3 results
A Handbook on Theoretical and Practical Music
This 1825 manuscript, prepared for a print edition, is a handbook on theoretical and practical music, written in Katharevousa, a purist form of Modern Greek developed in the early 19th century and at that time widely used for literary and official purposes. The work is an introduction to the Byzantine notation for the liturgical chant used in the Greek Orthodox Church that most likely was intended for students of Byzantine ecclesiastical music. The text probably was written by a scribe named Basileios Nikolaḯdes Byzantios. On the first page, which is ...
Contributed by
National Library of Bulgaria
The Irmologion, “Rozniki,” and Feasts: A Liturgical Compilation with Hook Notation
An Irmologion is a liturgical book of the Eastern Orthodox Church and of some Eastern Rite Catholic Churches. It contains texts for singing in church called irmoi (introductory hymns, and sometimes concluding ones) for canons chanted at Matins and other services throughout the liturgical year. The term Irmologion comes from the Greek words for “link” and “to collect.” Rozniki (chants used for some specific occasions, such as Christmas and Easter) were mostly sung in Old Believer communities, who rejected 17th century reforms in the official Russian Orthodox Church. This work ...
Contributed by
Boris Yeltsin Presidential Library
Orestes 338-44
This Greek text on papyrus, written around 200 BC in Hermopolis, Egypt, has seven lines of writing containing parts of verses 338–344 from the first chorus of Orestes. Composed in 408 BC by the Greek tragedian Euripides (circa 480 BC–406 BC), the play recounts the story of Orestes, who kills his mother Clytaemnestra to avenge the death of his father, Agamemnon, and is pursued by the Furies for this deed. In addition to a passage of a chorus song (stasimon), the fragment contains vocal and instrumental symbols written ...
Contributed by
Austrian National Library