Narrow results:
Place
- Europe (13)
- Central and South Asia (1)
- East Asia (1)
- North America (1)
Time
- 1900 CE - 1949 CE (14)
- 1500 CE - 1699 CE (1)
- 1700 CE - 1799 CE (1)
- 1950 CE - 2010 CE (1)
Topic
- Textile arts
- History & geography (14)
- Technology (1)
Additional Subjects
- Vestments (9)
- Volga River Region (9)
- Embroidery (7)
- Textiles (5)
- Peter I, Emperor of Russia, 1672-1725 -- Family (2)
- African American women (1)
- Basket makers (1)
- Basket making (1)
- Clark, Lucreaty J., 1904-1986 (1)
- Hand weaving (1)
- Handicraft (1)
- Ivan IV, Czar of Russia, 1530-1584 -- Family (1)
- Kangxi, Emperor of China, 1654-1722 (1)
- Qing dynasty, 1644-1911 (1)
- Varlaam, Metropolitan of Moldavia, d. 1657 (1)
Type of Item
- Prints, Photographs (15)
- Books (1)
Language
Institution
16 results
|
|
Illustrated Guide of Tilling and Weaving: Rural Life in China
This book is comprised of 23 illustrations of tilling and 23 illustrations of weaving, each of which is accompanied by a poem. According to the "Preface to the imperially commissioned illustrations of tilling and weaving" and the formal memorandum of presentation by Yan Yudun, the poems were inscribed by the Kangxi Emperor. The painter, Jiao Bingzhen, for the most part draws on the “Tilling and Weaving Illustrations" by the early Southern Song painter Lou Shou, making adjustments to produce these pictures, which are masterpieces of art, notable for their vivacity ...
|
|
|
Lucreaty Clark Weaving a White Oak Basket
Lucreaty J. Clark was born in 1904 in Lamont, Florida. She continued the craft of making white oak baskets, which she learned from her mother and father. Her parents originally made these sturdy baskets for use on the plantation where they lived and worked in north Florida, an area where white oaks are plentiful. The baskets were used to hold cotton and carry vegetables. Before making baskets, Clark would select a tree of the right size and, once cut down, would split the logs into thin strips or “splits.” White ...
|
|
|
Phelonion Vestment. From the Time of Tsar Mikhail Feodorovich. In the Vestry of the Assumption Cathedral. Rostov Velikii
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Phelonion Vestment Dating to 1635 and Belonging to Metropolitan Varlaam. In the Vestry of the Assumption Cathedral in the Kremlin. Rostov Velikii
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Linen Phelonion Vestment of Great Antiquity with Printed Pattern on the Shoulders and Hem, with a Distinctive Cut. Museum Inventory Number 130. In the Rostov Museum. Rostov Velikii
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Nankeen Phelonion Vestment from the End of the Seventeenth Century. Museum Inventory Number 1936. In the Rostov Museum. Rostov Velikii
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Phelonion Vestment from the Second Half of the Eighteenth Century, from a Very Old Fabric Called Kamka Silk Brocade with Shoulders Embroidered with Pearls on Crimson Velvet. In the Rostov Museum. Rostov Velikii
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Phelonion Vestment. Pereiaslavl-Zalesskii
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Phelonian Vestment. A Gift from Tsarina Anastasia Romanov. Pereiaslavl-Zalesskii
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Surplice Sewn by Tsarevnas, the Sisters of Peter the Great. Trinity Monastery, Aleksandrov
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Surplice Sewn by Tsarevnas, the Sisters of Peter the Great. Trinity Monastery, Aleksandrov
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Display of Embroidered Cloth and Woven Sashes
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Display of Embroidered Cloth and Pouch
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Display of Patterned and Embroidered Cloth
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Display of Embroidered Cloth with Label in Russian
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
|
|
Display of Embroidered Cloth and Pouches
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
|
