3 results in English
El melopeo y maestro: Treatise on the Theory and Practice of Music
Pedro (Pietro) Cerone (1566–1625) was born in Bergamo, Italy. After training as a musician, singer, and priest in Italy, he travelled to Spain as a pilgrim to Santiago de Compostela in about 1593. A year later, mired in poverty and living in Madrid, he came under the protection of Santiago Gratii (Caballero de Gracia), in whose music academy he was able to work. Thanks probably to Caballero de Gracia, he was able to serve in the Royal Chapel of Phillip II and later that of Philip III. Around 1603 ...
Contributed by National Library of Spain
A Handbook on Theoretical and Practical Music
This 1825 manuscript, prepared for a print edition, is a handbook on theoretical and practical music, written in Katharevousa, a purist form of Modern Greek developed in the early 19th century and at that time widely used for literary and official purposes. The work is an introduction to the Byzantine notation for the liturgical chant used in the Greek Orthodox Church that most likely was intended for students of Byzantine ecclesiastical music. The text probably was written by a scribe named Basileios Nikolaḯdes Byzantios. On the first page, which is ...
Saint Jerome’s “Instruments of Hieronymus” and other Music Manuscripts
A particular set of colored drawings—the so-called “instruments of Hieronymus”—is often found in portrayals of medieval musical instruments. These drawings go back to this miscellany from the Benedictine abbey of Saint Emmeram in Ratisbon (present-day Regensburg), Bavaria, which comprises several writings on music from the ninth century to the 13th. Executed in Freising in the third quarter of the ninth century, the drawings illustrate a letter, said to have been written by the Church Father and translator of the Bible Saint Jerome (died 420) to the Gallic Christian ...
Contributed by Bavarian State Library