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Peresopnytsia Gospel, a Monument of the 16th Century Renaissance Art from South Russia
This work is devoted to one of the most important and beautifully decorated East Slavic manuscripts, the Peresopnytsia Gospel created in the mid-16th century, partly at the Monastery of the Mother of God in Peresopnytsia, Volyn, and partly at the Monastery of the Holy Trinity near L’viv, both in present-day Ukraine. The present book, by Alexander Gruzinskii, covers the history of the gospel, its ornamentation, and graphics. The first part focuses on the origin of the Peresopnytsia manuscript, which was rediscovered in 1830s by Slavist scholar Osip Bodjanskij. The ...
This parchment manuscript, of which only a part has survived, is from the first quarter of the 13th century. The year 1221 was written on the manuscript at a significantly later date and may have been copied from an original colophon by a later owner. Known as the Dobreisho Gospel, the manuscript is an important witness to the history and early development of the Bulgarian language. Of particular interest is the rich illumination, including two full-page miniatures of the evangelists Luke and John. The portrait of the latter is accompanied ...
The Banitsa Gospel, written on parchment in Church Slavonic in the late 13th century, is one of the manuscripts testifying to the end of the anonymity of Bulgarian men of letters at around this time. The colophon indicates that the scribe who made the manuscript was the priest Ioann at Saint Nicholas Church in the village of Banitsa (presumably in the Vratsa region of present-day northwestern Bulgaria). The characteristic script and the ornamental illumination, elaborated in black, red, and yellow ink, reflect a local manuscript tradition. The menologion (calendar) includes ...
Gospel of Saint Mark
This manuscript copy of the Gospel of Saint Mark can be dated to the 18th century. The text is copied clearly and enclosed in a double-lined frame in red. The folios are numbered with Coptic numerals. The manuscript has many marginal notes and Old Testament references in Arabic, with Coptic numerals employed for chapter and verse citations. The marginalia may have been added by Wadi’ Muftah, whose name appears on the front endpapers. The text is complete and is in excellent condition. The binding is brown leather over boards with ...
Gospel of Saint Luke
This manuscript of the Gospel of Saint Luke can be dated to the 18th century. The text is written clearly and enclosed in a double-lined frame in red. The folios are numbered with Coptic numerals. The manuscript has many marginal notes and Old Testament references in Arabic, with Coptic numerals employed for chapter and verse citations. The marginalia may have been added by Wadi’ Muftah, whose name appears on the front endpapers. The text is complete and is in excellent condition, although the last page is copied in a different ...
Gospel of Saint John
This Arabic manuscript of the Gospel of Saint John dates from the 18th century. The text is written clearly and enclosed in a double-lined frame in red. The folios are numbered with Coptic numerals. The manuscript has many marginal notes and Old Testament references in Arabic, with Coptic numerals employed for chapter and verse citations. The marginalia may have been added by Wadi’ Muftah, whose name appears on the front endpapers. The text is complete and is in excellent condition, although the last page is copied in a different hand ...
Epistles, Gospels, and Popular Readings in the Tuscan Language
This devotional book in Italian ('the language of Tuscany'), published in 1495 by Piero Pacini da Pescia (active, circa 1495-1514), is considered the greatest Florentine illustrated book of the 15th century. It contains 144 large woodcuts, all but eight original to this text, 24 small images of saints and prophets, and a series of 14 different border styles. The large number of images, along with the quality of the designs and execution, make this work a treasure of Florentine design and one of the truly important sources for the study ...
The Lectionary (Orsha Gospel)
This gospel, believed to have been created in Polotsk (present-day Belarus) in the second half of the 13th century, is one of the oldest monuments of the Cyrillic Slavonic alphabet and one of the most ancient decorated Belarusian manuscripts. It contains two multicolor miniatures with gilding portraying the evangelists Luke (folio 42 verso) and Matthew (folio 123 verso). The miniatures reflect the influence of the early Palaeologian (relating to the last Byzantine dynasty, reigned 1259–1453) Byzantine style in old Belarusian art. The images are vividly depicted in bright colors ...
The Kyiv Gospel was created in 1411 by a monk called Makarii in the Pustynno-Mykolaivskyi Monastery in Kiev, by order of the monk Ionah Bolakyrev, as recorded in one of the historic inscriptions on the work. This copy is one of the few 15th-century manuscripts from Kiev that specifies where it was made. The Gospel is known as a paleographic specimen of the “younger” semi-uncial script in Ukraine. Two headpieces of simple composition, headings, and initials are executed in dark-brown ink and vermilion. The manuscript was restored and bound in ...
This illuminated prayer book, made in the Netherlands in the early 16th century, contains Latin prayers and passages from the Gospels. Although small in scale, it is notable for its abundance of illuminations, with nearly 60 extant small miniatures. Full-color portraits embellish the prayers to the Virgin and suffrages, while the images within the Gospel narrative are rendered primarily in grisaille, a nearly entirely gray monochrome technique. The last folios include a trompe-l'oeil foliate margin and a Crucifixion that seems to be a later addition. Throughout the book, gold ...
This Gospel book was probably made in Constantinople in the mid-12th century and is remarkable for the fine execution and monumental quality of its full-page miniatures. The opening for the Gospel of Matthew is missing, but the other three Gospels are prefaced with a pair of miniatures each: the respective Evangelist on the left and a scene from the Gospel story on the right. The combination of Saint John with the Raising of Lazarus is one found only in this manuscript. The text was copied by two scribes with distinctly ...
Dated to the tenth century, this manuscript is the oldest Armenian codex in North America and the fifth oldest among documented Armenian Gospel books. The principal colophon, on folio 2 verso, records that Sargis the priest completed the text in 415 (966). Within the framed area, the commission of the codex is described: a priest, whose name was replaced by the later owner T’oros, commissioned the work "as decoration and for the splendor of [the] holy church and for the pleasure of the congregation of Rznēr." As the codex ...
T'oros Roslin Gospels
This Armenian manuscript was made in 1262 by T’oros Roslin, the celebrated illuminator who extended the iconographic repertoire by defining a narrative Gospel cycle beyond the traditional portraits of the Evangelists. This signed manuscript was created at the scriptorium of Hromkla (present-day Rum Kalesi, Turkey), which became the leading artistic center of Armenian Cilicia under the rule of Catholicos Constantine I (1221-67). As an extensive colophon starting on folio 406 verso explains, T’oros created this manuscript under commission from the nephew of Constantine, a priest also named T ...
This mid-11th century Gospel Book is believed to come from the Abbey of Reichenau, on Lake Constance in Germany, on the basis of its script and illumination. The decoration of the manuscript places it in the so-called Luithar school of Reichenau. Its ornamental motifs compare very closely with those in Munich, Bayerische Staatsbibliothek Clm. 4453, and its palette is nearly identical to that in the Reichenau manuscripts of the Bamberg Cathedral Treasury. The work includes full-page miniatures of Saints Matthew, Mark, Luke, and John, and of the Holy Gospel of ...
Corvey Gospel Fragment
This manuscript consists of four folios from a Gospel book that was likely made at the monastery of Corvey in western Germany during the mid-to-late tenth century. Dating to the reign of Otto I, these pages are a magnificent example of early Ottonian manuscript illumination. The heavily ornamented pages, which introduce the Gospels of Luke and John, shine with gold and jewel-like colors against dyed purple grounds. These pages combine monumental classicizing square capitals on purple grounds with rich and complex interlace. This fragment contains the opening pages of Luke ...
This Gospel book was written in Tigray, northern Ethiopia, in the early 14th century, and was once owned by the church of Saint George in Debre Mark'os. It was written by the scribe Mäṭre Krǝstos in the official liturgical language of Ethiopia, Gǝ‛ǝz. Most notable is its prefatory image cycle, which makes references to holy places in Jerusalem, such as Golgotha and the Holy Sepulcher, as they appeared in the sixth century. The manuscript therefore appears to be based on a sixth-century exemplar containing images connected to the ...
This large Ethiopian Gospel book was made in the first half of the 16th century and is written in Gǝ‛ǝz, the traditional liturgical language of the Ethiopian Orthodox Church. Containing 11 full-page miniatures, six canon tables, and five elaborately ornamented ḥarägs (headpieces), this manuscript represents the golden age of what has been termed the Gunda Gunde style, named after a monastery in the district of Agame. The Gunda Gunde style is characterized by bold blocks of color defined by detailed, and often delicate, linear motifs. Figures are highly stylized ...
This gospel lectionary was created around 1130. A lectionary is a liturgical book, which—in contrast to usual gospel books containing the full texts of the gospels—comprises only those parts of the gospels that are used for the liturgical readings during the ecclesiastical year, presented in chronological order. The book features two pen-and-ink-drawn initials, several decorated initials in gold and silver ink, and four full-page miniatures, each showing one of the four Evangelists. The style and coloring of the miniatures follow a Bavarian tradition of book illumination, the so-called ...
Gospels for the Year
This lavishly illuminated manuscript represents a fine example of a gospel lectionary, a liturgical book that—in contrast to the usual gospel books containing the full texts of the gospels—comprises only those parts of the gospels that are used for the liturgical readings during the ecclesiastical year, presented in chronological order. The manuscript’s miniatures display the main events in the life of Jesus Christ, which correspond to the main religious feasts: from Nativity to Ascension to the descent of the Holy Spirit at Pentecost. All the miniatures are ...
Gospels of Luke and John
This manuscript containing the gospels of Luke and John originally formed a whole with another gospel book fragment now preserved in Weimar. The Weimar manuscript contains prologues, canon tables, the gospels of Matthew and Mark, and, at the end, the argumentum (introduction) and breviarium (summary) to Luke. Each gospel begins with a portrait of the evangelist and a full-page initial. The manuscript, of high quality, is clearly the work of an important scriptorium influenced by that at Saint Gallen; it may have been written at Mainz.
This Gospel book from the Carolingian period is a product of the Mainz school of calligraphy and illumination, which was a successor to the palace (or court) school of Charlemagne. In its canon tables and portraits of the evangelists, it blends the Ottonian style from the tenth century with the traditions of the earlier Carolingian Ada group (late eighth century). The manuscript received its fine binding in the Ottonian period. Its most valuable parts are the two outstanding ivories. The baptism of Christ is represented on the front cover; on ...