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132 results
An Actor in the Role of Sato Norikiyo who Becomes Saigyo: An Actor in the Role of Yoshinaka
The Japanese art of Ukiyo-e (“Pictures of the floating [or sorrowful] world”) developed in the city of Edo (now Tokyo) during the Tokugawa or Edo Period (1600-1868), a relatively peaceful era during which the Tokugawa shoguns ruled Japan and made Edo the seat of power. The Ukiyo-e tradition of woodblock printing and painting continued into the 20th century. This diptych print of between 1849 and 1852 shows Saigyō surrounded by men trying to prevent him from leaving his house to become a priest. The poet Saigyō (1118-90) was born into ...
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Library of Congress
Peony and Canary
The Japanese art of Ukiyo-e (“Pictures of the floating [or sorrowful] world”) developed in the city of Edo (now Tokyo) during the Tokugawa or Edo Period (1600-1868), a relatively peaceful era during which the Tokugawa shoguns ruled Japan and made Edo the seat of power. The Ukiyo-e tradition of woodblock printing and painting continued into the 20th century. This print, made in 1833 or 1834, is part of the series "Small Flowers" by Katsushika Hokusai (1760-1849). It is unusual in its background color and its size. Other examples of this ...
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Library of Congress
Ismāʻīl, the Persian Ambassador of Ṭahmāsp, King of Persia
Melchior Lorck, or Lorichs (1527–circa 1590), was the most brilliant graphic artist in 16th-century Denmark. He was born in Flensburg of distinguished parents; the Danish kings took up residence in the Lorck house when visiting the city. In 1549 King Christian III gave Lorck financial support to go on an educational journey. Lorck’s wanderlust led him throughout Europe and in the end to Vienna, where he gained employment with Emperor Charles V. From 1555 to 1559 Lorck was one of three ambassadors sent by the emperor to Constantinople ...
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Royal Library (The), Denmark
Meditations, or the Contemplations of the Most Devout
Meditationes, seu Contemplationes devotissimae (Meditations, or the contemplations of the most devout) by Cardinal Juan de Torquemada (1388–1468) is thought to be the first Italian book illustrated with a series of woodcut images. The first edition was printed in Rome in 1467 by the German printer Ulrich Han. Presented here is a 1479 edition, printed in Mainz by Johann Neumeister (circa 1440–circa 1512), a German cleric and printer who claimed to have been a student of Johann Gutenberg. The designs of the 33 woodcuts, although considered rough by ...
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Library of Congress
Epistles, Gospels, and Popular Readings in the Tuscan Language
This devotional book in Italian ('the language of Tuscany'), published in 1495 by Piero Pacini da Pescia (active, circa 1495-1514), is considered the greatest Florentine illustrated book of the 15th century. It contains 144 large woodcuts, all but eight original to this text, 24 small images of saints and prophets, and a series of 14 different border styles. The large number of images, along with the quality of the designs and execution, make this work a treasure of Florentine design and one of the truly important sources for the study ...
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Library of Congress
The Sanmai-bashi Bridges in Ueno
This nishiki-e (Japanese multicolored woodblock print of ukiyo-e) depicts beautiful women coming and going in front of the Sanmai-bashi Bridges (“three bridges side by side”) in Ueno-hirokōji, Edo (present-day Tokyo). Cherry trees in the woods around Kan’ei-ji Temple can be seen in the distance. Kan’ei-ji Temple was well known as the best cherry blossom-viewing spot in the city of Edo, and even now, many people visit it in the cherry blossom season. In the foreground are the three bridges side by side. The women appear to be taking ...
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National Diet Library
Map of the Whole World
The first world map published in Japan appeared in 1645. Shown here is a popular version of that first map, published in 1671. It is divided into two parts: the right side contains an oblong egg-shaped world map with the east at the top, while the left side depicts people from 40 countries in national costume. The latter are arrayed in five rows of eight, depicting people both of existing countries, such as Portugal and the Netherlands, and imaginary countries, such as “Dwarf Country” and “Giant Country.” These maps are ...
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National Diet Library
Girl's Day
The Japanese art of Ukiyo-e (“Pictures of the floating [or sorrowful] world”) developed in the city of Edo (now Tokyo) during the Tokugawa or Edo Period (1600-1868), a relatively peaceful era during which the Tokugawa shoguns ruled Japan and made Edo the seat of power. The Ukiyo-e tradition of woodblock printing and painting continued into the 20th century. This print is one sheet of an illustrated book from between 1716 and 1736. It shows three richly dressed women or girls eating and drinking, probably celebrating Hina Matsuri (Girl's day ...
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Library of Congress
Adam and Eve in Paradise
Lucas Cranach, the Elder (1472-1553) was a leading artist of the German Renaissance. He served as court painter at Wittenberg to Frederick the Wise of Saxony and was a friend and advocate of Martin Luther, the leader of the Protestant Reformation. He was also a master printmaker. This 1509 woodcut depicts Adam and Eve beneath an apple tree, surrounded by animals, with Eve being tempted by the serpent. Man’s fall from grace was a popular theme in the Reformation era. Between 1510 and 1540 Cranach painted Adam and Eve ...
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Library of Congress
Small Passion. The Expulsion from Paradise
Albrecht Dürer (1471-1528) is generally considered Germany’s greatest artist. In addition to being one of the monumental figures in the history of Western printmaking, he was a painter and wrote important early works of artistic theory dealing with such topics as geometry, perspective, and the measurements of the human body. Much of his work was religious. From his early 20s until his death at the age of 57, Dürer worked on at least six different versions of the Passion--the story of Christ's suffering between the Last Supper and ...
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Library of Congress
Warrior Asahina Kobayashi
The Japanese art of Ukiyo-e (“Pictures of the floating [or sorrowful] world”) developed in the city of Edo (now Tokyo) during the Tokugawa or Edo Period (1600-1868), a relatively peaceful era during which the Tokugawa shoguns ruled Japan and made Edo the seat of power. The Ukiyo-e tradition of woodblock printing and painting continued into the 20th century. This 1862 print is a half-length portrait of an actor, wearing a robe with a bird motif, in the role of Asahina. The print is from the series The 36 Stars of ...
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Library of Congress
Zhong Kui Painted by Sesshu
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. Isoda Koryūsai, who flourished 1764–88, significantly contributed to the development ...
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Library of Congress
Flirtatious Lover
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. This ukiyo-e print is a part of the series Fujin Sōgaku ...
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Library of Congress
Ichikawa Ebizō as Takemura Sadanoshin
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. In this yakusha-e (pictures of actors) by Tōshusai Sharaku, a famous ...
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Library of Congress
Plum Tree of a Country Farmhouse
Along with new artwork, a new and less formal style of poetry called haikai (linked verse) spread among the urbanites of Kyoto, Osaka, and Edo in 17th-century Japan. Haikai was also very much a social activity, with linked-verse parties held on regular occasions in homes or at restaurants. Such poetic gatherings helped give rise to privately commissioned woodblock prints, called surimono (printed matter), which paired images with representative verses from the circle. Both were typically intended to carry the cachet of “insider knowledge” for a cultured and well-educated audience. Because ...
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Library of Congress
Updated Version of Hagoromo
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. This playful print by Ishikawa Toyonobu (1711–85) depicts a scene ...
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Library of Congress
Catching Cicadas
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. This print is a page from an egoyomi (pictorial calendar), which ...
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Library of Congress
Heian Period Tale of the Nightingale in the Plum Tree
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. This print by Kitao Shigemasa (1739–1820) illustrates an 11th-century tale ...
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Library of Congress
Kume the Immortal Spies on a Beauty
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. This sumizuri-e (monochrome print) is unsigned, but recent scholars have attributed ...
Contributed by
Library of Congress
Shibaura
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. Katsushika Hokusai (1760–1849) was a prolific artist and woodblock printer ...
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Library of Congress
A View of Nakazu
The term ukiyo-e, literally “pictures of the floating world,” refers to a genre of Japanese artwork that flourished in the Edo period (1600–1868). As the phrase “floating world” suggests, with its roots in the ephemeral worldview of Buddhism, ukiyo-e captured the fleeting dynamics of contemporary urban life. While being accessible and catering to “common” tastes, the artistic and technical details of these prints show remarkable sophistication, their subjects ranging from portraits of courtesans and actors to classical literature. Utagawa Toyoharu (1735–1814) was the founder of the Utagawa school ...
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Library of Congress