21 results
Minaret in the Muslim Quarter of Hami and Ruin of the Mosque Destroyed by Rebels in 1872. Hami, Xinjiang, China, 1875
In 1874-75, the Russian government sent a research and trading mission to China to seek out new overland routes to the Chinese market, report on prospects for increased commerce and locations for consulates and factories, and gather information about the Dungan Revolt then raging in parts of western China. Led by Lieutenant Colonel Iulian A. Sosnovskii of the army General Staff, the nine-man mission included a topographer, Captain Matusovskii; a scientific officer, Dr. Pavel Iakovlevich Piasetskii; Chinese and Russian interpreters; three non-commissioned Cossack soldiers; and the mission photographer, Adolf Erazmovich ...
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National Library of Brazil
Tripoli Mosque
This image from the latter half of the 19th century depicts a street scene in Tripoli, Libya, under the minaret of a nearby mosque. Baedeker’s The Mediterranean (1911) said of Tripoli: “The town with its white houses, its slender minarets of the Turkish type, its green gardens and groups of palms, the reddish-yellow dunes of drift-sand from the Sahara, and the deep-blue sea, all bathed in dazzling sunshine, present a most fascinating picture.”
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Library of Congress
Tripoli Mosque
This late 19th-century photograph depicts a street scene in Tripoli, Libya, under the minaret of a nearby mosque. Baedeker’s The Mediterranean (1911) noted of Tripoli: “The town with its white houses, its slender minarets of the Turkish type, its green gardens and groups of palms, the reddish-yellow dunes of drift-sand from the Sahara, and the deep-blue sea, all bathed in dazzling sunshine, present a most fascinating picture.”
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Library of Congress
Samarkand. Portion of Shir-Dar Minaret and Its Dome with Tillia-Kari
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Antiquities of Samarkand. Madrasah of Bibi Khanym. Minaret on the Northwest Corner
This photograph of the northwest minaret at the Bibi Khanym Mosque ensemble in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72, under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire's Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. Built in 1399-1405 with the spoils of Timur’s ...
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Library of Congress
Antiquities of Samarkand. Madrasah of Bibi Khanym. Congregational Mosque
This photograph of a ceramic panel on the facade of the main mosque at the Bibi Khanym ensemble in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. Built in 1399-1405 ...
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Library of Congress
Antiquities of Samarkand. Madrasah of Tillia Kari. Inner Courtyard (Southern Side). Upper Part of the Minaret
This photograph of a minaret on the south side of the Tillia Kari Madrasah in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. In the center of Samarkand is the ...
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Library of Congress
Antiquities of Samarkand. Madrasah of Ulugh Beg. Main Facade (Eastern)
This photograph of the main facade of the Ulugh Beg Madrasah in Samarkand (Uzbekistan) is from the archeological part of Turkestan Album. The six-volume photographic survey was produced in 1871-72 under the patronage of General Konstantin P. von Kaufman, the first governor-general (1867-86) of Turkestan, as the Russian Empire’s Central Asian territories were called. The album devotes special attention to Samarkand’s Islamic architecture, such as 14th- and 15th-century monuments from the reign of Timur (Tamerlane) and his successors. In the center of Samarkand is the Registan ensemble, composed ...
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Library of Congress
Mosque in Vladikavkaz
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Tillia-Kari from Uluk-Bek. Samarkand
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Mirza-Uluk-Bek. Registan. Samarkand
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Tillia-Kari from Registan Square. Samarkand
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Right Dome of Shir-Dar Mosque. Samarkand
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Portion of the Left Minaret. Bibi-Khanym. Samarkand
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Arched Entranceway to a Mosque with Minaret
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Street Scene with Vendors, Minaret in Background
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Passageway and Three Minarets Topped with Birds' Nests
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Children Sitting along Passageway, Two Minarets Topped with Birds' Nests in Background
At the beginning of the 20th century, the Russian photographer Sergei Mikhailovich Prokudin-Gorskii (1863–1944) used a special color photography process to create a visual record of the Russian Empire. Some of Prokudin-Gorskii’s photographs date from about 1905, but the bulk of his work is from between 1909 and 1915, when, with the support of Tsar Nicholas II and the Ministry of Transportation, he undertook extended trips through many different parts of the empire.
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Library of Congress
Mosque in Al-Ain
This 1963 photograph shows an early example of a mosque and its minaret in Al-Ain, a desert oasis located approximately 160 kilometers east of the city of Abu Dhabi in the emirate of Abu Dhabi. Al-Ain (“the spring” in Arabic) takes its name from the abundant supply of underground fresh water that has been used for centuries to irrigate date groves and small farms. The photograph is from the Colonel Edward "Tug" Bearby Wilson Collection in the National Library, Abu Dhabi Authority for Culture and Heritage, and was taken by ...
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Abu Dhabi Authority for Culture and Heritage
Sultan Bin Zayed I Mosque
This 1960s photograph shows the Shaykh Sultan bin Zayed I Mosque in Al-Bateen, a neighborhood of the city of Abu Dhabi. In the foreground are mahāmil, a type of fishing boat used in the Arabian Gulf. The photograph is from the Colonel Edward "Tug" Bearby Wilson Collection in the National Library, Abu Dhabi Authority for Culture and Heritage, and was taken by Wilson. Colonel Tug Wilson (1921–2009) was a British army officer who, in the 1960s, was seconded to the government of Abu Dhabi to help build the national ...
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Abu Dhabi Authority for Culture and Heritage
Pundorah. Bengal - "Mahomed Tower near Hooghly"
This watercolor is from a collection of 18 paintings of Indian subjects by William Tayler (1808–92) dating from around 1842–45. Tayler was a civil servant of the East India Company who lived in India from 1829 until 1867. He became commissioner of Patna in 1855 and in 1857 was involved in the suppression of the Sepoy Rebellion. His measures against the local people were regarded as excessively harsh by his superiors, and he was suspended and given an appointment of lower rank. An enthusiastic amateur artist, Tayler sketched ...
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Brown University Library