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156 results
Ex Librises by A. Tychina
Anatoly Tychina (1897–1986), one of the major book designers in Belarus in the 20th century, played a significant role in the development of Belarusian national art. He worked in such areas of the graphic arts as book design, easel graphics, newspaper and magazine design, and ex-libris bookplates. His works display expressive realistic forms, contrasts of color and volume, as well as a unique national character. Ex-libris design flourished in Belarus in the 1920s. With help from the Belarusian Society of Bibliophiles, a small edition of 200 copies of Еx ...
Contributed by
National Library of Belarus
The Old People Mill
This 1852 single-sheet satirical print depicting “the old people mill” is part of a collection of 850 such broadsides printed in various Swedish cities and now preserved in the National Library of Sweden. These prints were often pasted inside the lids of chests in which people stored their belongings. The print on the left and the accompanying verses below are devoted to “the mill for old men," those on the right to “the mill for old women,” magical mills from which they return young and beautiful. In the era before ...
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National Library of Sweden
Olympic Games, Stockholm, 1912
The Stockholm Olympiad of 1912 marked the transition of the modern Olympic Games from what had been a modest-sized athletic competition into a global media event. The preparation and build-up for the games, the venues built especially for them, and media exposure all began to overshadow the fabric of the athletic competitions themselves. This media event emphasized both global and national dimensions and was meticulously conceived by the organizers. Recognizing that technology was evolving quickly and that visual images crossed borders unhindered, the committee mounted an innovative international media campaign ...
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National Library of Sweden
Album of Appreciation of the Fragrance of Spring
Takuhanga is a printing technique in which a cloth-covered cotton ball containing black ink is patted on wet paper placed on an intaglio-engraved woodblock. The technique derives from takuhon, the art of rubbing found in Chinese copybooks printed from the works of old masters of calligraphy. This late-18th-century takuhanga album includes poems in the Chinese style celebrating the spring scenery of Kyoto written by learned men from the city who were students of Chinese literature, including Iwagaki Ryūkei (1741−1808). The drawings are by prominent Kyoto artists from the time ...
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National Diet Library
Picture Book of Chrysanthemums
The chrysanthemum, the flower loved by Tao Yuan-ming (365−427), a distinguished Chinese poet of the Eastern Jin dynasty, was brought to Japan around the beginning of the Heian period (794−1185). The plant took root on Japanese soil and by the Edo period (1600−1868) several hundred different types of chrysanthemum were being cultivated in the country. Gakiku is the first picture book of chrysanthemums published in Japan. Its beautiful illustrations and Chinese-style poems introduced readers to 100 different varieties of the flower. The text and lines are printed ...
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National Diet Library
The Insect Book
Ehon mushi-erami (The insect book) is by the ukiyo-e painter Kitagawa Utamaro (circa 1753−1806). It was created by him before he produced the bijin-ga (pictures of beautiful women) for which he is famous. Each double page of the book contains a painted illustration of a plant and two species of insects, along with two kyōka (a poem style originating from waka, literally, Japanese poems). The kyōka are ostensibly insect-themed love poems. In all, 15 colored wood-block prints are included. The work demonstrates Utamaro’s skill at drawing, as well ...
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National Diet Library
A Collection of Japanese Paintings
This picture book is by Hishikawa Moronobu (died 1694) a representative artist in the earliest days of ukiyo-e. It consists of 20 pictures depicting popular scenes from classical Japanese literature, including Ise monogatari (The tales of Ise), Genji monogatari (The tale of Genji), and yōkyoku (chants of Noh plays). Moronobu was the first artist who put his signature on printed books. On the colophon of this work, he identifies himself as Yamato-e-shi (artist of classical Japanese paintings), thereby showing his professional confidence in himself as an artist. The National Diet ...
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National Diet Library
Beauties of Yoshiwara
Seirō Bijin Awase (Beauties of Yoshiwara) is one of the finest multicolored woodblock printed books in Japan. It was published in 1770. The book depicts 166 courtesans of the Yoshiwara, the pleasure quarter in Edo (present-day Tokyo), with the names of the courtesans and the brothels where they worked, with a haiku (a short poem) in the background of each illustration. The work consists of five sections in five chapters. The original title slip on which the book title and the volume title were printed is attached to the center ...
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National Diet Library
Ciniselli Circus Water Pantomime
This poster by an unknown artist is devoted to the Ciniselli Circus water pantomime (probably The Four Elements). Produced in Berlin by the firm Dinse & Eckert, the picture is a colored lithograph with the letters written in gold. The water pantomime was performed for the first time in Russia in 1892. In The Four Elements, water rushed down in a cascade and fountains gushed out in different places of the arena. Deer, elephants, and horses with riders swam in the arena lake. Pantomime, an art form in which the story ...
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The Bolshoi St. Petersburg State Circus - Museum of Circus Art
Liberty Act by Scipione Ciniselli
This black and white lithograph of 1900 depicts Scipione Ciniselli, director of the Ciniselli Circus (now the Bolshoi Saint Petersburg State Circus), and his twelve liberty horses in the final act of the performance. The term "liberty horse act" refers to an act in which the horses are directed with verbal commands and are not mounted or held by reins; the horses are "at liberty." Scipione was the son of Gaetano Ciniselli, who founded the circus in 1877. Following Gaetano’s death in 1881, leadership of the circus passed first ...
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The Bolshoi St. Petersburg State Circus - Museum of Circus Art
Curious Designs
Braccelli’s Bizzarie di varie figure contains a suite of 50 etchings that celebrate the human figure in geometric forms. Squares, triangles, circles, and parallelograms take the place of muscle, bone, and tissue, defining the body in a new visual vocabulary. Braccelli’s designs are unique in the history of book illustration. They represent a high point in the Mannerist style of etching that flourished in the 17th century. Mannerism incorporated the techniques of the Renaissance but rejected the classical imagery and harmonious style that is the hallmark of much ...
Contributed by
Library of Congress
The Book of Urizen
The poet and artist William Blake was born in London in 1757. He was apprenticed to an engraver and studied drawing at the Royal Academy. In 1783 he published his first book of poetry, Poetical Sketches. Blake was a religious mystic who eschewed the traditional teaching of the Christian churches to invent his own doctrines and symbols, which he drew from classical and Celtic mythology and many other sources. This printing of The Book of Urizen from the Rosenwald Collection at the Library of Congress introduces a figure, Urizen, whom ...
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Library of Congress
Australia has Promised Britain 50,000 More Men; Will You Help Us Keep that Promise
In World War I, all sides used posters as tools to mobilize their populations for the war effort. Australia fought on the side of its “mother country,” Great Britain. Australian soldiers suffered heavy casualties in the Gallipoli campaign and in the trenches on the Western front. Casualties led to recruiting drives intended to attract new enlistments. This poster by an unidentified artist appeals to the strong sense of loyalty to Britain felt by the Australian people. It shows a kangaroo in front of number 50,000 and in the background ...
Contributed by
Library of Congress
Subscribe to the 8th War Loan
In World War I, all sides used posters as tools to mobilize their populations for the war effort. This poster, published in Vienna in 1918, shows a little girl reaching through a number "8" to deposit a coin into a pile below, an advertisement for the eighth war loan being raised by Austria-Hungary, Germany’s chief ally in the war. The artist who designed the poster was Alfred Offner. Born in Czernowitz in 1879, Offner was a painter and graphic artist who was associated with the Vienna Secession, a group ...
Contributed by
Library of Congress
Union Bank, 8th War Loan; Peace Through Victory
In World War I, all sides used posters as tools to mobilize their populations for the war effort. This poster, published in Vienna in 1918, is an advertisement for the eighth war loan being raised by Austria-Hungary, Germany’s chief ally in the war. It shows a young woman offering a bowl of coins at an altar decorated with the Austrian coat of arms. The artist was Thomas Fasche, who created several other World War I posters, but about whom little is known.
Contributed by
Library of Congress
National War Relief Exhibition
In World War I, all sides used posters as tools to mobilize their populations for the war effort. This poster, published in Pozsony (present-day Bratislava, Slovakia) in 1917, shows a disabled veteran with a prosthetic arm using a scythe to harvest wheat. The text announces the National War Relief Exhibition in Pozsony. The poster was created by Pal Sujan, a popular artist whose portraits and other paintings were widely shown in the Austro-Hungarian Empire. Sujan was born in Budapest in 1880, studied art, and worked as an art teacher in ...
Contributed by
Library of Congress
Adam and Eve in Paradise
Lucas Cranach, the Elder (1472-1553) was a leading artist of the German Renaissance. He served as court painter at Wittenberg to Frederick the Wise of Saxony and was a friend and advocate of Martin Luther, the leader of the Protestant Reformation. He was also a master printmaker. This 1509 woodcut depicts Adam and Eve beneath an apple tree, surrounded by animals, with Eve being tempted by the serpent. Man’s fall from grace was a popular theme in the Reformation era. Between 1510 and 1540 Cranach painted Adam and Eve ...
Contributed by
Library of Congress
Small Passion. The Expulsion from Paradise
Albrecht Dürer (1471-1528) is generally considered Germany’s greatest artist. In addition to being one of the monumental figures in the history of Western printmaking, he was a painter and wrote important early works of artistic theory dealing with such topics as geometry, perspective, and the measurements of the human body. Much of his work was religious. From his early 20s until his death at the age of 57, Dürer worked on at least six different versions of the Passion--the story of Christ's suffering between the Last Supper and ...
Contributed by
Library of Congress
French-Canadians: Enlist!: Re-form the Salaberry Riflery Regiments
In World War I, all sides used posters as tools to mobilize their populations for the war effort. This recruitment poster from Canada was directed at French-speaking Canadians, with the warning that “England, bulwark of our liberties, is threatened.” The call to re-form the Salaberry rifle regiments refers back to the War of 1812 between Britain and the United States, when Major Charles de Salaberry, a member of a distinguished Quebec family, was given command of a new regiment, recruited from among French Canadians, to defend against a possible American ...
Contributed by
Library of Congress
Paul Ferdinand Gachet. Etching by V. van Gogh, 1890
Paul Ferdinand Gachet (1828-1909) was a maverick physician who practiced what later came to be called complementary or alternative medicine. He had a consulting room in Paris to which he commuted from his house in Auvers-sur-Oise outside the city. He was an art lover--an amateur artist, art collector, and a friend of many artists, one of whom was the eccentric Dutchman Vincent Van Gogh (1853-90). Gachet and Van Gogh only knew each other for a couple of months: from May 20, 1890, when Van Gogh arrived to stay in a ...
Contributed by
Wellcome Library
A View of Mimeguri Shrine from the Sumida River
This work by Shiba Kokan (1747-1818), a famous Western-style painter of the late Edo period (1600-1867), is the first copperplate etching by a Japanese artist. It depicts the landscape of Mimeguri Shrine at Mukōjima, eastern Edo (present-day Tokyo), as seen from the bank of the Sumida River. Because the etching was made for a peep-show box, left and right are reversed. Kokan was interested in Western science and wrote works on astronomy and geography. In this picture, he uses Western perspective drawing technique.
Contributed by
National Diet Library