65 results in English
Kokand Khanate. City of Kokand. Maadali Khan Madrasah
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Samarkand Bazaar and Its Types of Vendors. Market Square between Three Madrasahs (Registan)
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Scenes at the Samarkand Square, or the Registan, and Its Market Types. Juggler at the Square of the Tillia Kari Madrasah
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Syr Darya Oblast. Market Square in the Village of Yanikurgan
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Syr Darya Oblast. Aulie-Ata. Bazaar Square
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Syr Darya Oblast. City of Khodzhend. Market Square
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Syr Darya Oblast. City of Ura Tiube and the Types of People Seen on Its Streets. Market Square
This photograph is from the ethnographical part of Turkestan Album, a comprehensive visual survey of Central Asia undertaken after imperial Russia assumed control of the region in the 1860s. Commissioned by General Konstantin Petrovich von Kaufman (1818–82), the first governor-general of Russian Turkestan, the album is in four parts spanning six volumes: “Archaeological Part” (two volumes); “Ethnographic Part” (two volumes); “Trades Part” (one volume); and “Historical Part” (one volume). The principal compiler was Russian Orientalist Aleksandr L. Kun, who was assisted by Nikolai V. Bogaevskii. The album contains some ...
Contributed by Library of Congress
Artillery Square, Kandahar
This photograph of British Army artillery unit in Kandahar is from an album of rare historical photographs depicting people and places associated with the Second Anglo-Afghan War. A large citadel, possibly Kandahar Bala Hissar (High Fort), dominates the skyline of the photograph, while the Kirka Sharif (Mosque of the Sacred Cloak) is visible in the left background. British soldiers are encamped across the square, near their light and heavy field guns. The Second Anglo-Afghan War began in November 1878 when Great Britain, fearful of what it saw as growing Russian ...
Contributed by Library of Congress
Place de la Concorde: Barricade in the Rue de Rivoli and Rue Saint-Florentin
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Saint-Cloud
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Tuileries Palace; Main Hall, and Place du Carrousel
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Barricade in the Rue Castiglione
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Commander of the Place Vendôme under the Commune
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme and the Barricade in the Rue de la Paix
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme; Barricade in the Rue Castiglione
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme (Group of Federated Soldiers near the Barricade in the Rue Castiglione)
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Vendôme Column and Felling Machinery
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme; General Staff Officers Supervising Felling Measures of the Column
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme. Preparations for the Column Felling
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme. The Felling of the Column. Final Measures
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place Vendôme. The First Red Flag, after the Fall of the Column
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Place du Château d'Eau
The Franco-Prussian War was brought about by rising tensions between France and Prussia in the 1860s. France, under Emperor Napoleon III, was determined to check the growth of Prussian power and avenge what it saw as a series of diplomatic humiliations. Prussia, under Chancellor Otto von Bismarck, believed that a Prussian-led war of the German states against France would be a decisive act leading to creation of a unified German empire. The conflict began on July 19, 1870, when France declared war. The French army proved woefully unprepared and suffered ...
Field of Santana
The Thereza Christina Maria collection is composed of 21,742 photos assembled by Emperor Pedro II (1825-91) throughout his life and donated by him to the National Library of Brazil. The collection covers a wide variety of subjects. It documents the achievements of Brazil and Brazilians in the 19th century and also includes many photographs of Europe, Africa, and North America. This field, photographed by Rafael Castro y Ordonez during the Scientific Commission of the Pacific in 1862, has at various times been known as the Field of Santana, Republic ...
Dom Pedro I Square
The Thereza Christina Maria collection is composed of 21,742 photos assembled by Emperor Pedro II (1825-91) throughout his life and donated by him to the National Library of Brazil. The collection covers a wide variety of subjects. It documents the achievements of Brazil and Brazilians in the 19th century and also includes many photographs of Europe, Africa, and North America. This statue, erected in 1862, was the first civic monument in Rio de Janeiro. The sculpture features Emperor Pedro I on horseback. Around the base are four figures in ...
Statue of Dom Pedro I
The Thereza Christina Maria collection is composed of 21,742 photos assembled by Emperor Pedro II (1825-91) throughout his life and donated by him to the National Library of Brazil. The collection covers a wide variety of subjects. It documents the achievements of Brazil and Brazilians in the 19th century and also includes many photographs of Europe, Africa, and North America. This statue, erected in 1862, was the first civic monument in Rio de Janeiro. The sculpture features Emperor Pedro I on horseback. Around the base are four figures in ...
Public Promenade: View 1
The Thereza Christina Maria collection is composed of 21,742 photos assembled by Emperor Pedro II (1825-91) throughout his life and donated by him to the National Library of Brazil. The collection covers a wide variety of subjects. It documents the achievements of Brazil and Brazilians in the 19th century and also includes many photographs of Europe, Africa, and North America. The Passeio Publico, which was built in 1779 and opened to the public in 1793, is the oldest park in Brazil and one of the oldest in the Americas ...
Parade at the Palace Square on the Occasion of the Wedding of Princess Isabel and the Count d'Eu
The Thereza Christina Maria Collection consists of 21,742 photographs assembled by Emperor Pedro II and left by him to the National Library of Brazil. The collection covers a vast range of subjects. It documents the achievements of Brazil and the Brazilian people in the 19th century, as well as includes many photographs from Europe, Africa, and North America. This photograph shows the parade celebrating the marriage of Princess Isabel, the daughter of Emperor Pedro II and Empress Thereza Christina Maria, with the Count of Eu on October, 15, 1864.
Government Place, Algiers, Algeria
This photochrome print is part of “Views of People and Sites in Algeria” from the 1905 catalog of the Detroit Photographic Company. It depicts Government Place in Algiers around 1899. This square was considered the heart of the city. According to Baedeker’s The Mediterranean: Handbook for Travelers (1911), it was “the noisiest place in the town, crowded with natives at all hours.” The white building is the Djemâa el-Djedid mosque, which Baedeker described as "curiously incongruous" for its mix of Byzantine, Italian, Andalusian, and Turkish architectural styles. Other buildings ...
Contributed by Library of Congress
Place de la Republique, Algiers, Algeria
This photochrome print is from “Views of People and Sites in Algeria” in the catalog of the Detroit Photographic Company. It depicts the Place de la république (Republic plaza) in the capital city of Algiers, circa 1899. Baedeker’s 1911 The Mediterranean spoke admiringly of “the spacious Place de la République, with the gardens of Square Bresson, adorned with bamboos and magnolias, the Théâtre Municipal, and the most showy cafés.” The Detroit Photographic Company was launched as a photographic publishing firm in the late 1890s by Detroit businessman and publisher ...
Contributed by Library of Congress
Royal Theater, Copenhagen, Denmark
This photochrome print is from the “Views of Architecture and Other Sites in Copenhagen, Denmark” section in the catalog of the Detroit Publishing Company. It shows the Royal, or National Theater, which is identified in the 1892 edition of Baedeker’s Norway, Sweden, and Denmark: Handbook for Travellers as “a handsome Renaissance structure by Petersen and Dahlerup, built in 1872-74.” To the right and left of the entrance are bronze statues of the Danish poets Ludvig Holberg (1684-1754) and Adam Oehlenschläger (1779-1850). The theater is located on Kongens Nytorv (King ...
Contributed by Library of Congress
Kungstradgarden, Stockholm, Sweden
This photochrome print of the Kungstradgarden (King’s Garden) in Stockholm, Sweden, is part of “Landscape and Marine Views of Norway and Sweden” from the catalog of the Detroit Photographic Company. The park is located west of the national cathedral and covers more than 3.5 hectares. It originally served, in the 15th century, as the king’s kitchen garden. Later it was transformed by the French designer Jean Allard into a park intended to achieve a balance between nature and urbanization. The park was opened to the public in ...
Contributed by Library of Congress
Radetzky Memorial, Prague, Bohemia, Austro-Hungary
This late-19th century photochrome print is from “Views of the Austro-Hungarian Empire” in the catalog of the Detroit Publishing Company. It shows the bronze monument to Field Marshal Radetzky, who stands on a shield borne by eight soldiers, holding his baton and a flag. Joseph, Count Radetzky (1766-1858), was a soldier of Czech origin who led many victorious campaigns in the service of the Austro-Hungarian Empire. The monument was erected in 1858, the year of Radetzky’s death. The Detroit Photographic Company was launched as a photographic publishing firm in ...
Contributed by Library of Congress
Piazza of San Marco, Venice, Italy
This photochrome print shows the main square of Venice as it appeared in the last decade of the 19th century. Baedeker’s Italy: Handbook for Travellers (1895) characterized the Piazza of St. Mark as “the grand focus of attraction at Venice. On summer-evenings all who desire to enjoy the fresh air congregate here. The scene is liveliest when the military band plays …. By moonlight the piazza is strikingly impressive. Indeed, there is, perhaps, no more fascinating spot in Europe than this huge open-air drawing room.” St. Mark’s Basilica, seen ...
Contributed by Library of Congress
La Grande Place, the Old Houses, Brussels, Belgium
This photochrome print of the Grande Place in Brussels is part of “Views of Architecture and Other Sites in Belgium” from the catalog of the Detroit Publishing Company (1905). This square is the traditional center of Brussels, the location of city hall and the city’s market place. Its present appearance has not changed since around 1695, when the French army under Louis XIV destroyed its older structures, which had been built in the Middle Ages. The houses shown here reflect a Gothic–Baroque style of architecture, popular in the ...
Contributed by Library of Congress
Brabo Monument, Antwerp, Belgium
This photochrome print of the Brabo Monument in Antwerp is part of “Views of Architecture and Other Sites in Belgium” from the catalog of the Detroit Publishing Company (1905). Dedicated to the legendary hero Salvius Brabo, the monument was designed by Jef Lambeaux (1852–1908) and is located on the Grand Place in Antwerp. As described in Baedeker’s Belgium and Holland including the Grand-Duchy of Luxembourg (1905), Brabo was “a mythical hero who defeated and cut off the hand of the giant Antigonus. The giant used to exact a ...
Contributed by Library of Congress
Brouckere Place and Anspach Monument, Brussels, Belgium
This photochrome print of Brouckère Place and the Anspach Monument in Brussels is part of “Views of Architecture and Other Sites in Belgium” from the catalog of the Detroit Publishing Company (1905). The monument was erected in 1897 to honor Jules Victor Anspach (1829–79), a former mayor of Brussels who championed urban development to benefit the city’s working class, and who was one of the chief promoters of Brussels’s boulevards. The monument features a large fountain designed by Emile Janlet (1839–1919), with sculptures by Paul de ...
Contributed by Library of Congress
Place de la Republique, Paris, France
This photochrome print of Paris is part of “Views of Architecture, Monuments, and Other Sites in France” from the catalog of the Detroit Publishing Company (1905). The 1900 edition of Baedeker's Paris and its Environs, with routes from London to Paris: Handbook for Travellers described the Place de la République, formerly known as the Place du Château-d’Eau, as “one of the finest squares in Paris.” The square was redesigned and restructured to its present state in the 1850s by Baron Georges-Eugène Haussmann (1809–1891), who is known for ...
Contributed by Library of Congress
The Louvre, Paris, France
This photochrome print of the Louvre is part of “Views of Architecture, Monuments, and Other Sites in France” from the catalog of the Detroit Publishing Company (1905). The 1900 edition of Baedeker's Paris and its Environs, with routes from London to Paris: Handbook for Travellers characterized the Louvre as "the most important public building at Paris, both architecturally and on account of its treasures of art . . . , a palace of vast extent, rising between the Rue de Rivoli and the Seine." Baedeker explained that “it is usually supposed that Philip ...
Contributed by Library of Congress
Place du Chatelet, Paris, France
This photochrome print of the Place du Châtelet in Paris is part of “Views of Architecture, Monuments, and Other Sites in France” from the catalog of the Detroit Publishing Company (1905). This public square is located on what was once the site of the medieval fortress of Grand Châtelet, which was built around 1130 by King Louis VI to defend the Ile de la Cité, the island in the River Seine that constitutes the historic center of Paris. Later in the 12th century, the fortress became a prison, which it ...
Contributed by Library of Congress
Place de la Bastille, Paris, France
This photochrome print of Place de la Bastille in Paris is part of “Views of Architecture, Monuments, and Other Sites in France” from the catalog of the Detroit Publishing Company (1905). The Bastille (“little bastion”), formally known as the Bastille Saint-Antoine, was built between 1370 and 1383 as a fortress to protect the city of Paris during the Hundred Years’ War. The fortress was converted into a prison in the early 17th century, and the storming of the Bastille by an enraged crowd on July 14, 1789 marked the beginning ...
Contributed by Library of Congress
Place de la Concorde, Paris, France
This photochrome print of the Place de la Concorde is part of “Views of Architecture, Monuments, and Other Sites in France” from the catalog of the Detroit Publishing Company (1905). The 1900 edition of Baedeker’s Paris and its Environs, with routes from London to Paris: Handbook for Travellers informed its readers that this famous square was 390 yards long and 235 yards wide, and was bounded on the south by the River Seine, on the west by the Champs-Elysees, on the north by the Ministère de la Marine and ...
Contributed by Library of Congress