- Philosophy & psychology (2)
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- Literature (2)
- History & geography (2)
- Computer science, information & general works (1)
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- Song dynasty, 960-1279
- Inscriptions, Chinese (2)
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Type of Item
This printed edition of this work from the Northern Song dynasty (960-1127) is the sole copy in existence. It was originally in the collection of Fu Zengxiang, and was acquired by the Library of Congress in 1941.
Collected Works of Han Yu
Han Yu is chief among the eight major writers of the Tang and Song dynasties. His writings are rich in content, powerful, fresh, and lively. The 40-juan (section) Collected Works of Han Yu (Changli xiansheng ji [Collected works of the Master from Changli]) was compiled by his disciple Li Han, and is the most comprehensive compendium of Han Yu’s works. The “Outer Collection” and “Omitted Writings” were added by Song dynasty scholars who recovered lost works by Han. This edition was printed in the Jianchun era (late 13th ...
Stele of the Army of Inspired Strategy
This rubbing of a stone stele records the inspection of the Army of Inspired Strategy by the Tang emperor Wuzong (Li Yan). The text was composed by Cui Xuan and written by Liu Gongquan, both of the Tang dynasty. The stele was erected in the third year of the Huichang era (843 A.D.), but within a century was damaged by soldiers and soon disappeared. Because the stele was erected within the Imperial Palace, rubbings were not easily taken, even when it was still intact. These Song dynasty rubbings, also ...
Map of the Lands Where the Sage-Emperor Yu Left His Traces
This rubbing is of a Chinese map engraved in stone in the seventh year of the Fouchang era of the Qi state (1136). The stele survives in the Forest of Steles in Xi’an. The map is oriented with north at the top and south at the bottom. Over 500 place names are plotted on the map, which represents a panorama of China in Song times. The engraving of the hydraulic systems is especially detailed, with nearly 80 rivers named. The courses of the Yellow and Yangtze rivers are very ...
The Four Books in Chapter and Verse with Collected Commentaries
The Analects is one of the important classics for Ruist (Confucian) scholars. It was compiled by the disciples of Confucius and their disciples. It mostly records conversations and dialogs relating to Confucius and his disciples that reflect the views and principles of Confucius as applied to administration, ethics, morality, and education. The generally accepted version of The Analects has 20 sections. Zhu Xi (1130-1200) of the Song dynasty took “The Great Learning” and “The Doctrine of the Mean” from The Book of Rites and combined these extracts with The Mencius ...
Historic Records of the East Capital of the Northern Song
Dongdu shi lue (Historic records of the east capital of the Northern Song) is a history of the nine courts of the Northern Song (960–1127), mainly consisting of a series of biographies, beginning with Taizu Jianlong (reigned 960–63) and ending with Qinzong Jiankang (reigned 1126–27). The book is divided into 12 juan of general historical information, five juan on high official families, 105 juan of biographies, and eight juan of supplements on the non-Chinese dynasties of Liao (Khitan), Jin (Jurchen), Xi Xia (Tangut Empire), and Jiaozhi (Giao ...
Records of the Southern Song Imperial Library
This work is an account of the Imperial Library (Zhong xing guan) during the Southern Song dynasty (1127–1279). It was compiled by Chen Gui (1128–1203), who received the jin shi degree in 1150 and became an official at the library. Issued circa 1265–74, it traces the history of the Imperial Library from the beginning of the Southern Song. The work records the names of library officials, their stipends, their positions, and their daily activities; and provides information on the library’s basic functions, including book acquisition and ...
A New Compilation of Events from the Xuanhe Period
Xin bian Xuanhe yi shi (A new compilation of events from the Xuanhe period) is a Song dynasty work by unknown authors. The Xuanhe period was 1119–25. The book has two juan, representing two parts, and the title appears at the beginning of each juan as well as in the table of contents. The literary style of the work is hua ben, meaning written versions of storytellers’ tales. They are loosely based on historical figures and events from ancient Yao and Shun times up to the 1127–62 reign ...