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Ringling Bros. Lion Tableau Wagon
Parades to celebrate the arrival of the circus to town in America featured highly decorated wagons carrying the circus band and artists along main thoroughfares to the big top circus tent, attracting patrons along the way. This “Lion Tableau” wagon was built by Sebastian Wagon Works of New York City in approximately 1880 for the Adam Forepaugh Circus.  A telescoping platform holding the figure of Saint George fighting a dragon was removed around 1889 and the lower portion was converted into a bandwagon. The wagon was purchased by the Ringling ...
Contributed by
Circus World Museum
Free Street Parade of the Sells-Floto Circus
This colorful lithograph advertises the upcoming street parade of the Sells-Floto Circus, promoting ticket sales to the local residents for the twice-a-day shows. The artwork captures the grandeur of the American circus parade in the 1920s. The parade is led by a rider wearing an 18th-century costume and carrying a circus banner. Behind the rider is a group of mounted horsemen, elephants in costumes worn in big production number during the show (“spec costuming”), a band, and a number of circus wagons. Several of the elephants and wagons promote the ...
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Circus World Museum
Kokand Khanate. City of Kokand. Maadali Khan Madrasah
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by
Library of Congress
Postal Route in the Turkestan Krai
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by
Library of Congress
Postal Route in the Turkestan Krai
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by
Library of Congress
Syr Darya Oblast. Aulie-Ata. Postal Road
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by
Library of Congress
Syr Darya Oblast. City of Chimkent and Its Types of Street Life
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by
Library of Congress
Syr Darya Oblast. City of Dzhizak and the Types of People Seen at the Market. Bazaar
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by
Library of Congress
Syr Darya Oblast. Crossing via the Syr Darya River
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by
Library of Congress
Zeravshan District. City of Pandzhikent. Dashti Karabid, a Section of the City
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by
Library of Congress
Zeravshan District. City of Samarkand. Buildings inside the Citadel
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by
Library of Congress
Harvesting Scene
This view of a harvesting scene is from a set of 27 drawings on 15 sheets that was discovered in the National Library of South Africa in 1986. The drawings are important for presenting the earliest realistic depictions of the Khoikhoi, the original inhabitants of the Western Cape. The drawing shows a farming scene with the stacking of hayricks from ox wagons, with a Khoi matjieshuis (mat house) in the foreground and a farmhouse at the back. The Khoi are asking for tobacco from a colonist who is smoking as ...
Contributed by
National Library of South Africa
The Cookhouse Tent and Steam Wagon from Buffalo Bill's Wild West, 1913
Every aspect of circuses and shows such as Buffalo Bill’s Wild West was of interest to spectators in the towns and cities visited by these traveling spectacles. In this image dating from 1913, local townspeople gather to watch the cookhouse staff of Buffalo Bill's Wild West Show prepare a meal outside the cookhouse tent. The steam wagon and cookhouse tent can be seen, along with the backs of the spectators, who include both men and women. The picture was taken by G. Herbert Whitney, an amateur photographer from ...
Contributed by
Circus World Museum
Sells-Floto Circus, 1924
This photograph of 1924 shows a group of female circus performers climbing onto tableau wagon number 83 of the Sells-Floto Circus, possibly in preparation for a parade. A large draft horse is hitched to the wagon. A baggage wagon with the Sells-Floto name can be seen in the background. The Sells-Floto Circus was formed in the early 1900s from a combination of the Floto Dog & Pony Show and the Sells Brothers Circus. It toured the United States as an independent circus until 1921, when it was incorporated into the American ...
Contributed by
Circus World Museum
Sells-Floto Circus, 1922
Elephants were not only an important part of the performance of a circus but were also very useful for providing heavy labor on the back lot. This image of 1922 shows an elephant of the Sells-Floto Circus pulling the canvas-covered cage wagon number 24 into position. Octagon cage wagon number 34 can be seen at right. The Sells-Floto Circus was formed in the early 1900s from a combination of the Floto Dog & Pony Show and the Sells Brothers Circus. It toured the United States as an independent circus until 1921 ...
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Circus World Museum
Ringling Bros. World’s Greatest Shows
This colorful lithograph advertising the Ringling Bros. Circus was printed by the Strobridge Lithographing Company of Cincinnati, Ohio, and New York, a significant producer of circus posters. The poster depicts the immense size of a large American circus in the early part of the 20th century and is an example of the colorful, eye-catching advertisements commonly used by circuses to attract crowds. The texts at the bottom proclaim “A Magic Moving City of Tents, The Home of Many Marvels, Largest Show Ever Perfected. A Really Great World’s Exposition,” and ...
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Circus World Museum
Neuilly. Rue du Roule. Partial View of Destruction in the Streets
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
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National Library of Brazil
Ringling Circus Clown Emmett Kelly in Sarasota, Florida
Emmett Kelly (1898−1979), pictured here, portrayed the melancholy hobo-clown Weary Willie for the Ringling Bros. and Barnum & Bailey Circus for more than a decade. His act differed from that of the typical jovial clown and made Weary Willie one of the most memorable components of the Ringling Brothers show. The Ringling Brothers built the show from humble beginnings in Baraboo, Wisconsin, into the largest and best-known American circus. They began their ascent in show business in 1884 when they combined with the Yankee Robinson circus. The following year the Ringlings bought out Yankee Robinson and became sole proprietors of the traveling show. The Ringling Brothers quickly acquired smaller circus shows and sought out the top performers from around the world. In 1919, the Ringlings merged their two largest ventures—Ringling Brothers and Barnum & Bailey—into a single, combined circus, the “Greatest Show on Earth.” In 1927, the circus moved its winter quarters from Bridgeport, Connecticut, to Sarasota, Florida. Members of the Ringling family had wintered in Sarasota since 1911. This photograph, taken in 1947, is by Joseph Janney Steinmetz, a world-renowned commercial photographer whose images appeared in such publications as the Saturday Evening Post, Life, Look, Time, Holiday, Collier's, and Town & Country. His work has been referred to as "an American social history," which documented diverse scenes of American life. Steinmetz moved from Philadelphia to Sarasota in 1941.
Contributed by
State Library and Archives of Florida
G-e-e-t Up!
This photograph of a rural scene in Albania is from the Frank and Frances Carpenter Collection at the Library of Congress. Frank G. Carpenter (1855–1924) was an American writer of books on travel and world geography, whose works helped to popularize cultural anthropology and geography in the United States in the early years of the 20th century. Consisting of photographs taken and gathered by Carpenter and his daughter Frances (1890–1972) to illustrate his writings, the collection includes an estimated 16,800 photographs and 7,000 glass and film ...
Contributed by
Library of Congress
Immigrants Being Transported on Horse-Drawn Wagon, Buenos Aires, Argentina
This photograph of newly arrived immigrants in Buenos Aires, Argentina is from the Frank and Frances Carpenter Collection at the Library of Congress. Frank G. Carpenter (1855–1924) was an American writer of books on travel and world geography, whose works helped to popularize cultural anthropology and geography in the United States in the early years of the 20th century. Consisting of photographs taken and gathered by Carpenter and his daughter Frances (1890–1972) to illustrate his writings, the collection includes an estimated 16,800 photographs and 7,000 glass ...
Contributed by
Library of Congress
Chinese Children at the Tjap-Gomeh Festival in Makassar
This photograph shows Chinese children participating in the Tjap Go Meh Festival in Makassar, the largest city on the Indonesian island of Sulawesi. Tjap Go Meh, which takes place 15 days after Chinese New Year, was widely celebrated among Chinese immigrants in Indonesia, and became popular with the local population as well. Also known as the Lantern Festival, it involves parades and performances similar to those on the new year. The picture was taken by the studio of British photographers Walter Bentley Woodbury and James Page, who arrived in the ...
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Royal Netherlands Institute of Southeast Asian and the Caribbean Studies KITLV