4 results
The Complete Library in Four Sections (Siku Quanshu)
Siku quanshu (Complete library in four sections), compiled in the Qianlong period of the Qing dynasty, was the largest collection of texts in pre-modern China and has an important historical place in the histories of cultural texts and academic thought in China. The Wenjin ge edition is a manuscript written during the Qianlong reign. It includes a total of 36,304 volumes in 6,144 boxes placed on 128 bookshelves. They comprise 79,309 juan (sections) and were originally kept in the Wenjin Pavilion at the Summer Palace in Rehe ...
Contributed by
National Library of China
The Book of Spiritual Exercises of St. Ignatius Loyola, the Founder of the Jesuit Monastic Order
This manuscript is an Arabic translation of the Spiritual Exercises of Ignatius of Loyola. At the beginning of the manuscript, Ignatius (1491–1556) is expressly described as the founder of “Jesuit monasticism.” The text also states that this work was translated from Latin into Arabic in the Phoenician city of Sidon, in the year 1731 by the Jesuit Pierre Fromage (1678–1740). The translation was for the benefit of those in Eastern countries, as it was known that many in Western countries had benefited from the Latin version of the ...
Contributed by
Holy Spirit University of Kaslik
Ornithology
François Nicolas Martinet (circa 1725–1804) was an engineer and draftsman who became an engraver and produced illustrations for works by Denis Diderot and Benjamin Franklin and for books by the most influential ornithologists in 18th-century France. Before Martinet, illustrators often depicted birds disproportionately, incorrectly, or in stiff, unnatural poses. Martinet introduced realism to his illustrations, showing how birds appeared in the wild in their natural habits. In the early 1770s, he set out to produce his own plates for a collection entitled Ornithologie: Histoire des Oiseaux, Peints dans Tous ...
Contributed by
Smithsonian Institution
The Battle of Tonguzluq
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Contributed by
Berlin State Library - Prussian Cultural Heritage Foundation