85 results in English
To Modest Ment͡synsʹkyĭ from Prisoners of the Wetzlar Camp
This publication, dedicated to the opera tenor Modest Omeli͡anovych Ment͡synsʹkyĭ (1875–1935), was produced by the prisoners from the Wetzlar camp for whom Ment͡synsʹkyĭ gave a performance in February 1916. It contains essays and poems dedicated to Ment͡synsʹkyĭ as well as the program of his performance and the lyrics of the songs he sang, which included poems by Taras Shevchenko and Ivan Franko. During World War I, more than a million Russian army soldiers were taken prisoner, of whom several hundred thousand were ethnic Ukrainians. The ...
A Collection of Songs of the Bukovina People
Bukovina is a region in southeastern Europe that is today partly in Ukraine and partly in Romania. Between 1775 and 1918 it was ruled by the Austrian Empire. It was annexed by Romania after World War I and divided between the Soviet Union and Romania after World War II. This book is a collection of song lyrics, gathered in the second half of the 19th century by the Bukovina journalist, anthropologist, and public figure Hryhoriĭ Kupchanko (1849–1902) for the Southwestern Department of the Imperial Russian Geographic Society. The selection ...
Antiphonary
This antiphonary (a book containing the choral parts of the Holy Office) was transferred to the Biblioteca comunale degli Intronati di Siena in 1811 from its place of origin, the Augustinian monastery of San Salvatore in Lecceto near Siena. By virtue of its specific liturgical function, the antiphonary, designed for the use of the monastic community, contains both the daytime and the nocturnal services. It was illuminated in 1442 as part of an extensive artistic program within the monastery promoted under priors Bartolomeo Tolomei and Girolamo Buonsignori. A bull by ...
El melopeo y maestro: Treatise on the Theory and Practice of Music
Pedro (Pietro) Cerone (1566–1625) was born in Bergamo, Italy. After training as a musician, singer, and priest in Italy, he travelled to Spain as a pilgrim to Santiago de Compostela in about 1593. A year later, mired in poverty and living in Madrid, he came under the protection of Santiago Gratii (Caballero de Gracia), in whose music academy he was able to work. Thanks probably to Caballero de Gracia, he was able to serve in the Royal Chapel of Phillip II and later that of Philip III. Around 1603 ...
Contributed by National Library of Spain
Playing with Fire: Operetta in Three Acts
Francisco Asenjo Barbieri (1823–94) is one of the best known figures in the history of Spanish music. He was a composer, musicologist, director, and bibliophile. The core music holdings of the National Library of Spain consist of Barbieri’s own library, which he bequeathed to the institution in his will. Barbieri’s bequest is one of the most important sources for the history of Spanish music. The national library also acquired, in 1999, Barbieri’s personal archive, which includes autographed scores. The relationship between Barbieri and the national library ...
Contributed by National Library of Spain
A Handbook on Theoretical and Practical Music
This 1825 manuscript, prepared for a print edition, is a handbook on theoretical and practical music, written in Katharevousa, a purist form of Modern Greek developed in the early 19th century and at that time widely used for literary and official purposes. The work is an introduction to the Byzantine notation for the liturgical chant used in the Greek Orthodox Church that most likely was intended for students of Byzantine ecclesiastical music. The text probably was written by a scribe named Basileios Nikolaḯdes Byzantios. On the first page, which is ...
Musical Instruments and Musicians. A Man Playing a Dutar, a Long-Necked Fretted Lute
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Musical Instruments and Musicians. A Man Playing a Koshnai, a Clarinet-like Instrument
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Musical Instruments and Musicians. Various Musical Instruments, Including a Dutar, a Long-Necked Fretted Lute
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Musical Instruments and Musicians. Stringed Instruments and a Frame Drum
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Musical Instruments and Musicians. Various Musical Instruments, Including a Koshnai
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Musical Instruments and Musicians. A Man Playing a Nagara, a Double-Headed Folk Drum
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Pastimes of Central Asians. A Musician Playing a Gydzhak, a Stringed Instrument
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Pastimes of Central Asians. Musicians. A Man Playing a Surnay, a Small Flute-like Instrument
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Pastimes of Central Asians. A Musician Playing a Kauz, a Small Two-Stringed Instrument with a Bow
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Pastimes of Central Asians. Musicians. A Man Practicing the Kamancha, a Long-necked Stringed Instrument
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Pastimes of Central Asians. A Musician Playing a Nai, a Flute-like Instrument
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Pastimes of Central Asians. A Musician Playing a Rubab, a Fretted Lute-like Instrument
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Pastimes of Central Asians. Musicians. A Man Playing a Karnay, a Long-necked Trumpet-like Instrument
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Pastimes of Central Asians. A Musician Playing a Tambur, a Long-necked Stringed Instrument
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Syr Darya Oblast. Singers
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Troupe of Musicians. Group of Musicians and a Batcha, or Dancing Boy
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Troupe of Musicians, Including Players of the Tas and the Kairak, a Hand Percussion Instrument
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Troupe of Musicians. A Woman Holding a Dayra, or Frame Drum
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Song Book by Hakob Meghapart
Tagharan (Song book), a collection of odes for the soul and the body, was one of the first five books published by Hakob Meghapart (Jacob the Sinner), who established the first Armenian printing press in Venice in 1512. Little is known about Hakob Meghapart, or why he styled himself “the Sinner” (or “the Sinful”). Armenia was at that time under the rule of the Ottoman Turks, and the Diaspora community played a critical role in keeping alive the Armenian language and literary tradition. The book is written in Grabar (Classical ...
Béla Bartók
Composer, pianist, and ethnomusicologist Béla Bartók (1881–1945) was born in Nagyszentmiklós, Hungary (present-day Sânnicolau Mare, Romania). He studied music in Pressburg (present-day Bratislava, Slovakia) and at the Budapest Academy of Music. In 1904 he began collecting folksongs, which he recorded and classified. Between 1907 and 1934 he was professor of piano at the Budapest academy. His compositions include an opera, two ballets, orchestral music, chamber music, and folksong arrangements. This photograph of Bartók is from the archives of the League of Nations. In 1931 Bartók was invited to join ...
Missa in B Minor ("Kyrie" and "Gloria" of the B Minor Mass)
In 1733, following the death of August the Strong, Elector of Saxony and King of Poland, the German composer Johann Sebastian Bach (1685–1750) applied to the ruler's son and successor, Frederick August II, for a court title. Bach’s petition eventually was successful, and in 1736 he was named Royal Polish and Electoral Saxon Court Composer. Bach had bolstered his application by submitting a missa brevis (brief mass, consisting of Kyrie and Gloria) dedicated to Frederick August. This work, the Missa in B Minor, which Bach with deliberate ...
Score of Divine Liturgy of Saint John Chrysostom and Other Compositions by Artemiĭ Vedelʹ
This manuscript is the only known work in the hand of Artemiĭ Vedelʹ (1767–1808), one of the most famous Ukrainian composers. It consists of six parts of the Liturgy of Saint John Chrysostom, 12 spiritual choral pieces, and a composition for trio with choir. Different colors of ink reflect the fact that the compositions were written at different times over a period of several years. In 1856 the historian, publicist, and professor at the Kiev Theological Academy, V.I. Askochenskyi, offered the score as a gift to the library ...
The Irmologion, “Rozniki,” and Feasts: A Liturgical Compilation with Hook Notation
An Irmologion is a liturgical book of the Eastern Orthodox Church and of some Eastern Rite Catholic Churches. It contains texts for singing in church called irmoi (introductory hymns, and sometimes concluding ones) for canons chanted at Matins and other services throughout the liturgical year. The term Irmologion comes from the Greek words for “link” and “to collect.” Rozniki (chants used for some specific occasions, such as Christmas and Easter) were mostly sung in Old Believer communities, who rejected 17th century reforms in the official Russian Orthodox Church. This work ...
Albéniz. Variations for T.R.M.
Albéniz. Variaciones para S.A.R. (Albéniz. Variations for T.R.M.) is an album of music by Pedro Albéniz (1795−1855) composed between 1820 and 1850 for Their Royal Majesties, meaning the Spanish monarchs Ferdinand VII and his elder daughter, the future Isabella II. Albéniz was piano tutor to Isabella before her majority and to her younger sister, Infanta Maria Luisa Fernanda, later duchess of Monpensier. The volume is bound in regal red leather, stamped in gold, with the crown on the cover. It contains 24 handwritten scores, including ...
The National Library Songbook
Cancioneiro da Biblioteca Nacional (The National Library songbook) is a compilation of 1,560 Portuguese-Galician troubadour poems from the 12th−14th centuries. The poems are preceded by an incomplete text, Arte de trovar (Art of poetry), which gives practical guidance on composition of this kind of poetry, with a general picture of the rules of the genres developed by the minstrels and troubadours for their poems. Also known as the Colocci-Brancuti Songbook, the codex was made in Italy around 1525−26 by order of Angelo Colocci (1474−1549), an Italian ...
French Opera Theater, 1895−96 Season
Founded in Montreal in 1893, the professional troupe of the Théâtre de l'Opéra Français (French Opera Theater) moved to the Théâtre Français (French Theater), a renovated and electrified auditorium, one year later. The new venue was located at the corner of Sainte-Catherine Street and Saint-Dominique Street. In a context in which Quebec still had very few local professional artists and where theatrical and musical repertoire was primarily Anglophone, comedies, dramas, and operettas of the Théâtre de l'Opéra Français delighted the French-speaking Montrealers. Consisting of singers and actors from ...
The Reapers
Els Segadors (The reapers) was declared in 1993 by the parliament of Catalonia, an autonomous region within Spain, to be the official anthem of the region. This hymn was not written for any particular purpose; rather, it was the product of the long historical evolution of a popular song. The words to the song go back to an historical event, the Reapers' War that began in 1640, when 1,000 laborers entered Barcelona on Corpus Christi Day, using their sickles as weapons. The revolt was a response to the abuses ...
Missa Barcelona. Ars Nova
In the middle of the 14th century, foreign minstrels and chanters in the service of the royal house of Catalonia-Aragon introduced new musical styles into the country. During the reigns of Peter IV of Aragon (Peter III in the principality of Catalonia, reigned 1336−87), John I (reigned 1387−95), and Martin I (called Martin the Humane, reigned 1396−1410), most of the minstrels came from Germany, Flanders, France, England, Italy, and Castile. The monarchs of the royal house of Catalonia-Aragon were considered among the most outstanding patrons in the ...
Tango of the Car
“Tango del automóvil” (Tango of the car) is a 7-inch (17.78-centimeter) diameter disc, recorded on one side. On the back is the inscription "Reproduced in Hanover," where a large collection of Spanish master records by the Gramophone Company Limited was gathered. In his unpublished work The Gramophone Company Limited: His Master’s Voice: The Spanish Catalogue (Including Portuguese Recordings), Alan Kelly lists this disc as catalog number 2084 in the “Male solo voice records” category. According to Kelly, the recording was made by Charles Scheuplein, a professional associated with ...
Barcelona Songbook
The musical sources that have come down to us from the Renaissance are mostly collections of polyphonic songs, works that collect the repertoire of the time and that bear witness to the confluence of several cultures. Well-known songbooks include those associated with the Palacio, with the Duke of Calabria (also called the Uppsala Songbook), with Montecasino, and, in this case, with Barcelona. Cançoner de Barcelona (Songbook of Barcelona), manuscript M 454 in the Biblioteca de Catalunya, is the most important Renaissance musical source from the court of Aragon and one ...
Selections from "Suite Iberia"
Isaac Albéniz (1860−1909) was the first composer to value and promote Spanish music as universal music beyond the national sphere. Iberia, a set of 12 compositions for piano published in four books, is Albéniz’s most representative work. Its earlier title was Espagne, and it sometimes is called Suite Iberia, based on the fact that the orchestration of these pieces was gathered in four suites. The series for piano was composed in Paris and Nice, where the Albéniz family lived between December 1905 and January 1908. The work was ...
Music for the Feast of Saint George
During the 1432 session of the General Court of the Principality of Catalonia, held in Barcelona, it was decided that a chapel to Saint George should be constructed at the Palau de la Diputació del General (Palace of the Principality of Catalonia, now called Palau de Generalitat de Catalunya, or Palace of Government of Catalonia). Saint George is the patron saint of the Diputació del General. At the end of the 16th century, the new chapel—today known as Saint George’s Hall—was built in order to accommodate the ...
Wakulla Springs Glass-Bottom Boat Tour Chant by Luke Smith
The sound recording presented here features a chant recited by Luke Smith at the 1981 Florida Folk Festival in White Springs, Florida. Smith, a longtime guide on the Wakulla River, sings about the underwater environment and summons fish to the boat. His chant is reminiscent of African-American spirituals and field hollers common throughout the Deep South of the United States. Alligators, snakes, rare birds, and native exoticism are part of Florida’s tourism industry. Narrated boat tours at sites such as Wakulla Springs State Park, located at the spring south ...
Antiphonary
This document is a fragment of an antiphonary of unknown provenance, dating from the 12th century. It is written in Caroline minuscule. The initial letter “S” is an example of Romanesque codex painting. The scribe and the illuminator are unknown. The script is stylized into a band of palmette decoration. It is difficult to determine precisely the  historical context of the fragment, which could either have been produced in the Rhineland (Cologne) or the Danube River valley (Salzburg). The musical notation represents the German neume notation of the Salzburg circle ...
Contributed by Slovak National Library
Antiphonarium Bratislaviense
This illuminated folio with Metz Gothic musical notation comes from the liturgical codex of Canon Jan Han, who was a client of the Bratislava Chapter and the purchaser of this antiphonary. The illuminated initial “S” (Sanctum) with the first two martyrs of the Christian Church, Saint Stephen and Saint Lawrence, accompanied by Saint Vitus, is supplemented by the label Illorum effusus nos in patientia firmet (Their patience enabled us to stream forth), which dates the fragment to 1487. The bottom part of the acanthus decoration on the left margin contains ...
Contributed by Slovak National Library
Passional of the Venerable Lord for the Convent of Žilina (The Passional of Žilina)
Passionale Domini Venerabilis Conventvs Solnensis (Passional of the venerable lord for the Convent of Žilina), commonly known as the Passional of Žilina, contains a number of manuscript musical works. Included here are two compendia. In the first, Harmonia pastoralis (Shepherd's harmony), are two Latin-Slovak Christmas masses with Slovak folk pastorales and carols, and the Latin antiphon "Tota pulchra" (All beautiful). In the second, Prosae pastorales (Pastor's songs), are carols and pastorales for Christmas, New Year, and Epiphany, including the well-known carol “Do lesa, do hory valasi” (Into the ...
Contributed by Slovak National Library