7 results
To Modest Ment͡synsʹkyĭ from Prisoners of the Wetzlar Camp
This publication, dedicated to the opera tenor Modest Omeli͡anovych Ment͡synsʹkyĭ (1875–1935), was produced by the prisoners from the Wetzlar camp for whom Ment͡synsʹkyĭ gave a performance in February 1916. It contains essays and poems dedicated to Ment͡synsʹkyĭ as well as the program of his performance and the lyrics of the songs he sang, which included poems by Taras Shevchenko and Ivan Franko. During World War I, more than a million Russian army soldiers were taken prisoner, of whom several hundred thousand were ethnic Ukrainians. The ...
Contributed by
National Parliamentary Library of Ukraine
Playing with Fire: Operetta in Three Acts
Francisco Asenjo Barbieri (1823–94) is one of the best known figures in the history of Spanish music. He was a composer, musicologist, director, and bibliophile. The core music holdings of the National Library of Spain consist of Barbieri’s own library, which he bequeathed to the institution in his will. Barbieri’s bequest is one of the most important sources for the history of Spanish music. The national library also acquired, in 1999, Barbieri’s personal archive, which includes autographed scores. The relationship between Barbieri and the national library ...
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National Library of Spain
Albéniz. Variations for T.R.M.
Albéniz. Variaciones para S.A.R. (Albéniz. Variations for T.R.M.) is an album of music by Pedro Albéniz (1795−1855) composed between 1820 and 1850 for Their Royal Majesties, meaning the Spanish monarchs Ferdinand VII and his elder daughter, the future Isabella II. Albéniz was piano tutor to Isabella before her majority and to her younger sister, Infanta Maria Luisa Fernanda, later duchess of Monpensier. The volume is bound in regal red leather, stamped in gold, with the crown on the cover. It contains 24 handwritten scores, including ...
Contributed by
Cabildo of Gran Canaria, Canary Islands
French Opera Theater, 1895−96 Season
Founded in Montreal in 1893, the professional troupe of the Théâtre de l'Opéra Français (French Opera Theater) moved to the Théâtre Français (French Theater), a renovated and electrified auditorium, one year later. The new venue was located at the corner of Sainte-Catherine Street and Saint-Dominique Street. In a context in which Quebec still had very few local professional artists and where theatrical and musical repertoire was primarily Anglophone, comedies, dramas, and operettas of the Théâtre de l'Opéra Français delighted the French-speaking Montrealers. Consisting of singers and actors from ...
Contributed by
National Library and Archives of Quebec
Carmen. Opera in Four Acts, Based on the Short Story by Prosper Mérimée
Although Carmen is today one of the world’s most popular operas, it opened at the Paris Comic Opera on March 3, 1875, to a mixed reception, much to the disappointment of its composer, Georges Bizet (1838-75). Bizet was one of the leaders of a new generation of French composers, and Carmen was the pinnacle of his career. The libretto, adapted from Prosper Mérimée’s short story by Henri Meilhac and Ludovic Halévy, seemed scandalous to many who attended the opera. Célestine Galli-Marié (1840-1906), who played the role of Carmen ...
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National Library of France
Office of Great Peace Album of Opera Faces
This album of pictures shows makeup for characters in the Peking opera. It is the work of a court painter in or after the Tongzhi reign (1851–74). In the Qing dynasty, an Office of Great Peace was established to manage the court dramatic troupe. When seasonal command performances and congratulatory ceremonies were held, this office was responsible for putting on plays. The makeup of the characters in the plays generally followed a set repertoire of faces and colors. The 97 paintings in this book show makeup for nine different ...
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National Library of China
The Magic Flute
Die Zauberflöte (The magic flute) is among the best known of the 22 operas written by the Austrian composer Wolfgang Amadeus Mozart (1756–91). Mozart composed the opera in the spring and summer of 1791, with the exception of the Overture and the March of the Priests at the beginning of Act II. These parts were completed only a few days before the premiere on September 30 of that year. Shown here is Mozart’s original manuscript score. During the initial phase of work, Mozart normally wrote only the melody ...
Contributed by
Berlin State Library - Prussian Cultural Heritage Foundation