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This antiphonary (a book containing the choral parts of the Holy Office) was transferred to the Biblioteca comunale degli Intronati di Siena in 1811 from its place of origin, the Augustinian monastery of San Salvatore in Lecceto near Siena. By virtue of its specific liturgical function, the antiphonary, designed for the use of the monastic community, contains both the daytime and the nocturnal services. It was illuminated in 1442 as part of an extensive artistic program within the monastery promoted under priors Bartolomeo Tolomei and Girolamo Buonsignori. A bull by ...
Psalter of Frederick II
This remarkable illuminated psalter decorated in the Byzantine style was commissioned by the Holy Roman Emperor Frederick II of Sicily (1194–1250) for his third wife, Isabella of England (1214–41). Frederick married Isabella in 1235. By design and execution, the manuscript illuminations combine the color palette of Byzantium with the stylistic rendering of the plasticity of the human body common to the Italian school of the period. Probably executed at the scriptorium in Acri, a hill town in Calabria, the manuscript is decorated with a full-page initial letter encompassing ...
A Handbook on Theoretical and Practical Music
This 1825 manuscript, prepared for a print edition, is a handbook on theoretical and practical music, written in Katharevousa, a purist form of Modern Greek developed in the early 19th century and at that time widely used for literary and official purposes. The work is an introduction to the Byzantine notation for the liturgical chant used in the Greek Orthodox Church that most likely was intended for students of Byzantine ecclesiastical music. The text probably was written by a scribe named Basileios Nikolaḯdes Byzantios. On the first page, which is ...
The Apostle Lectionary, written on parchment in the second half of the 13th century, is one of the important linguistic sources delimiting the early (Preslav) from the later (Athonite) redaction of this liturgical book. The lectionary contains the portions of scripture, the lessons, to be read at divine service on particular days of the church calendar. This manuscript is remarkable for the completeness of the readings from the Acts of the Apostles and the Epistles, and for its detailed menologion, a monthly calendar indicating the feast days of saints that ...
Menaion for June-August with Synaxarion
This parchment manuscript of the Menaion for June–August with synaxarion (a collection of brief biographies of the saints) can be dated to the second half of the 13th century. It is important as the earliest known manuscript to include the service of Saint Ioakim Osogovski (Joachim of Osogovo), hermit and founder of the monastery known as Sarandapor. His memory, celebrated on August 16, was popular in Bulgaria and elsewhere in the Balkans during the Middle Ages and in the period of the Bulgarian National Revival of the 18th and ...
Rosary and Service Dedicated to the Blessed Virgin Mary and Other Devotions Combined in Honor of the Most Holy Trinity and in Worship of the Most Venerable Queen of the Heavens
Rosarium et Officium Beatae Mariae Virginis (Rosary and service dedicated to the Blessed Virgin Mary), a Latin devotional book published in Vilnius, Lithuania, in 1678–79, is regarded as one of the rarest and most important Belarusian publications of the 17th century. The book was created by Oleksandr Tarasevych (circa 1640–1727), an outstanding master of book design, engraving, portraiture, and heraldic and panegyric printing, whose best works compare favorably with those of the great West European artists. Tarasevych created his most innovative works, including the prints for Rosarium, in ...
Armenian Liturgical Calendar
Parzatumar (Armenian liturgical calendar) was the second book printed in Armenian, after the Urbathagirq (The book of Fridays). Both books were published by Hakob Meghapart (Jacob the Sinner), who in 1512 settled among the Armenian community in Venice and established the first Armenian press. In this copy, from the National Library of Armenia, the two works are bound together. Little is known about Hakob Meghapart, or why he styled himself “the Sinner” (or “the Sinful”). Armenia was at this time under the rule of the Ottoman Turks, and the Diaspora ...
Horologium Olomoucense is a collectarium (liturgical book of collects or prayers) that is recited during the Divine Office at horae (specific times) during the day. The manuscript was written for the cathedral chapter in Olomouc in the southern part of the present-day Czech Republic before the year 1150. A famous image depicting Pope Gregory I (circa 540–604) is found at the beginning of the liturgical texts. The pope is on a throne and dictating to his friend and pupil, Petrus Diaconus, who is sitting at his feet. He is ...
The Lectionary (Orsha Gospel)
This gospel, believed to have been created in Polotsk (present-day Belarus) in the second half of the 13th century, is one of the oldest monuments of the Cyrillic Slavonic alphabet and one of the most ancient decorated Belarusian manuscripts. It contains two multicolor miniatures with gilding portraying the evangelists Luke (folio 42 verso) and Matthew (folio 123 verso). The miniatures reflect the influence of the early Palaeologian (relating to the last Byzantine dynasty, reigned 1259–1453) Byzantine style in old Belarusian art. The images are vividly depicted in bright colors ...
The Kyiv Gospel was created in 1411 by a monk called Makarii in the Pustynno-Mykolaivskyi Monastery in Kiev, by order of the monk Ionah Bolakyrev, as recorded in one of the historic inscriptions on the work. This copy is one of the few 15th-century manuscripts from Kiev that specifies where it was made. The Gospel is known as a paleographic specimen of the “younger” semi-uncial script in Ukraine. Two headpieces of simple composition, headings, and initials are executed in dark-brown ink and vermilion. The manuscript was restored and bound in ...
This richly illuminated 14th-century German homilary is particularly interesting for its rare bifolium of drawings bound in at the front of the book. The headgear worn by the nuns in the drawings is characteristic of Cistercensian and Premostratensian nuns in northern Germany as early as circa 1320. Evidence for dating and localization is also found in the manuscript's relationship with a second homilary in the Bodleian Library (Oxford, Bodleian Library, Ms. Douce 185). Despite minor codicological differences—page layout, text-block dimensions, and ruling—it seems likely that the two ...
Missal of Eberhard von Greiffenklau
The Missal of Eberhard von Greiffenklau is a masterpiece of Dutch manuscript painting. It was originally produced in the second quarter of the 15th century and features work by the Masters of Zweder van Culemborg, as well as the celebrated Master of Catherine of Cleves, linking it to possibly the finest Dutch illuminated manuscript ever made: The Hours of Catherine of Cleves of circa 1440 (Morgan Library & Museum, M.917 and M.945). The extremely elaborate Missal is illuminated with one full-page miniature, fifty-two column miniatures and sixty-eight historiated initials ...
The Claricia Psalter was made for, and most likely by, a group of Benedictine nuns at the abbey of Saints Ulrich and Afra in Augsburg, Germany. Although the psalter itself, along with its calendar, dates to the late-12th or early 13th century, a number of texts and prayers were added in the mid-13th century. Most striking about the manuscript are its illuminations, which include a prefatory cycle, full-page miniatures, and historiated initials. While all are Romanesque in style, they vary greatly in quality and technique, and three or four different ...
This missal, which dates to the late-12th or early 13th century, was made for the Benedictine abbey of Melk (or, possibly, Seitenstetten) in Lower Austria, as indicated by the inclusion of the patron saints of Melk, Peter and Paul, and Cholomannus (folio 212 recto). The surviving volume of a multi-volume missal, the manuscript contains only the ordinary of the mass and the "summer part," with the temporale running from Holy Saturday through the Sunday after Trinity Sunday and the sanctorale beginning with the feast of Primus and Felicianus (June 9 ...
This English manuscript was made in East Anglia in the mid-13th century for a patron with special veneration for Saint Olaf, whose life and martyrdom are prominently portrayed in the Beatus initial of Psalm 1. Known as the Carrow Psalter, because of its later use by the nunnery of Carrow near Norwich, it is more accurately described as a psalter-hours, as it contains, among other texts, the Office of the Dead and the Hours of the Virgin. The manuscript is striking for its rich variety of illuminations, including full-page cycles ...
This manuscript, created in the Byzantine Empire in the second quarter of the 11th century, contains the biographies of saints whom the church commemorates in the month of January. It was originally part of a set containing volumes for each month of the year. A companion volume, with texts for March, now survives in Moscow (State Historical Museum, MS gr. 183). Each chapter in both manuscripts opens with a miniature depicting the death of a respective saint, or less often, another significant event from his or her life. Each text ...
This Gospel book was probably made in Constantinople in the mid-12th century and is remarkable for the fine execution and monumental quality of its full-page miniatures. The opening for the Gospel of Matthew is missing, but the other three Gospels are prefaced with a pair of miniatures each: the respective Evangelist on the left and a scene from the Gospel story on the right. The combination of Saint John with the Raising of Lazarus is one found only in this manuscript. The text was copied by two scribes with distinctly ...
Dated to the tenth century, this manuscript is the oldest Armenian codex in North America and the fifth oldest among documented Armenian Gospel books. The principal colophon, on folio 2 verso, records that Sargis the priest completed the text in 415 (966). Within the framed area, the commission of the codex is described: a priest, whose name was replaced by the later owner T’oros, commissioned the work "as decoration and for the splendor of [the] holy church and for the pleasure of the congregation of Rznēr." As the codex ...
T'oros Roslin Gospels
This Armenian manuscript was made in 1262 by T’oros Roslin, the celebrated illuminator who extended the iconographic repertoire by defining a narrative Gospel cycle beyond the traditional portraits of the Evangelists. This signed manuscript was created at the scriptorium of Hromkla (present-day Rum Kalesi, Turkey), which became the leading artistic center of Armenian Cilicia under the rule of Catholicos Constantine I (1221-67). As an extensive colophon starting on folio 406 verso explains, T’oros created this manuscript under commission from the nephew of Constantine, a priest also named T ...
This manuscript, illustrated with 155 marginal paintings, is one the few surviving “marginal psalters,” in which images provide a pictorial commentary on the Biblical text. Other examples include the Khludov Psalter (circa 850, Moscow, State Historical Museum, Muz. 129), the Barberini Psalter (circa 1050, Vatican City, Biblioteca Apostolica Vaticana, Vat. Barb. Gr. 372), the Theodore Psalter (1066, London, British Library, Add. Ms. 19,352), and a Cyrillic psalter made in Kiev (1397, Saint Petersburg, National Library of Russia, cod. OLDP, F6). The marginal psalter of the Walters Museum was apparently ...
This Gospel book was written in Tigray, northern Ethiopia, in the early 14th century, and was once owned by the church of Saint George in Debre Mark'os. It was written by the scribe Mäṭre Krǝstos in the official liturgical language of Ethiopia, Gǝ‛ǝz. Most notable is its prefatory image cycle, which makes references to holy places in Jerusalem, such as Golgotha and the Holy Sepulcher, as they appeared in the sixth century. The manuscript therefore appears to be based on a sixth-century exemplar containing images connected to the ...