9 results in English
Imperial Comments Concerning Illustrations of the Cotton Industry
This book is comprised of paintings by Fang Guancheng, with illustrations and text facing each other. The text is the same as in Fang’s memorial (on the cotton industry); the illustrations are slightly different. The first volume contains eight pictures, from “Planting” to “Ginning;” the second volume contains another eight pictures, from “Fluffing the Cotton” to “Bleaching and Dyeing.”
Contributed by Library of Congress
Catching Cicadas
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. This print is a page from an egoyomi (pictorial calendar), which ...
Contributed by Library of Congress
Manuscript Edition of Romance of the West Chamber in Manchu and Chinese Languages
This is a manuscript edition of the popular play Xi xiang ji (Romance of the west chamber) by Wang Shifu (circa 1250–1307), a Yuan dynasty playwright about whom little is known. Fourteen plays are attributed to him, of which only three are extant. Perhaps the best known and most popular is this work, which was written in the poetic drama form called za ju that was popular during the Yuan dynasty. Based on a Tang dynasty novel entitled Yingying zhuan (Story of Yingying), the drama narrates a tragic love ...
Contributed by Library of Congress
Mitate-e:Crossing at Sano
Suzuki Harunobu (circa 1725–70) was a master of ukiyo-e in Edo (present-day Tokyo) and the key figure in developing nishiki-e (Japanese multicolored woodblock prints), such as this one. It shows a young woman at dusk in heavy snow, trudging across a bridge. Her feet are bare except for black lacquered clogs, and she is holding one long sleeve of her kimono over her head to protect her from the driving snow. The picture is based on the waka (short poem) “Sano no watari” (Crossing at Sano) by Fujiwara Teika ...
Contributed by National Diet Library
Storming the Encampment at Gadan-Ola
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Pacifying and Receiving the Surrender of Yili
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Great Victory at Qurman
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
Lifting the Siege of the Black River
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...
The Battle of Arcul
The “Battle Copper Prints” are a series of prints from copper engravings dating from the second half of the 18th century. They were commissioned by the Qianlong emperor of the Qing dynasty (1644–1911), who ruled from 1735 to 1796. They depict his military campaigns in China’s inner provinces and along the country’s frontiers. The master illustrations for the engravings were large paintings done by European missionary artists employed at that time at the court in Beijing. These artists were Italian Jesuit Giuseppe Castiglione (1688–1766), French Jesuit ...