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	Minor Works of Dante Alighieri This small manuscript, dating to the late-15th century, in Renaissance script, contains poems from the Rime (Rhymes) by the great Italian poet Dante Alighieri (1265–1321). These are so-called minor works that are distinguished from Dante’s Vita nuova (The new life), his book of sonnets recounting his early love for Beatrice, and his all-encompassing allegorical masterpiece, La divina commedia (The divine comedy). On the front cover is a 15th-century note, now almost totally faded, which states: "Di Cosimo de' Medici e degli Amici" (Belonging to Cosimo de’ Medici and ... Contributed by Municipal Library Intronati
	Poem Concerning the Departure of the Magi This 15th-century manuscript, in Renaissance script, contains a poetic composition (De profectione Magorum adorare Christum et de innocentibus interfectis ab Herode) by a "Gabriel Volaterranus." The author was in all likelihood Gabriello Zacchi da Volterra, the archpriest (acting dean, vicar to the bishop) of the cathedral, who was from a culturally sophisticated background and died in 1467 at the age of 33. The author dedicates the work to Tommaso del Testa Piccolomini, the secret assistant of Pope Pius II (folio 132r), to whom Pius had granted the privilege of kinship ... Contributed by Municipal Library Intronati
	The Spiritual Couplets The most significant contribution of Jalāl ad-Dīn Muhammad Rūmī (popularly known in Persian as Mawlānā, and in English as Rumi, 1207–73), the renowned poet and mystic of Iran, to Persian literature may be his poetry, and especially his famous Masnavi (The spiritual couplets). This work, which is said to be the most extensive verse exposition of mysticism in any language, discusses and offers solutions to many complicated problems in metaphysics, religion, ethics, mysticism, and other fields. Masnavi highlights the various hidden aspects of Sufism and their relationship to the ... Contributed by National Library and Archives of the Islamic Republic of Iran
	Molla Sadra’s Miscellany Muḥammad ibn Ibrāhīm Ṣadr al-Dīn Shīrāzī (1571–1640), commonly known as Molla Sadra, was a Persian Islamic philosopher, theologian, and mystic who led the Iranian cultural renaissance in the 17th century. The foremost exemplar of the Illuminationist, or Eshraqi, school of philosopher-mystics, Molla Sadra is commonly regarded by Iranians as the greatest philosopher that Iran has produced and is arguably the single most important and influential philosopher in the Muslim world of the last four centuries. His school of philosophy is called Transcendent Theosophy. Molla Sadra's philosophy and ontology ... Contributed by National Library and Archives of the Islamic Republic of Iran
	The Book of Kings Shahnameh Baysonqori is a copy of Shahnameh (Book of kings) composed by the highly revered Iranian poet Abū al-Qāsim Firdawsī (940–1020). The importance of Shahnameh in the Persian-speaking world is comparable that of Homer’s epics in the West. The book recounts in verse the mythological history of ancient Persia and tales of the famous heroes and personalities of Iranian history, from legendary times to the 7th-century reign of Yazdgerd III, the last king of the Sassanid dynasty. The tales are based on earlier historical works, but are mixed ... Contributed by National Library and Archives of the Islamic Republic of Iran
	Bucolics, Georgics, and the Aeneid This 15th-century manuscript, known as the Riccardiana Virgil, includes the texts of the three extant works of the great Roman poet Virgil, the Bucolics, the Georgics, and the Aeneid, and contains 88 miniature paintings in the lower margin of many of the vellum leaves. The miniatures, 86 in the Aeneid and one each in the Bucolics and the Georgics, are attributed to Florentine artist Apollonio di Giovanni and his workshop. Those illustrating the story of Aeneas reflect the influence of Benozzo Gozzoli, who in 1459 completed a suite of frescos ... Contributed by Riccardiana Library of Florence
	The Divine Comedy This celebrated manuscript of the Commedia of Dante Alighieri (1265–1321) containing the complete text of the Inferno, Purgatorio, and Paradisio was copied in the hand of Giovanni Boccaccio (1313–75) and is one of the most splendid manuscripts in the collection of the Biblioteca Riccardiana. Boccaccio illustrated the manuscript with five pen drawings in the lower margin of a series of leaves in the Inferno. These images were authenticated in 1992 by the noted Florentine scholar Maria Grazia Ciardi Duprè dal Poggetto. The most complete drawing depicts Dante in ... Contributed by Riccardiana Library of Florence
	Jerusalem Delivered La Gerusalemme liberata (Jerusalem delivered) is a verse epic by the late-Renaissance Italian poet Torquato Tasso (1544–95). Written in the eight-line stanzas common to Italian Renaissance poetry, Tasso’s masterpiece is known for the beauty of its language, profound expressions of emotion, and concern for historical accuracy. The subject of the poem is the First Crusade of 1096–99 and the quest by the Frankish knight Godfrey of Bouillon to liberate the sepulcher of Jesus Christ. Tasso was born in Sorrento, in the Kingdom of Naples, and his interest ... Contributed by University Library of Naples
	Idylls Known as the “exercise book of the Idylls,” this autograph manuscript of the great Italian poet Giacomo Leopardi (1798–1837) is preserved at the National Library of Naples. It consists of a booklet with lined pages, on which the author’s handwriting stands out sharp and clear. The booklet constitutes the basic draft of Leopardi’s Idilli (Idylls), composed between 1819 and 1821. Included are La ricordanza (The remembrance) which later was titled Alla luna (To the moon), L’Infinito (The infinite), Lo spavento notturno (Nocturnal fright), Sera del giorno ... Contributed by National Library of Naples
	Anthology of Ḥakīm Ruknā Masīḥ This diwan (a collection of poems in Arabic or Persian, usually by a single author) of Persian poems by physician and poet Ḥakīm Ruknā Masīḥ dates from 1638. “Ḥakīm” is an honorific for a wise man or physician. “Masīḥ” (the Christian), which appears elsewhere in the manuscript, was a pen name of the author. It is believed that the poems were dictated by the author to his calligrapher. The manuscript is in four sections, containing qasidas (odes), ghazals (lyric poems), rubaiyat (quatrains), and muqatta't (poetic fragments). The first two ... Contributed by Central Scientific Library of V.N. Karazin Kharkiv National University
	Trevelyon Miscellany, 1608 Thomas Trevilian, or Trevelyon, a London craftsman of whom little is known, created his miscellany in 1608 when he was about the age of 60. The bulky manuscript of 290 double-sided folios contains texts and images appropriated from books, woodcuts, and engravings of his day. Part one of the manuscript (leaves 3–36) consists of historical and practical information: a time line; an illustrated calendar; moralizing proverbs; a series of computational tables and astronomical diagrams; lists of families linked to William the Conqueror; distances between London and cities around the ... Contributed by Folger Shakespeare Library
	The Book of Urizen The poet and artist William Blake was born in London in 1757. He was apprenticed to an engraver and studied drawing at the Royal Academy. In 1783 he published his first book of poetry, Poetical Sketches. Blake was a religious mystic who eschewed the traditional teaching of the Christian churches to invent his own doctrines and symbols, which he drew from classical and Celtic mythology and many other sources. This printing of The Book of Urizen from the Rosenwald Collection at the Library of Congress introduces a figure, Urizen, whom ... Contributed by Library of Congress
	Verses by Jami This calligraphic fragment includes verses composed by the Persian poet Jami (died 1492 [897 AH]), whose full name, Mawlana 'Abd al-Rahman Jami, is noted in the topmost panel. In larger script appears a ghazal (lyric poem) in which a lover sighs about the lack of news from his beloved. The central text frames are bordered on the right and left by illuminated panels and contain a ruba'i (iambic pentameter quatrain) written in smaller script. The quatrain encourages true and eternal love of God rather than passing infatuations: "Every beautiful ... Contributed by Library of Congress
	Ghazals of Asifi This calligraphic fragment includes a variety of ghazals (lyric poems) from the Compendium of Poems (Divan) of the Persian poet Asifi. A student of the famous poet Jami (died 1492 [897 AH]) in Herat, Asifi remained in the Timurid capital city until his death (1517 [923 AH]), even during and after the Uzbek invasions. These particular verses on the fragment's recto and verso portray a lover's madness and his complaints about the pains of separation from the object of his affection. At the end of the first verse ... Contributed by Library of Congress
	Prayers for Safety and Success This calligraphic fragment includes verses in Persian praying for the patron's personal well-being and the prosperity of his kingdom. The verses read: "May the world be (your) fortune and the firmament (your) friend / May the World-Creator (God) protect (you) / May all your works be successful / May God of the World look after you / May your heart and your kingdom be collected and well-frequented / May division stay far away from your realm." The verses are executed in black nasta'liq script on beige paper. They are framed by cloud bands ... Contributed by Library of Congress
	Verses by Hilālī This calligraphic fragment includes three distinct text panels all executed in Nasta'liq script: one written in black ink on blue paper, another in white ink on beige paper with two illuminated triangles (or thumb pieces) in the upper and lower corners, and a third (lowest on the page) written in black ink on beige paper. All three panels were cut out and placed together, provided with a gold frame, and pasted to a larger sheet of paper decorated with flecks of gold. The blue text panel includes verses composed ... Contributed by Library of Congress
	Three Bayts (Verses) to a Loved One This calligraphic fragment includes three bayts (verses) of poetry in the main text panel and ten verses around this panel, creating a textual frame decorated with gold vine and leaf motifs. The entire calligraphic piece is pasted to a paper decorated with blue geometric and vegetal motifs highlighted in gold. The central text panel is topped by an illuminated rectangular panel and includes a decorative triangle in the upper left corner. The verses in the central panel are written in nasta'liq script on a white ground decorated with ... Contributed by Library of Congress
	100 Poems by 100 Poets This illustrated book of Ogura hyakunin isshu (One hundred poets, one hundred poems) is a collection of one hundred 31-syllable classical Japanese poems (waka), each by a different poet. The collection is organized chronologically from Emperor Tenji (626-671) to Emperor Juntoku (1197-1242). Each of the poets is depicted by a woodblock print created by Hishikawa Moronobu (1618-circa 1694). Morobonu is often considered the first Ukiyo-e artist. Contributed by National Diet Library
	Burn's Songs Illustrated, Number 1 Robert Burns (1759-96) is best known for his poems and songs that reflect Scotland's cultural heritage. He was born in Alloway, Ayrshire, Scotland, the first of seven children belonging to William Burnes, a tenant farmer, and his wife Agnes Broun. Burns had little formal education, but he read English literature and absorbed the traditional, largely oral Scots-language folk songs and tales of his rural environment. He began to compose songs in 1774 and published his first book, Poems, Chiefly in the Scottish Dialect, in 1786. The work was a ... Contributed by University of South Carolina
	A Garland of New Songs: Young Love among the Roses; My Nanie, O; God Save the King; Rule Britannia; Dear Is My Little Native Vale; General Wolfe's Song Robert Burns (1759-96) is best known for his poems and songs that reflect Scotland's cultural heritage. He was born in Alloway, Ayrshire, Scotland, the first of seven children belonging to William Burnes, a tenant farmer, and his wife Agnes Broun. Burns had little formal education, but he read English literature and absorbed the traditional, largely oral Scots-language folk songs and tales of his rural environment. He began to compose songs in 1774, and published his first book, Poems, Chiefly in the Scottish Dialect, in 1786. The work was a ... Contributed by University of South Carolina
	A Garland of New Songs: Tweed Side; My Nanie, O; Highland Laddie; Up in the Morning Early; Flowers of the Forest Robert Burns (1759-96) is best known for his poems and songs that reflect Scotland's cultural heritage. He was born in Alloway, Ayrshire, Scotland, the first of seven children belonging to William Burnes, a tenant farmer, and his wife Agnes Broun. Burns had little formal education, but he read English literature and absorbed the traditional, largely oral Scots-language folk songs and tales of his rural environment. He began to compose songs in 1774, and published his first book, Poems, Chiefly in the Scottish Dialect, in 1786. The work was a ... Contributed by University of South Carolina

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