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Peresopnytsia Gospel, a Monument of the 16th Century Renaissance Art from South Russia
This work is devoted to one of the most important and beautifully decorated East Slavic manuscripts, the Peresopnytsia Gospel created in the mid-16th century, partly at the Monastery of the Mother of God in Peresopnytsia, Volyn, and partly at the Monastery of the Holy Trinity near L’viv, both in present-day Ukraine. The present book, by Alexander Gruzinskii, covers the history of the gospel, its ornamentation, and graphics. The first part focuses on the origin of the Peresopnytsia manuscript, which was rediscovered in 1830s by Slavist scholar Osip Bodjanskij. The ...
This parchment manuscript, of which only a part has survived, is from the first quarter of the 13th century. The year 1221 was written on the manuscript at a significantly later date and may have been copied from an original colophon by a later owner. Known as the Dobreisho Gospel, the manuscript is an important witness to the history and early development of the Bulgarian language. Of particular interest is the rich illumination, including two full-page miniatures of the evangelists Luke and John. The portrait of the latter is accompanied ...
The Banitsa Gospel, written on parchment in Church Slavonic in the late 13th century, is one of the manuscripts testifying to the end of the anonymity of Bulgarian men of letters at around this time. The colophon indicates that the scribe who made the manuscript was the priest Ioann at Saint Nicholas Church in the village of Banitsa (presumably in the Vratsa region of present-day northwestern Bulgaria). The characteristic script and the ornamental illumination, elaborated in black, red, and yellow ink, reflect a local manuscript tradition. The menologion (calendar) includes ...
Epistles, Gospels, and Popular Readings in the Tuscan Language
This devotional book in Italian ('the language of Tuscany'), published in 1495 by Piero Pacini da Pescia (active, circa 1495-1514), is considered the greatest Florentine illustrated book of the 15th century. It contains 144 large woodcuts, all but eight original to this text, 24 small images of saints and prophets, and a series of 14 different border styles. The large number of images, along with the quality of the designs and execution, make this work a treasure of Florentine design and one of the truly important sources for the study ...
The Lectionary (Orsha Gospel)
This gospel, believed to have been created in Polotsk (present-day Belarus) in the second half of the 13th century, is one of the oldest monuments of the Cyrillic Slavonic alphabet and one of the most ancient decorated Belarusian manuscripts. It contains two multicolor miniatures with gilding portraying the evangelists Luke (folio 42 verso) and Matthew (folio 123 verso). The miniatures reflect the influence of the early Palaeologian (relating to the last Byzantine dynasty, reigned 1259–1453) Byzantine style in old Belarusian art. The images are vividly depicted in bright colors ...
The Kyiv Gospel was created in 1411 by a monk called Makarii in the Pustynno-Mykolaivskyi Monastery in Kiev, by order of the monk Ionah Bolakyrev, as recorded in one of the historic inscriptions on the work. This copy is one of the few 15th-century manuscripts from Kiev that specifies where it was made. The Gospel is known as a paleographic specimen of the “younger” semi-uncial script in Ukraine. Two headpieces of simple composition, headings, and initials are executed in dark-brown ink and vermilion. The manuscript was restored and bound in ...
This illuminated prayer book, made in the Netherlands in the early 16th century, contains Latin prayers and passages from the Gospels. Although small in scale, it is notable for its abundance of illuminations, with nearly 60 extant small miniatures. Full-color portraits embellish the prayers to the Virgin and suffrages, while the images within the Gospel narrative are rendered primarily in grisaille, a nearly entirely gray monochrome technique. The last folios include a trompe-l'oeil foliate margin and a Crucifixion that seems to be a later addition. Throughout the book, gold ...
This Gospel book was probably made in Constantinople in the mid-12th century and is remarkable for the fine execution and monumental quality of its full-page miniatures. The opening for the Gospel of Matthew is missing, but the other three Gospels are prefaced with a pair of miniatures each: the respective Evangelist on the left and a scene from the Gospel story on the right. The combination of Saint John with the Raising of Lazarus is one found only in this manuscript. The text was copied by two scribes with distinctly ...
Dated to the tenth century, this manuscript is the oldest Armenian codex in North America and the fifth oldest among documented Armenian Gospel books. The principal colophon, on folio 2 verso, records that Sargis the priest completed the text in 415 (966). Within the framed area, the commission of the codex is described: a priest, whose name was replaced by the later owner T’oros, commissioned the work "as decoration and for the splendor of [the] holy church and for the pleasure of the congregation of Rznēr." As the codex ...
T'oros Roslin Gospels
This Armenian manuscript was made in 1262 by T’oros Roslin, the celebrated illuminator who extended the iconographic repertoire by defining a narrative Gospel cycle beyond the traditional portraits of the Evangelists. This signed manuscript was created at the scriptorium of Hromkla (present-day Rum Kalesi, Turkey), which became the leading artistic center of Armenian Cilicia under the rule of Catholicos Constantine I (1221-67). As an extensive colophon starting on folio 406 verso explains, T’oros created this manuscript under commission from the nephew of Constantine, a priest also named T ...
This mid-11th century Gospel Book is believed to come from the Abbey of Reichenau, on Lake Constance in Germany, on the basis of its script and illumination. The decoration of the manuscript places it in the so-called Luithar school of Reichenau. Its ornamental motifs compare very closely with those in Munich, Bayerische Staatsbibliothek Clm. 4453, and its palette is nearly identical to that in the Reichenau manuscripts of the Bamberg Cathedral Treasury. The work includes full-page miniatures of Saints Matthew, Mark, Luke, and John, and of the Holy Gospel of ...
Corvey Gospel Fragment
This manuscript consists of four folios from a Gospel book that was likely made at the monastery of Corvey in western Germany during the mid-to-late tenth century. Dating to the reign of Otto I, these pages are a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke ...
This Gospel book was written in Tigray, northern Ethiopia, in the early 14th century, and was once owned by the church of Saint George in Debre Mark'os. It was written by the scribe Mäṭre Krǝstos in the official liturgical language of Ethiopia, Gǝ‛ǝz. Most notable is its prefatory image cycle, which makes references to holy places in Jerusalem, such as Golgotha and the Holy Sepulcher, as they appeared in the sixth century. The manuscript therefore appears to be based on a sixth-century exemplar containing images connected to the ...
This large Ethiopian Gospel book was made in the first half of the 16th century and is written in Gǝ‛ǝz, the traditional liturgical language of the Ethiopian Orthodox Church. Containing 11 full-page miniatures, six canon tables, and five elaborately ornamented ḥarägs (headpieces), this manuscript represents the golden age of what has been termed the Gunda Gunde style, named after a monastery in the district of Agame. The Gunda Gunde style is characterized by bold blocks of color defined by detailed, and often delicate, linear motifs. Figures are highly stylized ...
Miroslav’s Gospel is a liturgical work that is considered the most important and the most beautiful of Serbian manuscript books. It was created around 1180 by two student monks for Duke Miroslav, the brother of Stefan Nemanja, grand prince of the medieval Serbian state of Rascia. Written on parchment in Cyrillic uncial (the Cyrillic script that developed from Greek in the 9th century), it is a monument to early Serbian literacy. The work is decorated with approximately 300 stylized miniatures of outstanding beauty, and is representative of a group ...
Homiliary on Gospels from Easter to first Sunday of Advent
This 10th-century manuscript from the Bergendal Collection at the Pontifical Institute of Medieval Studies in Toronto is the oldest extant copy of a book of homilies composed by Heiric (Eric) of Auxerre, France, around 865–870. Heiric, a Benedictine theologian and writer, was a monk at the Abbey of Saint-Germain d’Auxerre. He studied under Lupus of Ferrière, John Scotus Erigena, and Haymo of Auxerre. He was the teacher of Remigius of Auxerre and is an important representative of intellectual life in the Carolingian period. The manuscript was written, by ...
Verin Noravank Gospels
This beautifully illuminated gospel book was copied in 1487 AD at the Monastery of Verin Noravank in Armenia. The exact location of the monastery is unknown, although, since the late 1980s, it has been associated with the ruins of the Monastery of Arates (Aratesivank) of Siwnik. Verin Noravank was in close contact with the better-known Noravank of Amaghu, with which it has often been confused. Fewer than 15 manuscripts are known to have been copied at Verin Noravank. As was customary with most Armenian manuscripts, the Verin Noravank gospel contains ...
The Four Gospels
This volume contains a lectionary—a collection of biblical texts to be read according to the church calendar—for readings from the Gospels. The language is Arabic, but it is written in West Syriac script (Serto) rather than in Arabic letters, a phenomenon known as Garshuni. The table of readings given at the beginning of the manuscript, however, is in Syriac, not Arabic. Each reading is numbered in the margin, and the proper time in the year for it is indicated in red ink at the head of each reading ...
Gospel Book from the Bamberg Cathedral (Reichenau Gospel)
The gospel from the cathedral of Bamberg is one of the most important masterpieces of book painting from the Benedictine abbey on the island of Reichenau in Lake Constance in southern Germany. In the 10th and 11th centuries, this abbey was the site of what was probably Europe’s largest and most influential school of book illumination. Book production reached its artistic peak between around 970 and 1010–1020, a period known as the Ottonian Renaissance (after Otto I, Otto II, and Otto III, German kings and Holy Roman Emperors ...
This very clearly written Syriac manuscript is a 16th-century Purāš qeryānē d-ṭeṭrā ewangelyon (Gospel lectionary—a book containing the portions of scripture, the lessons, to be read at divine service on particular days). The pages are divided into two columns with 22 lines of text in each. The ink, black for letters and red for titles and diacritical points, has faded very little, so that the writing is in most cases quite crisp. As is common in carefully written west Syriac manuscripts, the main text is in a ...
This 20th-century manuscript is one of many copies of the Pušāqā d-ewangelyon qaddišā (Gospel commentary) of Dionysius Bar Salibi (died 1171). Born in Melitene in an area that was sometimes under Turkish control, Bar Salibi became an Assyrian metropolitan bishop. The work is notable for containing named citations of previous Syriac authors. Bar Salibi was very highly regarded and his writing included poems, prayers, a treatise against heresy, and Syriac translations of Aristotle's works. Many of Bar Salibi’s works, including his biblical commentaries, survive with a remarkable manuscript ...