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68 results
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Gulzar Calligraphic Panel
This calligraphic panel executed in black and red on a white ground decorated in gold contains a number of prayers (du'a's) directed to God, the Prophet Muhammad, and his son-in-law 'Ali. The letters of the larger words are executed in nasta'liq script and are filled with decorative motifs, animals, and human figures. This style of script, filled with various motifs, is called gulzar, which literally means 'rose garden' or 'full of flowers.' It usually is applied to the interior of inscriptions executed in nasta'liq, such as ...
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Holy Qur'an
According to Islamic belief, the Holy Qur'an was revealed by God to the Prophet Mohammad (570–632) by the Angel Gabriel over a period of 22 years. The Qur'an speaks in powerful, moving language about the reality and attributes of God, the spiritual world, God's purposes with mankind, man's relationship and responsibility to God, the coming of the Day of Judgment, and the life hereafter. It also contains rules for living, stories of earlier prophets and their communities, and vital insights and understandings concerning the meaning ...
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The Treasure of Khvarazm’Shah
Ismā‘īl ibn Ḥasan Jurjānī (circa 1042–circa 1136, also seen as Jorjānī and Gurjānī), known popularly as Hakim Jurjānī, was among the most famous physicians of 12th-century Iran. In the period between the Islamic conquest and the time of Jurjānī, almost all scientific books by Iranians were written in Arabic, including such famous works as al-Qānūn fī al-tibb (The canon of medicine) by Ibn Sina (Avicenna). Jurjānī's medical encyclopedia, Zakhīrah-i Khvārazm’Shāhī (The treasure of Khvarazm’Shah) was the first major medical book in post-Islamic Iran written in ...
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Molla Sadra’s Miscellany
Muḥammad ibn Ibrāhīm Ṣadr al-Dīn Shīrāzī (1571–1640), commonly known as Molla Sadra, was a Persian Islamic philosopher, theologian, and mystic who led the Iranian cultural renaissance in the 17th century. The foremost exemplar of the Illuminationist, or Eshraqi, school of philosopher-mystics, Molla Sadra is commonly regarded by Iranians as the greatest philosopher that Iran has produced and is arguably the single most important and influential philosopher in the Muslim world of the last four centuries. His school of philosophy is called Transcendent Theosophy. Molla Sadra's philosophy and ontology ...
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The Book of Kings
Shahnameh Baysonqori is a copy of Shahnameh (Book of kings) composed by the highly revered Iranian poet Abū al-Qāsim Firdawsī (940–1020). The importance of Shahnameh in the Persian-speaking world is comparable that of Homer’s epics in the West. The book recounts in verse the mythological history of ancient Persia and tales of the famous heroes and personalities of Iranian history, from legendary times to the 7th-century reign of Yazdgerd III, the last king of the Sassanid dynasty. The tales are based on earlier historical works, but are mixed ...
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Treatise on Holy War
The first Persian printing press in Iran was established in 1816 in Tabriz, and the first book published by the press was Jihādīyyah (Treatise on holy war), written by Abu al-Qasim ibn 'Isá Qa'im'maqam Farahani (circa 1779–1835), the prime minister of Persia at that time. During the reign of King Fath Ali Shah (1772–1834, reigned 1797–1834), while the Qajar government was absorbed with managing domestic turmoil, rival European colonial powers sought to establish themselves in the region. The British competed for influence in the south ...
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Anthology of Ḥakīm Ruknā Masīḥ
This diwan (a collection of poems in Arabic or Persian, usually by a single author) of Persian poems by physician and poet Ḥakīm Ruknā Masīḥ dates from 1638. “Ḥakīm” is an honorific for a wise man or physician. “Masīḥ” (the Christian), which appears elsewhere in the manuscript, was a pen name of the author. It is believed that the poems were dictated by the author to his calligrapher. The manuscript is in four sections, containing qasidas (odes), ghazals (lyric poems), rubaiyat (quatrains), and muqatta't (poetic fragments). The first two ...
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Bazaar of Esfahan
This photograph shows a part of the bazaar in Isfahan, Iran as it appeared in 1944. A bazaar is a marketplace or assemblage of shops where a wide variety of goods and services are displayed for trade. “Bazaar” is derived from the Persian word for “market,” and many believe that the bazaar is one of the most important landmarks of Persian civilization. Archaeologists have found evidence of bazaars in different parts of Iran, and scholars have concluded that the development of cities was based on not only a rising population ...
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Ismāʻīl, the Persian Ambassador of Ṭahmāsp, King of Persia
Melchior Lorck, or Lorichs (1527–circa 1590), was the most brilliant graphic artist in 16th-century Denmark. He was born in Flensburg of distinguished parents; the Danish kings took up residence in the Lorck house when visiting the city. In 1549 King Christian III gave Lorck financial support to go on an educational journey. Lorck’s wanderlust led him throughout Europe and in the end to Vienna, where he gained employment with Emperor Charles V. From 1555 to 1559 Lorck was one of three ambassadors sent by the emperor to Constantinople ...
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Representatives of the First Iranian Parliament
This photograph shows the representatives of the first Iranian Majles (parliament) in front of the military academy, which served as the first parliament building. In the 1870s–early 20th century, leading political figures in Iran concluded that the only way to save country from government corruption and foreign manipulation was to make a written code of laws, an attitude that laid the foundation for the Iranian Constitutional Revolution of 1905–7. The movement for a constitution bore fruit during the reign of Muẓaffar ad-Dīn Shah of the Qajar dynasty, who ...
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"Munajat" of 'Abdallah Ansari
This calligraphic fragment includes a maxim drawn from the Munajat (Supplications) of the great Persian mystic and scholar Khwajah 'Abdallah Ansari (died 1088). The two lines describe the benefits of prayer and generosity. The two lines of text are executed in black nasta'liq script on beige paper and framed by delicate cloud bands on a gold illuminated background. The text panel is framed by a variety of borders and pasted to a sheet of purple paper decorated with gold interlacing flower motifs. Between and below the two main lines ...
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Safinah Fragment
This calligraphic fragment is the first page of an album in a longitudinal shape (safinah). At the top are a fine illuminated panel and finial (sarloh) with gold and blue flower and vine motifs. In the upper and lower corners, two gold and blue illuminated triangles (or thumb pieces) fill the spaces between the rectangular frame and the diagonal lines of text. The text is written in black nasta'liq on beige paper. It includes three bayts (verses) praising God and describing humans' inability to comprehend His power: "Praise ...
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Verses in Persian and Chaghatay
This calligraphic fragment includes a number of verses in Persian and Chaghatay Turkish (Turkish spoken in Central Asia). A continuous Persian lyrical poem (ghazal) is written in the top and bottom horizontal rectangular panels. Another ghazal appears written in diagonal in the right and left vertical columns. Both ghazals are by the famous Persian poet Shaykh Sa'di (died 1292) and address moral issues. In the central text panel, verses in Chaghatay Turkish are written in black nasta'liq script on beige paper, surrounded by cloud bands on a gold ...
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Eulogy to a Ruler
This calligraphic fragment includes a central panel with a eulogy to a king written in the "hanging" ta'liq script. Except for one line in black ink, all other horizontal and diagonal lines are written in white and outlined in black. Above the text panel appears, divided into two columns, a bayt (verse) by the great Persian poet Nizami (died 1218 [614 AH]) about the power of miracles. The bayt is in black nasta'liq script on beige paper. Around the text panel is a blue border inscribed with Arabic ...
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Ghazal by Sa'di
This calligraphic fragment contains a ghazal (lyric poem) by the Persian poet Shaykh Sa'di (died 1292 [691 AH]). The verses describe a lover's search for his beloved and his request that she show herself to him. The verses are written in nasta'liq script using white, light blue, red, and yellow ink on a blue paper. Rangin (colored) inks add variety to the composition and are found in a number of calligraphies produced during the 16th century. The corners left open by the intersection of the diagonal verses ...
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Ghazals of Asifi
This calligraphic fragment includes a variety of ghazals (lyric poems) from the Compendium of Poems (Divan) of the Persian poet Asifi. A student of the famous poet Jami (died 1492 [897 AH]) in Herat, Asifi remained in the Timurid capital city until his death (1517 [923 AH]), even during and after the Uzbek invasions. These particular verses on the fragment's recto and verso portray a lover's madness and his complaints about the pains of separation from the object of his affection. At the end of the first verse ...
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Black Practice
This calligraphic sheet includes a number of diagonal words and letters used in combinations facing upwards and downwards on the folio. The common Persian cursive script nasta'liq is favored over the more "broken" shikastah script. These sheets--known as siyah mashq (literally “black practice”) in Persian--were entirely covered with writing as a means of practicing calligraphy and conserving paper. In time, they became collectible items and thus were signed and dated (this fragment, however, does not appear to be signed or dated). Many fragments such as this one were given ...
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The Keys of Mercy and the Secrets of Wisdom
This manuscript is an invaluable source for understanding alchemical doctrines and practices in the Islamic world during the Middle Ages. Its author, the polymath Mu‛ayyad al-Dīn al-Tuġrā’ī, was born in 1062 AD in Persia (present-day Iran) and worked as a secretary in the Seljuk court. He later was appointed vizier in Mosul (present-day Iraq), but his career came to a dramatic end in 1121, when, following the disgrace of his protector, he was falsely accused of heresy and beheaded. Notes on al-Tuġrā’ī’s biography were added to ...
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The Burdah Poem
This illuminated small codex contains a famous poem in honor of the Prophet Muhammad popularly known as “Qaṣīdat al-Burdah” (The poem of the mantle), which was composed by Sharaf al-Dīn Muḥammad al-Būṣīrī (died 694 AH [1294 CE]). This copy was executed in a variety of scripts, probably in Iran, by Ḥabīb Allāh ibn Dūst Muḥammad al-Khwārizmī in the 11th century AH (17th century CE). The first page (folio 1b) of the manuscript features an illuminated rectangular headpiece with five inner panels of text executed in the following scripts: muhaqqaq (gold ...
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Quintessence of Calculation
The author of this mathematical treatise, Bahā' al-Dīn Al-‘Amilī (1547–1621), is considered one of the leading intellectuals of 17th-century Safavid Persia (present-day Iran). He was born in Baalbek (present-day Lebanon) but moved to Persia in his youth where he devoted his entire life to study. He excelled in various fields, leaving a legacy of more than 80 books on a wide variety of subjects that included theology and mysticism, astronomy, mathematics, poetry, and architecture. He wrote in both Persian and Arabic. He was the teacher of Mulla Sadra ...
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The Book on Medicine Dedicated to al-Mansur
This manuscript preserves one of the most famous medieval Arabic medical treatises, the Kitab al-Mansouri fi al-Tibb (The book on medicine dedicated to al-Mansur), which was composed by the well-known Persian physician, natural scientist, philosopher, and alchemist Abu Bakr Muḥammad ibn Zakariya al-Razi (865–925) early in the 10th century. As apparent in the title of the book, this work is dedicated to the governor of the province of Rayy (in present-day Iran and the birthplace of al-Razi), Al-Mansur ibn Ishāq. Al-Razi (also known by Latinized versions of his name ...
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