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Album of the Coats of Arms of Ukraine
This collection of prints depicts the historic coats of arms and flags of Ukraine. The work is by Mykola Bytynsʹkyĭ (1893–1972), a Ukrainian painter and expert on heraldry. Bytynsʹkyĭ fought in the Ukrainian War for Independence at the end of World War I and later immigrated to Prague where he studied arts and produced several works on heraldry. After World War II, he lived in a displaced persons camp in Germany, before immigrating to Canada. The coat of arms of Ukraine, a trident on a blue shield, was officially ...
Contributed by
National Parliamentary Library of Ukraine
Ukrainian Culture: A Short History of the Cultural Life of the Ukrainian People
In the summer of 1918, Ivan Ogienko (1882–1972), a Ukrainian scientist and political, public, and ecclesiastical figure, became a founder and the first president of Kam'ianets'-Podil's'kyi state university (subsequently renamed after him). He later gave a course of lectures on Ukrainian culture at the university, on which this book is based. Part I concerns the history of the culture until the 17th century. It describes the territory of Ukraine, along with song, epic (Cossack) poems and other major literary works, the language, and architecture. Also ...
Contributed by
National Parliamentary Library of Ukraine
National Highways Map of the United States
This map, issued in 1918 by the National Highways Association (NHA), shows the 150,000-mile (241,402-kilometer) network of roads proposed by the NHA. Under the slogan “Good roads for everyone!” the NHA advocated a “four-fold system” of roads that would include national highways to be built and maintained by the federal government, and systems of state, county, and township or town roads. The map associates the building of roads with national defense and “preparedness” for U.S. involvement in World War I, as symbolized by James Montgomery Flagg’s ...
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University of Wisconsin-Milwaukee Libraries
Hupmobile United America Tour, 1918
This map, issued in 1918 by the National Highways Association (NHA), shows the route of the United America Tour undertaken by the Hupp Motor Car Corporation, under the auspices of the American Automobile Association and the NHA, “for the purpose of pioneering a new good road that would include all capitals and major cities of the U.S.” The tour began in Washington, DC, on August 28, 1916, and was completed, after visits to the capitals of all of the then-48 states, in the same city on January 9, 1917 ...
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University of Wisconsin-Milwaukee Libraries
Al-Arab, Volume 1, Number 1, July 4, 1917
The newspaper Al-Arab (The Arabs) was first published in Baghdad on July 4, 1917, some four months after British troops captured the city from the Turks, thereby ending three centuries of Ottoman rule. The paper appeared at a critical period in the history of Iraq. Issued by the British authorities, it served as a mouthpiece for the British administration at a time of rising Iraqi and Arab nationalism. It depicted the Ottomans as foreigners and the British as liberators and sought to advance broader British military and political strategy against ...
Contributed by
Iraqi National Library and Archives
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Map of Western Asia, Circa 1918−20
This map of western Asia produced by the American Geographical Society (AGS) of New York dates from the period immediately after World War I. A similar map in the collection of the American Geographical Society Library at the University of Wisconsin-Milwaukee is thought to have been made by the AGS for the use of the American delegation to the peace negotiations in Versailles in 1918−19. The map shows Turkey, the Arabian Peninsula, Persia (present-day Iran), and Afghanistan. Iraq is still shown as part of Turkey (the Ottoman Empire). The ...
Contributed by
Library of Congress
Lest Liberty Perish from the Face of the Earth - Buy Bonds
In 1917 the United States entered the Great War, as World War I was known at the time. A national propaganda campaign was started to convince Americans to support the war effort. Some of the images used in this campaign have become a permanent part of American cultural iconography, notably J.M. Flagg’s famed 1917 poster of Uncle Sam declaring, “I want YOU.” In addition to recruiting troops to fight, the U.S. government issued “Liberty Bonds” to help finance the war effort. Artists helped the cause by making ...
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Library of Congress
Subscribe to the 8th War Loan
In World War I, all sides used posters as tools to mobilize their populations for the war effort. This poster, published in Vienna in 1918, shows a little girl reaching through a number "8" to deposit a coin into a pile below, an advertisement for the eighth war loan being raised by Austria-Hungary, Germany’s chief ally in the war. The artist who designed the poster was Alfred Offner. Born in Czernowitz in 1879, Offner was a painter and graphic artist who was associated with the Vienna Secession, a group ...
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Library of Congress
Union Bank, 8th War Loan; Peace Through Victory
In World War I, all sides used posters as tools to mobilize their populations for the war effort. This poster, published in Vienna in 1918, is an advertisement for the eighth war loan being raised by Austria-Hungary, Germany’s chief ally in the war. It shows a young woman offering a bowl of coins at an altar decorated with the Austrian coat of arms. The artist was Thomas Fasche, who created several other World War I posters, but about whom little is known.
Contributed by
Library of Congress
Togo: The Hugues Le Roux Mission
Robert Charles Henri Le Roux (1860–1925), better known by his pen name of Hugues Le Roux, was a French writer and journalist who specialized in travel literature and books about the French colonies. Close to French official circles, he helped to build support in France for the idea that France had a unique civilizing mission (mission civilisatrice) in the less-developed parts of the world. In 1918–19, Le Roux produced for the French Ministry of Foreign Affairs a series of small books on the French colonies in Africa, as ...
Contributed by
Library of Congress
Manifesto to the Czechoslovak People in America
In World War I, all sides used posters as tools to mobilize their populations for the war effort. “'Manifest k Ceskoslovenskému lidu v Americe!" (Manifesto to the Czechoslovak people in America) is one of a series of posters created by Vojtech Preissig (1873-1944) that encouraged Czech and Slovak volunteers to fight with the Czechoslovak Legion against Austria-Hungary and Germany to further the cause of an independent Czechoslovakia. Preissig was a Czech artist living in the United States. The poster was designed and printed at the Wentworth Institute in Boston and ...
Contributed by
Library of Congress
Now Slovakia Arises. It's Pulling off Its Shackles
This World War I poster showing soldiers and the Slovak coat of arms is one of a series by Czech artist Vojtěch Preissig (1873–1944) urging Czech and Slovak volunteers living in the United States to fight with the Czechoslovak Legion against Germany and Austria-Hungary. The Czech lands and Slovakia were at that time part of Austria-Hungary and leaders of the national independence movement believed that the cause of an independent Czechoslovak state could be furthered by fighting on the Allied side. In December 1917, the government of France approved ...
Contributed by
Library of Congress
Why M.C.A.?: German Prisoners of War, World War One, before Y.M.C.A. Hut
This original ink-and-wash cartoon from World War I by Bruce Bairnsfather (1888-1959) depicts German prisoners of war lounging before a hut with a YMCA (Young Men’s Christian Association) sign. The cartoon is on a grey board. The witty holograph caption is on the back. Bairnsfather was a British army officer who was trained as an artist; while serving on the Western front in 1914-15, he made drawings of war scenes that were published in British magazines. He is best known as the creator of “Old Bill,” a fictional character ...
Contributed by
Brown University Library
Understanding the Truth, Issue 1, January 1, 1918
Têgeyştinî Rastî (Understanding the truth) was a semiweekly newspaper published by the command of the British army in Iraq in 1918–19. At the time, Britain was at war with the Ottoman Empire, which had ruled Iraq since the 16th century. When British forces began advancing north toward the Iraqi Kurdistan region in the spring of 1918, the paper became the mouthpiece of the British Empire, propagandizing in support of British positions when dealing with political, social, and cultural issues. The paper sold for one ana, or four fils, a ...
Contributed by
Iraqi National Library and Archives
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My Dear Home, I Love You, You’re a House for Each of Us and Home for All of Us
This World War I poster, published in 1918, shows a Young Men’s Christian Association (YMCA) hut set in the woods, with soldiers outside relaxing and playing games. A red and blue YMCA sign is visible over the door. At the bottom of the poster is a quotation, “My dear home, I love you, you’re the house for each of us and home for all of us,” which is attributed to a poilu (French slang for a front-line soldier). The YMCA was founded in 1844 by George Williams, a ...
Contributed by
Library of Congress
Tonhalle: Exhibition of Works by German Prisoners of War Interned in Switzerland
This poster advertises an exhibition of artwork by interned German prisoners of war at the Tonhalle in Zurich, Switzerland, in May–June 1918. The location, times of opening, and the entry fee of 20 pfennigs are indicated. Exhibition proceeds were to benefit a Bavarian organization that assisted prisoners of war. The poster features the image of a German soldier who seems to be lost in thought, seated in front of the symbol for the Red Cross. Under arrangements worked out by the Red Cross in late 1914 and implemented starting ...
Contributed by
Library of Congress
For the Country, My Eyes. For Peace, Your Money
This World War I poster, published in Turin, shows a blinded Italian soldier with bloodstained bandages wrapped around his eyes. Like most belligerents in World War I, Italy had to raise funds to support its war effort by issuing war bonds, which were essentially interest-bearing loans that citizens made to the government. The appeals to patriotism and to the sacrifices by the soldiers at the front are typical of war bond posters produced in Italy and other countries. This poster was created by artist Alfredo Ortelli and advertises the Consolidated ...
Contributed by
Library of Congress
"Times Are Hard Your Majesty - You Leave Us Nothing to Do"
This U.S. World War I propaganda poster shows a devil, accompanied by two smaller devils, telling Kaiser Wilhelm II of Germany that he was leaving them with no work to do. On the left is shown the home of the devils, a cave with its opening covered with cobwebs, over which hangs a sign, “To Let.” Using a word from the Hebrew Bible identified with Hell, the cave is called the “Gehenna Apartments.” The Kaiser has a bloody sword extending from beneath his cape. Also shown is the Kaiser ...
Contributed by
Library of Congress
American Library Association, Library War Service
When the United States entered World War I in 1917, the American Library Association established a Committee on Mobilization and War Service Plans, which was invited by the Department of War’s Commission on Training Camp Activities to provide library services to U.S. soldiers and sailors in the United States and overseas. ALA's wartime program became known as the Library War Service and was directed by Herbert Putnam, Librarian of Congress. Between 1917 and 1920, ALA mounted two financial campaigns and raised $5 million from public donations, erected ...
Contributed by
Library of Congress
America's Answer: The Second Official United States War Picture
This World War I poster advertises the film America’s Answer, which was made by the Division of Films of the Committee on Public Information, a government body established in the United States to foster public unity and generate support for the war. The committee was headed by muckraking journalist George Creel (1876–1953). The film, which was released in U.S. theaters on July 14, 1918, is a documentary (part of the Following the Flag to France series) about the arrival in France of the first half-million American troops ...
Contributed by
Library of Congress
Weapons for Death -- Weapons for Life! Subscribe to the Victory Loan
This World War I poster from Italy shows two young men working at a forge, making a plow. The caption calls on Italians to subscribe to the victory loan. Like most belligerents in World War I, Italy had to raise funds by issuing war bonds, which were essentially interest-bearing loans that citizens made to the government. Campaigns supported by posters such as this had two purposes. One was to urge citizens to lend money to the government to finance the war. The other was to promote patriotic fervor in support ...
Contributed by
Library of Congress