Sanai) contains poetic works of Abu al-Majd Majdud ibn Adam Sanai Ghaznwai (died circa 1150). Abu al-Majd, better known as Sanai, was a famous medieval classical Persian scholar, poet, and mystic, thought to have been born and died in Ghazna (a present-day province in southeast Afghanistan) and also to have lived in Khorasan. Sanai is considered to be the first to compose qasida (ode), ghazal (lyric), and masnavi (rhymed couplet) poems in Persian, and he is famous for his homiletic poetry and ...
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The Mirror of Orrery
Aiana-e Jahan Numa (The mirror of orrery) is a prose work of fables in Persian, which are relevant to both religious and worldly affairs. An orrery is a model representing the movements of heavenly bodies around the sun. The book was published in 1899 in Kabul by lithography. It is thought that it may derive in part from a work by Ḥusayn Vāʻiẓ Kāshifī, but the name of the author is unknown. This copy is arranged in several sections. It has a typically late-19th century Afghan-style leather cover embossed with ...
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