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- Qing dynasty, 1644-1911 (1)
- Theatrical makeup (1)
Type of Item
Playing with Fire: Operetta in Three Acts
Francisco Asenjo Barbieri (1823–94) is one of the best known figures in the history of Spanish music. He was a composer, musicologist, director, and bibliophile. The core music holdings of the National Library of Spain consist of Barbieri’s own library, which he bequeathed to the institution in his will. Barbieri’s bequest is one of the most important sources for the history of Spanish music. The national library also acquired, in 1999, Barbieri’s personal archive, which includes autographed scores. The relationship between Barbieri and the national library ...
Carmen. Opera in Four Acts, Based on the Short Story by Prosper Mérimée
Although Carmen is today one of the world’s most popular operas, it opened at the Paris Comic Opera on March 3, 1875, to a mixed reception, much to the disappointment of its composer, Georges Bizet (1838-75). Bizet was one of the leaders of a new generation of French composers, and Carmen was the pinnacle of his career. The libretto, adapted from Prosper Mérimée’s short story by Henri Meilhac and Ludovic Halévy, seemed scandalous to many who attended the opera. Célestine Galli-Marié (1840-1906), who played the role of Carmen ...
Office of Great Peace Album of Opera Faces
This album of pictures shows makeup for characters in the Peking opera. It is the work of a court painter in or after the Tongzhi reign (1851–74). In the Qing dynasty, an Office of Great Peace was established to manage the court dramatic troupe. When seasonal command performances and congratulatory ceremonies were held, this office was responsible for putting on plays. The makeup of the characters in the plays generally followed a set repertoire of faces and colors. The 97 paintings in this book show makeup for nine different ...
The Magic Flute
Die Zauberflöte (The magic flute) is among the best known of the 22 operas written by the Austrian composer Wolfgang Amadeus Mozart (1756–91). Mozart composed the opera in the spring and summer of 1791, with the exception of the Overture and the March of the Priests at the beginning of Act II. These parts were completed only a few days before the premiere on September 30 of that year. Shown here is Mozart’s original manuscript score. During the initial phase of work, Mozart normally wrote only the melody ...