81 results in English
Album of Religious Artifacts from the Church Archaeological Museum of Kiev Theological Academy
This book, the first in a series of albums dedicated to the Church Archaeological Museum of Kiev Theological Academy, is about the collection of icons from Mount Sinai and Mount Athos assembled by Bishop Porfiry Uspensky (1804–85). Bishop Porfiry was born in Russia, studied at the Saint Petersburg Theological Academy, and was ordained as a priest in 1829. In 1842 he was sent by the synod of the Russian Orthodox Church to Jerusalem to strengthen relations with the Orthodox Christians of Syria and Palestine. In 1845–46 he made ...
Art of Ancient Rus’-Ukraine
This book is a short history of the art of Ancient Rus’, the medieval polity centered on Kiev, which flourished from the 9th to the 13th centuries, and which formed the basis for much of later Russian and Ukrainian culture. Topics covered include the influences of the Varangians and of Eastern Orthodoxy, the importance of Christianity, wooden architecture, churches and monasteries in Kiev, art and architecture in the historic city of Chernigov, and the arts of enamel and icon painting. Particular attention is paid to Saint Sophia Cathedral in Kiev ...
Kiev Caves and the Kiev-Pechersk Lavra
This book, published in Kiev in 1864, is a history and description of Kiev-Pechersk Lavra, also called the Monastery of the Kiev Caves (pechera means cave; lavra indicates a monastery of status), a large complex founded in 1051 by a monk named Anthony in caves dug out of the hillside. The monastery soon became the center of Christianity in Russia and played an important part in local cultural development, housing the first printing press in Kiev and famous chroniclers, writers, physicians, scientists, and artists. Kiev-Pechersk Lavra is the most important ...
A Description of Kiev-Pechersk Lavra
This book, published in 1826 at the press of the Kiev-Pechersk Lavra Monastery, is a comprehensive account of the monastery and its establishment. Kiev-Pechersk Lavra, also called the Monastery of the Kiev Caves (pechera means cave; lavra indicates a monastery of status), is a large complex founded in 1051 by a monk named Anthony in caves dug out of the hillside. The monastery soon became central to Christianity in Russia and to local cultural development, supporting writers, physicians, scientists, and artists. After a fire in 1718, most of the lavra ...
Monuments of Ukrainian Art of the 18th Century
This booklet is by Nikolai Makarenko, a specialist in architecture, art history, and archaeology and later director of the Kiev Museum of Arts. He begins by reflecting on the beneficial effects of Cossack culture on southern Russia and its significant impact on Ukrainian culture. He praises 17th- and 18th-century style and describes Pokrovskaia Church as an example of beautiful and pure architecture. The church was built in 1764 by Pyotr Kalishevski in Romny, Poltavskaia Province, and later moved to the city of Poltava. A new church was built in Romny ...
Compilation of Images of Ancient Objects from Private Collections in Kiev
This collection of images was put together by the Kiev amateur archaeologist Nikolaj Leopardov and numismatist Nikolaj Černev, who also collaborated in writing the introduction and explanatory texts. The images of crosses, icons, and other religious items and brief descriptions of them are included in Part I of the book. Part II contains the images of objects from the Bronze Age, mostly axes and knives, and Jewish Cabalistic amulets and coins. Part III contains the images and description of some of the thousands of medieval lead commercial seals from Drohiczyn ...
Pre-Hispanic Idol
Shown here are three views of what remains of a terracotta seated human figure in an accentuated stylized form. The figure was discovered in the Painted Cave site at Gáldar, northwest Gran Canaria, in the Canary Islands archipelago of Spain, which lies about 100 kilometers west of Morocco. The cave complex was inhabited before the Castilian conquest of the Canaries in the 15th century by an indigenous people called the Guanches. The head of this figure is missing, but other examples of Guanche ceramics include figures with heads as prolongation ...
Syr-Darya Oblast. City of Turkestan. Cauldron Donated by Emir Timur Kuragan for the Tomb of Saint Sultan Akhmed Iassavi
This photograph of the interior of the mausoleum of Khodzha Ahmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Ahmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his grave site. Built in 1396-98, the mausoleum ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Mosque of Saint Sultan Akhmed Iassavi. Continuation of Engraved Inscription Stating that the Bronze was Donated by Emir Timur Kuragan
This photograph of a detail of a ritual basin in the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Mosque of Saint Sultan Akhmed Iassavi. Continuation of Engraved Inscription Stating that the Bronze was Donated by Emir Timur Kuragan
This photograph of a detail of a ritual basin in the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Mosque of Saint Sultan Akhmed Iassavi. Continuation of Engraved Inscription Stating that the Bronze was Donated by Emir Timur Kuragan
This photograph of a detail of a ritual basin in the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Beginning of the Inscription Bordering the Exterior of the Cauldron Located in the Tomb of Saint Sultan Akhmed Iassavi
This photograph of a detail of a ritual basin in the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Beginning of the Inscription Bordering the Exterior of the Cauldron Located in the Tomb of Saint Sultan Akhmed Iassavi
This photograph of a detail of a ritual basin in the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Beginning of the Inscription Bordering the Exterior of the Cauldron Located in the Tomb of Saint Sultan Akhmed Iassavi
This photograph of a detail of a ritual basin in the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Beginning of the Inscription Bordering the Exterior of the Cauldron Located in the Tomb of Saint Sultan Akhmed Iassavi
This photograph of a detail of a ritual basin in the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Beginning of the Inscription Bordering the Exterior of the Cauldron Located in the Tomb of Saint Sultan Akhmed Iassavi
This photograph of a detail of a ritual basin in the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Beginning of the Inscription Bordering the Exterior of the Cauldron Located in the Tomb of Saint Sultan Akhmed Iassavi
This photograph of a detail of a ritual basin in the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Mosque of Saint Sultan Akhmed Iassavi. End of the Inscription
This photograph of a detail of a ritual basin in the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Mosque of Saint Sultan Akhmed Iassavi. Candlestick Donated by Emir Timur Kuragan
This photograph of a detail from the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his grave site. Built in ...
Contributed by Library of Congress
Syr-Darya Oblast. City of Turkestan. Mosque of Saint Sultan Akhmed Iassavi. Candlestick Donated by Emir Timur Kuragan
This photograph of a detail from the interior of the mausoleum of Khodzha Akhmed Iassavi in Yasi (present-day Turkestan, Kazakhstan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-82) of Turkestan, as the Russian Empire’s Central Asian territories were called. Yasi is associated with the Sufi mystic, Khodzha Akhmed Iassavi (1103-66), whose great reputation led Timur (Tamerlane) to construct a memorial shrine (khanaka) at his grave site. Built in ...
Contributed by Library of Congress
Old Gates in the Church of the Assumption of the Mother of God. Deviatiny. Russian Empire
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Old Lantern in the Church of the Assumption of the Mother of God. Deviatiny. Russian Empire
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Gong and Boards with Records of Visits to the Chapel in the Village of Petrovskoe. Russian Empire
The Mariinskii Canal system links Saint Petersburg with the Volga River basin. The first critical component of the system was a canal connecting the Vytegra River (flowing into Lake Onega toward Saint Petersburg) and the Kovzha River (flowing south into White Lake). In 1799 this segment was named the Mariinskii Canal, and over time it was rebuilt and improved. This photograph shows a memorial display at the chapel in the village of Petrovskoe, located on the canal in the Vytegra region (Vologda Oblast). The chapel, believed to have been built ...
Contributed by Library of Congress
Old Lantern. In the Church of the Nativity of Christ. Krokhino, Russian Empire
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Some of the Tsar's Gifts. Goritskii Monastery, Russian Empire
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Sepulchre of the Venerable Kirill. Kirillo-Belozerskii Monastery, Kirillov, Russian Empire
A major component of the Volga-Baltic Waterway (formerly called the Mariinsk Canal System), linking Saint Petersburg with the Volga River basin, is the Sheksna River, which drains the southeastern part of White Lake (Beloe ozero). One of the most important settlements near the Sheksna is Kirillov, founded in 1397 by the monk Kirill (Cyril) as part of his Dormition Monastery, subsequently named the Kirillo-Belozersky Monastery. Seen in this 1909 photograph is the sepulcher containing the relics of Saint Kirill in the Church of Saint Kirill, reconstructed in 1792–94. The ...
Contributed by Library of Congress
Altar Image in the Church of John the Theologian. Russian Empire
A major component of the Volga-Baltic Waterway (formerly called the Mariinsk Canal System), linking Saint Petersburg with the Volga River basin, is the Sheksna River, which drains the southeastern part of White Lake (Beloe ozero). The original length of the Sheksna was 395 kilometers, from White Lake to the Sheksna’s confluence with the Volga at the town of Rybinsk. Resevoirs created in the mid-20th century submerged much of the land along the river. A lost landmark was the John the Baptist convent at the village of Leushino, located on ...
Contributed by Library of Congress
Frescoes in the Window Niches and a Copy of the Icon of Saint Nicholas the Wonder Worker in the Church. Nyrob
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Iconostasis in the Chapel on the Site Where Mikhail Nikitich Romanov Was Imprisoned. The Village of Nyrob. Ural
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Antimens Sacramental Cloth from the Time of Empress Elizabeth Petrovna Kept in the City of Cherdyn Assumption Church
This photograph depicts an antimension (sacramental cloth) dating from the reign of Empress Elizabeth Petrovna (1742–61). The antimension (derived from the Greek for “in place of a table”) is an essential part of administering the Eucharist in the Orthodox liturgy and must be blessed by a bishop, whose property it remains. It indicates that the church is authorized to celebrate the Divine Liturgy, during which it is unfolded on the altar. As illustrated here, the square cloth usually contains images of the Descent from the Cross, the four Evangelists ...
Contributed by Library of Congress
Savior in the Dungeon. A Carved Figure in the Assumption Church in the City of Cherndyn
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Board with an Inscription on the Chapel of Our Savior. Cherdyn
Settled as early as the 9th century, Cherdyn became an important eastern outpost of Muscovy in the latter half of the 15th century. In January 1547, the settlement was attacked by a large force of Nogai Tatars. This iron tablet, attached to a wall of the Spas Nerukotvornyi (Chapel of the Savior), commemorates 85 people killed in the raid. At the top of the tablet is an image of the Orthodox cross. The conquest, in 1552 by Ivan the Terrible, of Kazan, capital of the Tatar khanate on the Volga ...
Contributed by Library of Congress
Grave of Tuchkova and Her Son in a Church She Built in Spaso-Borodinskii Monastery. Borodino
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Iconostasis in Borodino's Church. Borodino
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Vessels and Vozdukhi Sacramental Cloth Cover from 1793. During the War They Were Buried in a Grave. Borodino
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Vessels and Vozdukhi Sacramental Cloth Cover. A Gift from Alexander II to Borodino's Church. Borodino
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Some Articles from the Staritsa Monastery Sacristy: Saint Dionysius' Mitre, Saint Dionysius' Censer and Cross. Patriarch Iov's Cross
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Iconostasis of the Tikhvin Mother of God Church. Torzhok
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Antimens Alter Table Cloth. Orsha Ascension Monastery Twenty-Two Versts from Tver
The Ascension Monastery at Orsha is located some 22 kilometers from Tver. Shown here are three antimensions (sacramental cloths) held at the monastery. The antimension (derived from the Greek for “in place of a table”) is an essential part of administering the Eucharist in the Orthodox liturgy and must be blessed by a bishop, whose property it remains. It indicates that the church is authorized to celebrate the Divine Liturgy, during which it is unfolded on the altar. The antimension usually contains images of the Descent from the Cross, the ...
Contributed by Library of Congress
Church Utensils. Orsha Ascension Monastery, Twenty-Two Versts from Tver
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Intricate Icon Setting and a Cross. Orsha Ascension Monastery Twenty-Two Versts from Tver
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress
Shroud, a Gift from Dimitrii Ivanovich Godunov. Ipatevskii Monaster, Kostroma
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
Contributed by Library of Congress