216 results in English
Bazaar of Isfahan
This photograph shows a part of the bazaar in Isfahan, Iran as it appeared in 1944. A bazaar is a marketplace or assemblage of shops where a wide variety of goods and services are displayed for trade. “Bazaar” is derived from the Persian word for “market,” and many believe that the bazaar is one of the most important landmarks of Persian civilization. Archaeologists have found evidence of bazaars in different parts of Iran, and scholars have concluded that the development of cities was based on not only a rising population ...
Constantinople
This colored travel sketch of Constantinople (present-day Istanbul) as seen from the eastern part of the town of Scutari (present-day Üsküdar) across the Bosporus Strait is by the Danish painter Martinus Rørbye (1803–48), a central figure in the "Golden Age" of Danish art (circa 1770–1900). After training at the Kunstakademiet, Rørbye travelled widely, to France, Italy, Greece, and Turkey. In 1833 he was one of the first artists to paint in Skagen, in the far north of Denmark, some 45 years before it became an artists’ haven. He ...
Settlement in the East Indies
This sketch is from a set of 27 drawings on 15 sheets that was discovered in the National Library of South Africa in 1986. The drawings are important for presenting the earliest realistic depictions of the Khoikhoi, the original inhabitants of the Western Cape. The sketch depicts a Dutch settlement in the East Indies, showing a street with buildings and trees. A similar drawing depicting the same structures in the Rijksprentenkabinet in Amsterdam has been ascribed to Cornelis de Bruyn (circa 1652–circa 1727). This drawing in pencil is the ...
Peshawar Fort
This photograph of Peshawar Fort is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. Also known as Bala Hissar (High Fort, in Persian), the fort served as the winter capital of the Durrani Empire (1747–1818). It was reconstructed in 1835 under the Sikh Empire (1799–1849), after its conquest by Sikh forces, but was captured by the British in 1849. The fort dominates the background of the photograph. The dirt road in the foreground is the Grand Trunk Road running ...
Contributed by Library of Congress
Street View, Kandahar
This photograph of a street view of Kandahar is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. A crowd seems to have gathered to watch the photographer, who is also regarded by a young boy perched on a roof. Shops, houses, and a section of the city wall are visible from this point, which is called Charsu or Char Su. It is where the main routes into Kandahar from the gates in the city walls converged. The photograph was taken during ...
Contributed by Library of Congress
Street View, Kandahar
This photograph of a street view of Kandahar is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. The crowd of men and young boys seems to have gathered to watch the photographer at work. A street vendor is selling food. His shop is adorned with beautiful traditional embroidered chadors, large scarfs worn by women as a combination of veil, shawl, and head covering. The photograph was taken during the British occupation of Kandahar, which lasted from September 1880 to April 1881 ...
Contributed by Library of Congress
Street View, by Sir Benjamin Simpson
This photograph of a scene, assumed to be in Kandahar, is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. Men and young boys have gathered on both levels of a ruined building and in its courtyard and are observing the photographer. In the foreground is a charpoy (also seen as chaar payee), a bed frame made of woven rope used throughout Afghanistan as an outdoor bed during the hot summer. The photograph most likely was taken during the British occupation of ...
Contributed by Library of Congress
The Durrani Gate
This photograph of the Durrani Gate in Kandahar is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. Ahmad Shah Durrani made Kandahar his capital when became the ruler of an Afghan empire in 1747. The heavy wooden doors of the gate, one of the entrances to the Kandahar citadel, can be seen in the back center of the photograph. Soldiers in pith helmets stand guard, regarding a scene that includes camels and herdsmen who have just emerged from the gate, civilians ...
Contributed by Library of Congress
Afghanistan, 1879-80
Afghanistan, 1879-80 is an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War (1878–80). The war began in November 1878 when Great Britain, fearful of what it saw as growing Russian influence in Afghanistan, invaded the country from British India. The first phase of the war ended in May 1879 with the Treaty of Gandamak, which permitted the Afghans to maintain internal sovereignty but forced them to cede control over their foreign policy to the British. Fighting resumed in September 1879 after an ...
Contributed by Library of Congress
Lhasa Street during the Tsog Chod Festival
This photograph shows a view of a street in Lhasa during the Tsog Chod festival (also seen as Ts'og Ch'od in other sources and called Sung ch'o in Tibetan) celebrated on the 29th day of the second moon of the Tibetan year. It is from a collection of 50 photographs of central Tibet acquired in 1904 from the Imperial Russian Geographical Society in Saint Petersburg by the American Geographical Society. The strips flying in the wind in the upper left foreground are prayer flags, and crowds of ...
Ciniselli Circus
The Ciniselli Circus (now the Bolshoi Saint Petersburg State Circus) opened on December 26, 1877. The first stone structure in Russia purpose-built for the circus, it was regarded by many as the most beautiful circus building in Europe. The building was designed by architect Vasily Kenel (1834–93), who also produced this watercolor, which has his signature in the lower right-hand corner. The building was a unique engineering structure for its time, designed and built on the basis of the state-of-the-art engineering principles and methods. For the first time, inner ...
General View of the Ministry of Finance
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Library of the Louvre
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Main View of the Hôtel Thiers
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Cartridge Factory on Avenue Rapp after the Explosion
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Last House on the Avenue de Neuilly
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Progress on the Porte Maillot
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Corner of the Rue Rivoli and Rue Saint-Martin
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Neuilly. Rue du Roule. Rubble in the Street
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Neuilly. Rue Peyronnet
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Théâtre de la Porte Saint Martin and Restaurant Défieux
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Avenue Voltaire. Corner of Avenue des Amandiers
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Rapp Cartridge Factory After the Explosion: Avenue Rapp
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Paris. Rue Royale. View from the Steps of the Madeleine
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Bouncing Baby
The film Bouncing Baby, featured here, is a prime example of the works produced by the Vim Comedy Company in Jacksonville, Florida, during the early years of silent films. Favorable weather, political support, and cheap real estate and labor helped to make Jacksonville a major center for motion picture production in this period. The mayor of Jacksonville in 1915−17, J.E.T. Bowden, set out to restore business confidence in northeastern Florida after a recessionary slump and extended an open invitation “to the moving picture fraternity of this country ...
Danzig, Nowadays a Very Crowded Market Town for the North, the West, and the Whole World
This panoramic view of Danzig (present-day Gdańsk) in 1617 is from the collection of cityscapes and broadsheets that once belonged to the Swedish statesman Count Magnus Gabriel De la Gardie (1622−86). ‏In the upper-left corner appear the coat of arms of Poland; in the upper-right hand corner, the coat of arms of Danzig. Below is a separately printed key in both Latin and German. At the bottom of the engraving is a description of the city, addressed to the reader, printed in 13 columns, in Latin and in German ...
The Doge’s Procession Crossing Saint Mark’s Square, Venice
This view of the procession of the doge in Saint Mark’s Square in Venice is from the collection of cityscapes and broadsheets that once belonged to the Swedish statesman Count Magnus Gabriel De la Gardie (1622−86). ‏The procession of the doge through the square to the Bucentaur, the state galley, was observed annually on Ascension Day up to 1798 to consecrate the symbolic betrothal of the city with the sea. The print is by Jost Amman (circa 1539−91), a noted Swiss engraver and prolific book illustrator. The ...
South Maʻān (al-Maṣrīyah). Main Street. 1914
This image is from Bilder aus Palästina, Nord-Arabien und dem Sinai (Images from Palestine, North Arabia, and the Sinai), an album of 105 photographs of scenes in the Middle East taken by German archeologist and orientalist Bernhard Moritz (1859–1939). The album includes views of Jerusalem, Mecca, Medina, Hejaz and Jiddah in Saudi Arabia, Petra in Jordan, and Mount Sinai in Egypt. Also shown are views of exteriors and interiors of temples, mosques, and archeological remains; street scenes in Mecca and Medina; small villages and views of the desert; and ...
Contributed by Library of Congress
Medina. Al-ʻAnbarīyah or al-Rashādīyah, the Main Street of the Western Neighborhood. Right, Egyptian Pilgrims House. Left, Barracks
This image is from Bilder aus Palästina, Nord-Arabien und dem Sinai (Images from Palestine, North Arabia, and the Sinai), an album of 105 photographs of scenes in the Middle East taken by German archeologist and orientalist Bernhard Moritz (1859–1939). The album includes views of Jerusalem, Mecca, Medina, Hejaz and Jiddah in Saudi Arabia, Petra in Jordan, and Mount Sinai in Egypt. Also shown are views of exteriors and interiors of temples, mosques, and archeological remains; street scenes in Mecca and Medina; small villages and views of the desert; and ...
Contributed by Library of Congress
Medina. Al-Manākhah, a Place between the Old City (Right) and Western Quarter
This image is from Bilder aus Palästina, Nord-Arabien und dem Sinai (Images from Palestine, North Arabia, and the Sinai), an album of 105 photographs of scenes in the Middle East taken by German archeologist and orientalist Bernhard Moritz (1859–1939). The album includes views of Jerusalem, Mecca, Medina, Hejaz and Jiddah in Saudi Arabia, Petra in Jordan, and Mount Sinai in Egypt. Also shown are views of exteriors and interiors of temples, mosques, and archeological remains; street scenes in Mecca and Medina; small villages and views of the desert; and ...
Contributed by Library of Congress
Medina. Procession of the Maḥmal (Holy Carpet) through al-Manākha Square. 1914
This image is from Bilder aus Palästina, Nord-Arabien und dem Sinai (Images from Palestine, North Arabia, and the Sinai), an album of 105 photographs of scenes in the Middle East taken by German archeologist and orientalist Bernhard Moritz (1859–1939). The album includes views of Jerusalem, Mecca, Medina, Hejaz and Jiddah in Saudi Arabia, Petra in Jordan, and Mount Sinai in Egypt. Also shown are views of exteriors and interiors of temples, mosques, and archeological remains; street scenes in Mecca and Medina; small villages and views of the desert; and ...
Contributed by Library of Congress
Mecca. Bāb ʻAlī, Gate of the Holy Mosque at the East Corner; the Zamzam House is Visible through the Middle Door
This image is from Bilder aus Palästina, Nord-Arabien und dem Sinai (Images from Palestine, North Arabia, and the Sinai), an album of 105 photographs of scenes in the Middle East taken by German archeologist and orientalist Bernhard Moritz (1859–1939). The album includes views of Jerusalem, Mecca, Medina, Hejaz and Jiddah in Saudi Arabia, Petra in Jordan, and Mount Sinai in Egypt. Also shown are views of exteriors and interiors of temples, mosques, and archeological remains; street scenes in Mecca and Medina; small villages and views of the desert; and ...
Contributed by Library of Congress
Movement of the Pilgrims through the Muna Valley to the Plain of Arafat. The Walled-In Pillar is the So-Called Second Satan (al-Jamrat al-Wusṭá)
This image is from Bilder aus Palästina, Nord-Arabien und dem Sinai (Images from Palestine, North Arabia, and the Sinai), an album of 105 photographs of scenes in the Middle East taken by German archeologist and orientalist Bernhard Moritz (1859–1939). The album includes views of Jerusalem, Mecca, Medina, Hejaz and Jiddah in Saudi Arabia, Petra in Jordan, and Mount Sinai in Egypt. Also shown are views of exteriors and interiors of temples, mosques, and archeological remains; street scenes in Mecca and Medina; small villages and views of the desert; and ...
Contributed by Library of Congress
Jeddah. West Side. 1914
This image is from Bilder aus Palästina, Nord-Arabien und dem Sinai (Images from Palestine, North Arabia, and the Sinai), an album of 105 photographs of scenes in the Middle East taken by German archeologist and orientalist Bernhard Moritz (1859–1939). The album includes views of Jerusalem, Mecca, Medina, Hejaz and Jiddah in Saudi Arabia, Petra in Jordan, and Mount Sinai in Egypt. Also shown are views of exteriors and interiors of temples, mosques, and archeological remains; street scenes in Mecca and Medina; small villages and views of the desert; and ...
Contributed by Library of Congress
Jeddah. West Gate. 1914
This image is from Bilder aus Palästina, Nord-Arabien und dem Sinai (Images from Palestine, North Arabia, and the Sinai), an album of 105 photographs of scenes in the Middle East taken by German archeologist and orientalist Bernhard Moritz (1859–1939). The album includes views of Jerusalem, Mecca, Medina, Hejaz and Jiddah in Saudi Arabia, Petra in Jordan, and Mount Sinai in Egypt. Also shown are views of exteriors and interiors of temples, mosques, and archeological remains; street scenes in Mecca and Medina; small villages and views of the desert; and ...
Contributed by Library of Congress
Picturesque Map of Havana with House Numbers
José María de la Torre y de la Torre (1815-73) was a Cuban geographer, archaeologist, historian, and educator. De la Torre’s 1849 Plano Pintoresco de La Habana con los números de las casas (Picturesque map of Havana with house numbers) has great importance from a geographic point of view. The map shows the names of the streets, house numbers, promenades, fortifications, and public buildings, and the division of the city by neighborhoods. The scale is in varas castellanas (Castilian yards, an old unit of measurement that varied with time ...
Saint-Jean-Baptiste Day
This silent film records the festivities of the Fête de la Saint-Jean-Baptiste (Saint-Jean-Baptiste Day or Saint John the Baptist Day) on June 24, 1945. The celebration, which also marks the revival of an older summer solstice rite, has been observed by the Quebecois since 1834, when Ludger Duvernay, editor of the newspaper La Minerve, decided to revive this tradition, previously interrupted by the Conquest of 1760.  He organized a banquet in the garden of lawyer John McDonnell. The celebration spread in subsequent years, until 1837, when Duvernay was exiled during ...
Mulberry Street, New York City
This photolithograph from the Detroit Publishing Company documents the busy street life of New York City’s Lower East Side at the start of the 20th century. Between 1870 and 1915, New York’s population more than tripled, from 1.5 million to 5 million. In 1900, when this photo was taken, foreign-born immigrants and their children constituted a staggering 76 percent of the city’s population. Often described as the Main Street of Little Italy, Mulberry Street was dominated from the 1890s by immigrants from Italy. These immigrants jostled ...
Contributed by Library of Congress
Arabs in Tripoli
This photograph of a street scene in Tripoli, Libya, is from the George Grantham Bain Collection at the Library of Congress. The collection contains approximately 40,000 glass plate negatives and 50,000 photographic prints, most dating from the 1900s to the mid-1920s. Bain, who was born in 1865 and died in 1944, founded the New York-based Bain News Service in 1898. Specializing in news about New York City and, to a lesser degree, the eastern United States, Bain distributed its own pictures and those purchased from other commercial agencies ...
Contributed by Library of Congress
Tripoli Mosque
This image from the latter half of the 19th century depicts a street scene in Tripoli, Libya, under the minaret of a nearby mosque. Baedeker’s The Mediterranean (1911) said of Tripoli: “The town with its white houses, its slender minarets of the Turkish type, its green gardens and groups of palms, the reddish-yellow dunes of drift-sand from the Sahara, and the deep-blue sea, all bathed in dazzling sunshine, present a most fascinating picture.”
Contributed by Library of Congress
Saviour Church, Copenhagen, Denmark
This photochrome print from circa 1890-1900 is from the “Views of Architecture and Other Sites in Copenhagen, Denmark” section in the catalog of the Detroit Publishing Company. It shows Our Savior’s Church (Vor Frelsers Kirke), a large baroque church in the Christianshavn district of the city, that was built in 1682-96. The church was constructed in a Palladian-Netherlandic style for King Christian V by the court builder, Lambert van Haven (1630-95). Lauritz de Thurah (1706-59) designed the spire, which was completed in 1752, more than 50 years after the ...
Contributed by Library of Congress
The Tivoli Park Entrance, Copenhagen, Denmark
This photochrome from circa 1890-1900 is from the “Views of Architecture and Other Sites in Copenhagen, Denmark” section in the catalog of the Detroit Publishing Company. It shows the entrance to Tivoli Gardens, which opened in 1843, and is the second-oldest amusement park in the world (after Dyrehavsbakken, also in Denmark). The park was inspired by the romantic pleasure gardens of Europe, which were landscaped according to the naturalistic English tradition rather than the French style based on geometric lines. Tivoli's founder, Georg Carstensen (1812-57), had seen pleasure gardens ...
Contributed by Library of Congress