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Back Door Scene at the American Circus
In the American circus, the area directly behind the circus tent or arena where performers prepared for and staged their entrances through the “back door” came to be known as the “backyard.” This glass-plate negative from 1928 reveals a typical backyard scene of an American circus just prior to performance of the spectacular production number. The spectacle, or “spec,” was a procession that took place around the hippodrome track inside the big top, or circus tent, featuring as many of the performers and animals as the circus director was able ...
Contributed by
Circus World Museum
Ex Librises by A. Tychina
Anatoly Tychina (1897–1986), one of the major book designers in Belarus in the 20th century, played a significant role in the development of Belarusian national art. He worked in such areas of the graphic arts as book design, easel graphics, newspaper and magazine design, and ex-libris bookplates. His works display expressive realistic forms, contrasts of color and volume, as well as a unique national character. Ex-libris design flourished in Belarus in the 1920s. With help from the Belarusian Society of Bibliophiles, a small edition of 200 copies of Еx ...
Contributed by
National Library of Belarus
International Signs. Permanent Committee on Road Traffic
The Organisation for Communications and Transit was a technical body of the League of Nations responsible for promoting international cooperation in such areas as international road traffic, rail transport and inland navigation, ports and maritime navigation, unification of road signals and maritime signals, simplification of passports and visa procedures, and transmission of electric power across national frontiers. The organization established a number of permanent and temporary committees for specific policy areas, including the Permanent Committee on Road Traffic. The Organisation for Communications and Transit held major conferences in Barcelona in ...
Contributed by
United Nations Office at Geneva Library
Scenes of the Everglades
Businessman and adventurer Homer Augustus Brinkley produced this film in 1928 after living for several months among the Seminole Indians in the Everglades. He later used the film in a traveling show that featured a live, caged bear and himself dressed as a Seminole. Photographed by William B. Feeland, the film contains some of the earliest moving footage of the Seminole. Beginning with panoramic shots of vegetation, waterways, and abandoned structures, the film includes footage of wildlife, such as an owl, raccoons, water moccasins, alligators, deer, a wild turkey, and ...
Contributed by
State Library and Archives of Florida